Margaret Vandercook - The Camp Fire Girls' Careers

Of course he had always known that Polly O’Neill would never be a successful actress; she was far too erratic, too emotional. If only she had been sensible for once and listened to him that day in the woods long ago! Suddenly Billy squared his broad shoulders and closed his firm young lips. For, separating herself from every one else, Polly was actually marching directly toward him, and she had ever an uncanny fashion of guessing what was going on in other people’s heads.

Underneath his country tan Billy Webster blushed furiously and honestly.

“You think I was a rank failure, don’t you?” Polly demanded at once.

Still speechless, the young man nodded his head.

“You don’t believe I ever will do much better?” Again Billy nodded agreement.

“And that I had much better have stayed at home in Woodford and learned to cook and sew and – and – well, some day try to be somebody’s wife?” the girl ended a little breathlessly.

This time Billy Webster did not mince matters. “I most assuredly do,” he answered with praiseworthy bluntness.

Now for the first time since her fiasco as Belinda, Polly’s eyes flashed with something of their old fire. And there in the presence of the company, though unheeded by them, she stamped her foot just as she always had as a naughty child.

“I will succeed, Billy Webster, I will, I will! I don’t care how many failures I may make in learning! And just because I want to be a good actress is no reason why I can’t marry some day, if there is any man in the world who could both love and understand me and who would not wish to make me over according to his own particular pattern.” Then Polly smiled. “Thank you a thousand times, though, Billy, for you are the solitary person who has done me any good tonight. It is quite like old times, isn’t it, for us to start quarreling as soon as we meet. But, farewell, I must go home now and to bed.” Polly held out her hand. “You are an obstinate soul, Billy, but I can’t help admiring you for the steadfast way in which you disapprove of me.”

Margaret Adams was in her private sitting room in her own home, an old-fashioned red brick house near Washington Square. She had been writing letters for more than an hour and had just seated herself in a big chair and closed her eyes. She looked very young and tiny at this instant to be such a great lady. Her silk morning dress was only a shade lighter than the rose-colored chair.

Suddenly ten fingers were lightly laid over her eyes.

“Guess who I am or I shall never release you,” a rich, soft voice demanded, and Margaret Adams drew the fingers down and kissed them.

“Silly Polly, as if it could be any one else? What ever made you come out in this rain, child? You had a cold, anyway, and it is a perfectly beastly day.”

Instead of replying, Polly sat down in front of a small, open fire, putting her toes up on the fender.

“You are a hospitable lady,” she remarked finally, “but I am not wet specially. I left my damp things down stairs so as not to bring them into this pretty room. It always makes me think of the rose lining to a cloud; one could never have the blues in here.”

The room was charming. The walls were delicately pink, almost flesh color, with a deeper pink border above. A few original paintings were hung in a low line – one of an orchard with apple trees in spring bloom. The mantel was of white Italian marble with a bust of Dante’s Beatrice upon it and this morning it also held a vase of roses. Over near the window a desk of inlaid mahogany was littered with letters, papers, writing materials and photographs. On a table opposite the newest magazines and books were carefully arranged, together with a framed photograph of Polly and Margaret Adams’ taken when they were in London several years before. There was also a photograph of Richard Hunt and several others of distinguished men and women who were devoted friends of the famous actress.

A big, rose-colored divan was piled with a number of silk and velvet cushions of pale green and rose. Then there were other odd chairs and tables and shaded lamps and curtains of rose-colored damask hung over white net. But the room was neither too beautiful nor fanciful to be homelike and comfortable. Two or three ugly things Margaret Adams still kept near her for old associations’ sake and these alone, Polly insisted, made it possible for her to come into this room. For she, too, was an ugly thing, allowed to stay there now and then because of past association.

Polly was not looking particularly well today. She had been acting for ten days in A Woman’s Wit , though that would scarcely explain her heavy eyelids, nor her colorless cheeks. Polly’s eyes were so big in her white face and her hair so black that actually she looked more like an Irish pixie than an ordinary every-day girl.

“You’ll stay to lunch with me, Polly, and I’ll send you home in my motor,” Margaret Adams announced authoritatively. “I suppose your mother and Mollie have gone back to Woodford? I know Betty has returned to Boston, she came in to say good-by and to tell me that she is spending the winter in Boston with her brother, Dr. Ashton, and his wife. Betty is really prettier than ever, don’t you think so? I believe it was you, Polly, who really saved Betty from marrying her German princeling, but what will the child do now without you to look after her?”

Margaret Adams arose and walked across the room, presumably to ring for her maid, but in reality to have a closer look at her visitor. For Polly had not yet answered her idle questions; nor did she even show the slightest interest in the mention of her beloved Betty’s name. Something most unusual must be the matter with her.

“I should like to stay to lunch if no one else is coming,” Polly returned a moment later. “I did not like to disturb you earlier. There is something I want to tell you and so I might as well say it at once. I am not going to try to act Belinda any longer. I am going away from New York tomorrow. Yet you must not think I am ungrateful, even though I am not going to tell you where I am going nor what I intend to do.” Polly clasped her thin arms about her knees and began slowly rocking herself back and forth with her eyes fastened on the fire, as though not daring to glance toward her friend.

At first Margaret Adams made no reply. Then she answered coldly and a little disdainfully: “So you are playing the coward, Polly! Instead of trying each night to do better and better work you are running away. If for an instant I had dreamed that you had so little courage, so little backbone, I never should have encouraged you to enter one of the most difficult professions in the whole world. Come, dear, you are tired and perhaps ill. I ought not to scold you. But I want you to forget what you have just said. Goodness knows, I have not forgotten the bitterly discouraged days I used to have and do still have every now and then. Only somehow I hoped a Camp Fire girl might be different, that her club training might give her fortitude. Remember ‘Wohelo means work. We glorify work because through work we are free. We work to win, to conquer and be masters. We work for the joy of working and because we are free.’ Long ago I thought you and I decided that the Camp Fire rules would apply equally well to whatever career a girl undertook, no matter what she might try to do or be.”

“Oh, I have not forgotten; I think of our old talks very often,” was Polly’s unsatisfactory reply.

A little nearer the fire Margaret Adams now drew her own big chair. It was October and the rain was a cold one, making the blaze comforting. The whole atmosphere of the room was peculiarly intimate and cozy and yet the girl did not appear any happier.