George Fenn - A Little World

But you might have entered Tim’s room a score of times without detecting little Pine’s bed, which was an ingeniously contrived affair like a cupboard, that doubled up and doubled down, and creaked and groaned and sprawled about when in use, and had a bad habit of bursting open its doors when closed, and coming down when least expected in the shape of a bedding avalanche. But these accidents only occurred when Mrs Ruggles had ventured upon the doubling up of that piece of furniture, for Tim was the only person who thoroughly understood its idiosyncrasies, and possessed the skill and ingenuity to master its obtrusiveness. In effect, the first thing to be done was to make the bed, which Tim did regularly; then when all was well tucked in, to double back clothes and mattress, and with one rapid acrobatic evolution, performed in all its intricacies without a moment’s hesitation, to kick its legs from beneath it as you seized it at the foot, force your knee vigorously into its stomach, and then, as it folded, to drive all before you back into a state of collapse, banging to and bolting the doors in its face before it had time to recover; for if you were not rapid in your motions, down you went with the recoil, to be pinned to the floor by an incubus of wood and sacking. But, manage the matter as did Tim Ruggles, taking care that no corners of sheet, blanket, or quilt stood out between cracks, and to all appearance that bed might have been a secretary.

Tim was not a large man, either in person or ways; in fact, cross-legged upon his board, he often seemed half lost in the garment he was making. Dry he was, and shrunken, as if overbaked – a waster, in fact, from Nature’s pottery. The effect of the shrinking was most visible in his face, whose skin seemed not to fit, but fell into pucker, crease, and fold, above which shone, clear, white, and firm, his bald forehead and crown, fringing which, and standing out on either side, was a quantity of grizzled, frizzly, tufty hair, imparting a fierce look that was perfectly unreal.

Tim had just fetched his hot iron from the fire, and gone back to press off the garment he was completing; he had run his finger along the bars of a canary cage, and had it pecked by the bird within; gazed at the eternal prospect of back windows, cisterns, and drying clothes; sighed, wiped his nose upon a piece of cloth kept for the purpose, and then sat, sleeve-board in one hand, sponge in the other, the image of despair, as smothered cries, the pattering of blows, and half-heard appeals, as of one who dared not cry out, fell upon his ear.

As Tim Ruggles sat over his work with a shudder running through his frame, there rang out, at last, in thrilling tones —

“Oh! oh! oh! please not this time – not this time. Oh! don’t beat me.” Now louder, now half smothered, till Tim twisted, and shuffled, and writhed as if the blows so plainly to be heard were falling upon his own shoulders; each stroke making him wince more sharply, while his face grew so puckered and lined as to be hardly recognisable.

“I can’t stand it,” he groaned at last; and then he gave a start, for he had inadvertently placed his hand upon his hot iron.

Then came again the anguished appeal for pardon, accompanied by cry after cry that seemed to have burst forth in spite of the utterer’s efforts to crush them down, till Tim, as he listened to the wailing voice, the whistling of stick or cane, and the dull thud of falling blows, seemed to shrink into himself as he turned his back to the sounds, stopped his ears with his finger and a wet sponge, and then sat crouched together regardless of trickling water making its way within his shirt-collar.

At last the cries ceased, and the silence was only broken by an occasional suppressed sob; but Tim moved not, though the door opened, and from the inner room came a tall, hard, angular woman, rigid as the old whalebone umbrella rib she held in one hand, leading, or rather dragging in a child with the other. She was a woman of about forty, such as in a higher class of life would have been gifted with a mission, and let people know of the fact. As it was, she was but a tailor’s wife with a stiff neck: not the stiff neck of a cold which calls for hartshorn, friction, and flannel, but a natural rigidity which caused her to come round as upon a pivot when turning to address a speaker, at a time when with other people a movement of the head would have sufficed.

“Tim!” she cried, as she stepped into the room, opening and closing her cruel-looking mouth with a snap.

Tim heard the meaning cry, and, starting quickly, the next moment he was busily at work as if nothing had happened.

Mrs Ruggles said no more, but proceeded to place her whalebone rod upon a perch over the fire-place. Her back was turned while doing this, a fact of which Tim took advantage to kiss his hand to the cowering child, when, save at distant intervals, she ceased to sob.

“I don’t think you need beat poor Pine so,” said Tim at last, in a hesitating way, “What was it for?”

“Come here,” shouted Mrs Ruggles to the child; “what did I whip you for?”

With the cowering aspect of a beaten dog, the child came slowly forward into the light: sharp-featured, tangled of hair, red-eyed, cheek-soiled with weeping. Tim Ruggles winced again as he looked upon her thin bare arms and shoulders, lined by the livid weals made by the sharp elastic rod of correction, ink-like in its effects, the dark marks seeming to run along the flesh as the vicious blows had fallen. The poor child crept slowly forward, as if drawn by some strange influence towards Mrs Ruggles, her eyes resting the while upon Tim, whose face was working, and whose fingers opened and closed as if he were anxious to snatch the child to his heart.

“Now, ask her what she was whipped for,” shouted Mrs Ruggles. “Tell him. What was it for?”

“For – for – taking – ”

“Ah! what’s that? For what?” shouted Mrs Ruggles.

“For – for – for stealing – for – for – oh! – oh! – oh!” cried the child, bursting into an uncontrollable fit of sobbing, “I didn’t do it – I didn’t do it!”

And there she stopped short: the words, the sobs, the wailing tone, all ceased as if by magic, as Mrs Ruggles snatched the whalebone from its supporting nails.

“Yes, yes,” the child shrieked in haste, as the rigid figure and the instrument of torture approached – “for stealing the cake from the cupboard.” And then teeth were set fast, lips nipped together, hands clenched, and eyes closed, and the whole of the child’s nine years’ old determination seemed to be summoned up to bear the blow she could hear about to descend. The whalebone whistled through the air, and, in spite of every effort, the cut which fell upon the bare shoulders elicited a low wail of suffering.

A deep sigh burst from Tim Ruggles’ breast, and he bent lower over his work, moving his iron, but over the wrong places, as he closed his eyes not to see the child fall upon her knees and press both hands tightly over her lips to keep back the cry she could not otherwise conquer; her every act displaying how long must have been the course of ill-treatment that had drawn forth such unchildlike resolution and endurance.

“Now,” cried Mrs Ruggles, “no noise!” though her own sharp unfeminine tones must have penetrated to the very attics as she spoke. “There, that will do. Now get up this minute.”

“But,” said the little tailor, humbly, “you should always ask before you punish, Mary. I – I took the piece of cake out of the cupboard, because I hardly ate any breakfast.”

“Tim – Tim – Tim!” cried Mrs Ruggles; and as she spoke, she looked at him sideways, her eyes gleaming sharply out of the corners. “You false man, you! but the more you try to screen her that way, the more I’ll punish. How many times does this make that I’ve found you out?”