Cleveland Moffett - Careers of Danger and Daring

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"Does it make any noise?"

"Usually not. Now and then there is a creaking of the basket or a rustle of fabric, as you pass from one wind current to another, but as you drift along there is perfect stillness. I know nothing like the peace of a balloon sweeping in a storm. You feel like a disembodied spirit. You have no weight, no bonds; you fly faster than the swiftest express train. More than once Carlotta has raced a train going fifty miles an hour and beaten it."

"Is there danger to a balloon in a thunderstorm?"

"Apparently not, but it is terrifying to be in one. You seem to be at the very point where the lightning starts and the thunder-crash is born. All about you are roarings and blinding flashes, and it rains up on you and down on you, and in on you from all sides. While I never heard of a free balloon being struck by lightning, it is a common thing for operators on the ground even in fair weather to get shocks of atmospheric electricity down the anchor ropes of captive balloons."

Our talk drifted on, and the professor told of exciting times reporting the great yacht races from captive balloons (with reporters turning seasick in the plunging basket), and remarkable phenomena observed from balloons and double colored shadows of balloons (called parhelions) cast on clouds, and wonderful light effects, as when a marveling aëronaut looks down upon a sea of silver clouds bathed in sunshine and through black clefts sees a snowstorm raging underneath.

I was surprised to learn that at very great altitudes, say above three miles, the voice almost fails to serve, or, rather, the rarefied air loses in great part its power of voice transmission, so that in the vast silent spaces of the sky one aëronaut must literally shout to another in the same basket to make himself heard. One would say that the great, calm heavens resent the chattering intrusion of noisy little men.

II

WHICH TREATS OF EXPERIMENTS IN STEERING BALLOONS

IN all their experiments at the farm, Professor Myers and Mme. Carlotta have worked on individual lines, he striving of late years to perfect his skycycle (which is simply a balloon of torpedo shape with a rigging of propellers and fans underneath), while she has been content to gain skill in steering a balloon of ordinary shape by merely moving her body and utilizing varying air-currents, for the wind blows in different directions as you ascend.

It is remarkable how the position of an aëronaut's body may alter a balloon's movements. It is possible, for instance, to make a balloon ascend or descend, without touching valve or ballast, by a simple change of position. Stand with your legs apart, straddling from edge to edge of the basket, and by throwing your weight first on one foot and then on the other you will give a polliwog movement to the big bag above you, and it will go wriggling upward head-first some hundreds of feet. Or if you would make it descend (all this the professor explained to me), stand with your feet together in the middle of the basket, and, catching the balloon-neck at both sides, stretch your arms wide apart so that the fabric forms a chisel-edge, then sway your hips forward as far as you can, then back as far as you can, and keep doing this. Now the wriggling process is reversed; and this time the basket goes first, "tail wagging the dog," and the balloon descends.

This ability to rise or fall at will allows Mme. Carlotta to pass easily from one train of clouds to another, and, by long study of these cross-moving aërial trains, she is able to pick out the one she wants for a certain destination with almost the precision of a foot-passenger selecting his particular street-car or changing from one to another. And in descending she has learned to steer forward or back, to left or right, by tipping the basket foot-board in the direction she wishes to take. The balloon follows the lowest edge of the foot-board as a ship follows her rudder.

An almost incredible instance of the skill attained by Carlotta in these experiments was furnished some dozen years ago at Ottawa, where she made an ascension never forgotten by the people of that city. It was a grand occasion in honor of Queen Victoria's gift of the Crystal Palace to her loyal subjects, and Canada had rarely seen such a gathering. Twenty-five thousand people, as was estimated, were packed inside the Exposition grounds to see the aëronaut rise to the clouds. And there at the appointed time stood Carlotta on a raised platform, with the multitude about her, waiting for the balloon. She wore a short skirt over a gymnasium suit, and made an attractive picture with her fine figure and golden-bronze hair. So thought various city dignitaries, who chatted with her admiringly while the crowd surged about them.

Meantime Professor Myers was anxiously watching the manœuvers of some Indians hired by a committee to tow the balloon from gas-works two miles distant, where it had been filled. This was rather against the professor's judgment, for the Rideau River, flowing by the grounds, offered an obstacle that could be overcome only with the help of canoes and tow-lines; and to paddle a big balloon across a river, a fresh-filled, hard-tugging balloon, is not a thing to be undertaken lightly. And in spite of all their skill these Indians found themselves presently lifted into the air, canoes and all (oh, they were badly frightened Indians!), not quite clear of the water, but high enough to make it doubtful if they would ever reach shore, and highly interesting to the crowd which pressed down to the river, even into the river, in well-meant efforts to help, and dragged the balloon up the bank and along toward the platform with such eagerness that they tore great rents in it that let out the gas in volumes.

In an instant, as happens in crowds, the balloon became the center of a struggling mass of people, who slowly pressed in from all sides to see what the matter was. Now, when twenty-five thousand people are all pressing slowly toward one point, it is apt to fare ill with those at that point; and had not Carlotta acted on a flash of inspiration there would surely have been disaster in that merciless crush. She looked over the shouting, swaying multitude, and in a second saw the danger – saw women held helpless and fainting in that jam of bodies; saw one way, and only one, to save the situation, and took that way. Stepping off the platform, she ran lightly and swiftly over heads and shoulders, packed solid, and came to the balloon. Such was the people's fright that they scarcely felt her pass.

"You can't go up," cried her husband; "the balloon is a wreck."

"I must go up," she answered; "if I don't these people will be crushed to death."

"There's a hole in her big enough to drive a team through," he protested; but already she was in the basket, and a great cheer arose.

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