Harold Bindloss - Johnstone of the Border

In the meanwhile, Andrew sat at the helm, his mind busy with gloomy thoughts.

It was a stormy evening when Whitney caught his first glimpse of Appleyard. He felt disappointed. He had expected to see an ancient Border tower with modern additions; but the low, straight-fronted house did not look much more than a century old. It was solidly built of gray granite, with mullioned windows and a small pepper-box turret at one end, but while it made no pretense of architectural beauty, Whitney admitted that it had some charm. For one thing, Appleyard stood boldly on the breast of a knoll, with dark firs packed closely about it, and the landscape it commanded was ruggedly wild. Bleak pastures and lonely moorland, stained a purple-red, rolled back to the hills that melted into leaden cloud in the north. To the south, a strip of green littoral was dotted with white farmsteads and traversed by the curves of a river that flashed where it caught the light.

Beyond this level strip, the Solway sands ran far out to sea, glowing red in the angry sunset and pierced by channels of slate-green water. In the distance, a narrow white line showed where their edge was washed by the receding tide. On the western shore of the wide estuary, Criffell's lonely height stood out, a harsh dark-blue, against a saffron glare.

The car sped across an iron bridge spanning a ravine where hazel, mountain-ash, and scrub oak grew among the stones, skirted a broad lawn, and stopped at the door. Whitney was presented to Mrs. Woodhouse and Staffer, who welcomed him cordially, and then he shook hands with Dick. They entered the house at once, and Whitney found himself in a large, square hall, which looked older than the rest of the building. The light was dim, for the windows were narrow and were placed unusually high in the massive walls. A wood fire burned in the big, old-fashioned hearth, but the place felt chilly and especially cheerless.

Dick took them up a staircase that led to a gallery at the back of the hall.

"Your kit arrived from Glasgow, and I think you'll find all you want laid out in your rooms," he said. "Dinner will be ready as soon as you have changed."

They went along a passage, and Whitney was glad to be left alone in his room. It was his first visit to an old Scottish house, and although not an antiquarian he was capable of receiving impressions from places, and he wanted to discover what influence Appleyard had on him. He noted that a fire was laid ready in the grate, although it was August and until that morning the weather had been warm. The room was rather bare, but the few articles of old-fashioned furniture were solid and were made on a good model. They were marked by a certain austerity of taste, and he thought of them as business-like. The plain, self-colored rugs and curtains had a similar effect. Everything that utility demanded was there, but he marked the absence of luxury and ornament.

The walls were very thick, and there were seats in the deep window recesses. Opening one of the casements, Whitney stopped a minute and looked out. He could see a stretch of wet sands that were now growing dim, and the faint line of surf, and then, by turning sharply, black hills running back into gathering cloud. The air was unusually keen, and although darkness was fast coming on, the distance was clean-cut and sharp. The landscape somehow harmonized with the house; it was perhaps a trifle harsh, but it had a peculiarly distinctive character.

Andrew came in while Whitney was dressing, and finding him not ready, he went down first.

There was no one in the hall when Andrew reached it, and he was satisfied to be alone as he stood by the hearth, looking about. A lamp had been lighted, but the illumination did not carry far, and the high roof and the corners were shadowy. The hall occupied the lower story of the old central tower, which had served as a fort in bygone years but had since been partly rebuilt and incorporated in the house. Andrew knew its history, for he loved Appleyard. He was, in some respects, truer to the type of the men who had built and fought for it than Dick. He was not jealous of his cousin, but it was hard to feel himself a mere passing guest in the old house, and a vague discontent tempered his satisfaction at coming home. Besides, he was poor, and was condemned by an accident to a life of obscurity. He wondered why Elsie had not been there to welcome him, as she had always done on previous visits. He remembered her frank regret when he last went away. Indeed, he had often pictured her as she stood by the lodge gate, a slender, fresh-faced girl, with ruffled hair and a hint of tears in her blue eyes. She was as graceful as a fawn; but her beauty as yet was immature.

Andrew heard a sound behind him, and turning from the fire he saw a girl coming down the stairs. She stood out against the dark-paneled walls, for her pale green dress caught the light and shimmered. It went well with her auburn hair, emphasizing the pure white and pink of her skin; and it matched her eyes, which had the changing color of the sea. The immature grace Andrew had known had gone; there was something of distinction in her carriage.

While he gazed at her, she came toward him with a frank smile of pleasure.

"It's very nice to have you back," she said. "I couldn't get home until a few minutes after you arrived. Roy lost a shoe as I was driving up the Lockerbie road."

Andrew took her hand and held it for a moment, but the only remark he could think of was:

"You have Roy yet?"

Elsie laughed as if she understood, and rather liked, his embarrassment.

"Oh, yes. He's still going strong, and when Kevan re-shod him he brought me home in record time. But you're very brown and looking well."

"It's good to be back at Appleyard," he said quietly.

"You're still very fond of it? So am I, though that may seem curious, because I'm really an outsider."

"That applies to me more than to you, because the old place would never be the same without you."

Elsie looked at him as he stood, gravely quiet, studying her.

"Well," she said, "Appleyard is Dick's. His father was a true Johnstone, his mother a Jardine, but you make one feel that you're more at home here than he is. I can't account for it. Can you?"

"I might blame your imagination," he answered, smiling.

Elsie gave him a roguish look, which made her seem more like the little Elsie he had known two years before.

"You haven't told me how I'm looking," she said. "Perhaps you don't realize that this gown was made in Paris and was put on in your especial honor."

"You're rather wonderful," Andrew replied gravely. "But then you always were. For all that, I had a pleasant surprise when you came downstairs."

Elsie's eyes twinkled, and he thought they looked like the sea when the sun touched it in a breeze.

"A surface change," she laughed. "Munich and London account for it. I'd run wild, you know, when you saw me last. But there's no difference underneath. You're the same too, and that's what I like. I want to keep my old friend. You must promise you won't alter."

"I'll try not to," he answered. "Perhaps I'm incapable of it; I'm not progressive. Still, there are times when I feel rather old."

"Oh, I know," she said with understanding sympathy. "But after the cheerful letters you wrote from Canada, I hoped the lameness didn't trouble you very much."

"One mustn't grumble, though it's rather hard to feel useless – just now."

Elsie's face grew thoughtful.

"Yes," she said slowly, "that must hurt. I've felt that we don't realize the seriousness of the great struggle here. It's easy to subscribe to funds and go on committees, but that kind of service leaves you cold, and we haven't practised much self-denial at Appleyard. I was glad Dick wanted to enlist, even though they wouldn't have him; but he'll tell you about it himself."