Anthony Trollope: Sir Harry Hotspur of Humblethwaite

You entered the mansion by a court that was enclosed on two sides altogether, and on the two others partially. Facing you, as you drove in, was the body of the building, with the huge porch projecting on the right so as to give the appearance of a portion of the house standing out on that side. On the left was that old mythic Tudor remnant of the monastery, of which the back wall seen from the court was pierced only with a small window here and there, and was covered with ivy. Those lattice windows, from which Emily Hotspur loved to think that the monks of old had looked into their trim gardens, now looked on to a bowling-green which was kept very trim in honour of the holy personages who were supposed to have played there four centuries ago. Then, at the end of this old building, there had been erected kitchens, servants' offices, and various rooms, which turned the corner of the court in front, so that only one corner had, as it were, been left for ingress and egress. But the court itself was large, and in the middle of it there stood an old stone ornamental structure, usually called the fountain, but quite ignorant of water, loaded with griffins and satyrs and mermaids with ample busts, all overgrown with a green damp growth, which was scraped off by the joint efforts of the gardener and mason once perhaps in every five years.

It often seems that the beauty of architecture is accidental. A great man goes to work with great means on a great pile, and makes a great failure. The world perceives that grace and beauty have escaped him, and that even magnificence has been hardly achieved. Then there grows up beneath various unknown hands a complication of stones and brick to the arrangement of which no great thought seems to have been given; and, lo, there is a thing so perfect in its glory that he who looks at it declares that nothing could be taken away and nothing added without injury and sacrilege and disgrace. So it had been, or rather so it was now, with the Hall at Humblethwaite. No rule ever made for the guidance of an artist had been kept. The parts were out of proportion. No two parts seemed to fit each other. Put it all on paper, and it was an absurdity. The huge hall and porch added on by the builder of Queen Anne's time, at the very extremity of the house, were almost a monstrosity. The passages and staircases, and internal arrangements, were simply ridiculous. But there was not a portion of the whole interior that did not charm; nor was there a corner of the exterior, nor a yard of an outside wall, that was not in itself eminently beautiful.

Lord Alfred Gresley, as he was driven into the court in the early dusk of a winter evening, having passed through a mile and a half of such park scenery as only Cumberland and Westmoreland can show, was fully alive to the glories of the place. Humblethwaite did not lie among the lakes, – was, indeed, full ten miles to the north of Keswick; but it was so placed that it enjoyed the beauty and the luxury of mountains and rivers, without the roughness of unmanageable rocks, or the sterility and dampness of moorland. Of rocky fragments, indeed, peeping out through the close turf, and here and there coming forth boldly so as to break the park into little depths, with now and again a real ravine, there were plenty. And there ran right across the park, passing so near the Hall as to require a stone bridge in the very flower-garden, the Caldbeck, as bright and swift a stream as ever took away the water from neighbouring mountains. And to the south of Humblethwaite there stood the huge Skiddaw, and Saddleback with its long gaunt ridge; while to the west, Brockleband Fell seemed to encircle the domain. Lord Alfred, as he was driven up through the old trees, and saw the deer peering at him from the knolls and broken fragments of stone, felt that he need not envy his elder brother if only his lines might fall to him in this very pleasant place.

He had known Humblethwaite before; and, irrespective of all its beauties, and of the wealth of the Hotspurs, was quite willing to fall in love with Emily Hotspur. That a man with such dainties offered to him should not become greedy, that there should be no touch of avarice when such wealth was shown to him, is almost more than we may dare to assert. But Lord Alfred was a man not specially given to covetousness. He had recognized it as his duty as a man not to seek for these things unless he could in truth love the woman who held them in her hands to give. But as he looked round him through the gloaming of the evening, he thought that he remembered that Emily Hotspur was all that was loveable.

But, reader, we must not linger long over Lord Alfred's love. A few words as to the father, a few as to the daughter, and a few also as to the old house where they dwelt together, it has been necessary to say; but this little love story of Lord Alfred's, – if it ever was a love story, – must be told very shortly.

He remained five weeks at Humblethwaite, and showed himself willing to receive amusement from old Mrs. Crutchley and from young Mrs. Latheby. The shooting was quite good enough for him, and he won golden opinions from every one about the place. He made himself acquainted with the whole history of the house, and was prepared to prove to demonstration that Henry VII.'s monks had looked out of those very windows, and had played at bowls on that very green. Emily became fond of him after a fashion, but he failed to assume any aspect of divinity in her eyes.

Of the thing to be done, neither father nor mother said a word to the girl; and she, though she knew so well that the doing of it was intended, said not a word to her mother. Had Lady Elizabeth known how to speak, had she dared to be free with her own child, Emily would soon have told her that there was no chance for Lord Alfred. And Lady Elizabeth would have believed her. Nay, Lady Elizabeth, though she could not speak, had the woman's instinct, which almost assured her that the match would never be made. Sir Harry, on the other side, thought that things went prosperously; and his wife did not dare to undeceive him. He saw the young people together, and thought that he saw that Emily was kind. He did not know that this frank kindness was incompatible with love in such a maiden's ways. As for Emily herself, she knew that it must come. She knew that she could not prevent it. A slight hint or two she did give, or thought she gave, but they were too fine, too impalpable to be of avail.

Lord Alfred spoke nothing of love till he made his offer in form. At last he was not hopeful himself. He had found it impossible to speak to this girl of love. She had been gracious with him, and almost intimate, and yet it had been impossible. He thought of himself that he was dull, stupid, lethargic, and miserably undemonstrative. But the truth was that there was nothing for him to demonstrate. He had come there to do a stroke of business, and he could not throw into this business a spark of that fire which would have been kindled by such sympathy had it existed. There are men who can raise such sparks, the pretence of fire, where there is no heat at all; – false, fraudulent men; but he was not such an one. Nevertheless he went on with his business.

"Miss Hotspur," he said to her one morning between breakfast and lunch, when, as usual, opportunity had been given him to be alone with her, "I have something to say to you, which I hope at any rate it will not make you angry to hear."

"I am sure you will say nothing to make me angry," she replied.

"I have already spoken to your father, and I have his permission. I may say more. He assures me that he hopes I may succeed." He paused a moment, but she remained quite tranquil. He watched her, and could see that the delicate pink on her cheek was a little heightened, and that a streak of colour showed itself on her fair brow; but there was nothing in her manner to give him either promise of success or assurance of failure. "You will know what I mean?"