Marie Van Vorst - The Girl From His Town

The call page for the third time summoned “Miss La – ne, Miss La – ane,” and she took the scarf Higgins handed her and ran it through her hands, still beaming on Dan.

“Come in to see me at the Savoy on any day at two-thirty except on matinée days.”

“Put on your scarf.” Poniotowsky, taking it from her hands, laid it across her white shoulders, and she passed out between the two men, light as a bird, smiling, nodding, followed by the prince and the boy from Montana. The crowds began to fill the lately empty wings – dancers, chorus girls with their rustling gowns. Letty Lane said to Dan:

“Guess you’ll like my solo in this act all right – it’s the best thing in Mandalay . Now go along, and clap me hard.”

It gave him a new pleasure, for she had spoken to him in real American fashion with the swift mimicry that showed her talent. Dan went slowly back to his party. As he took his seat by the duchess she said to him:

“You went out to see Letty Lane. Do you know her?”

“Know her!” And as Dan answered, the sound of his own voice was queer to him, and his face flushed hotly. “Lord, yes. She used to be in the drug store in Blairtown. Sold soda-water to me when we were both kids. Whoever would have thought that she had that in her!” He nodded toward the stage, for Letty Lane had come on. “She sang in our church, too, but not for long.”

“Who was with her in her dressing-room?” the duchess asked. Blair didn’t answer. He was looking at Letty Lane. She had come to dance for the rajah and in her arms she held four white doves; each dove had a coral thread around its throat. It was a number that made her famous, The Dove Song . Set free, the birds flew about her, circling her blond head, surmounted by the small coral-colored cap. The doves settled on her shoulders, pecked at her lips.

“Was it Poniotowsky?” the duchess repeated.

And Dan told her a meaningless lie. “I didn’t meet any one there.” And with satisfaction the duchess said:

“Then she has thrown him over, too. He was the latest and the richest. She is horribly extravagant. No man is rich enough for her, they say. Poniotowsky isn’t a gold mine.”

The doves had flown away to the wings and been gathered up by the Indian servants. The actress on the stage began her Indian cradle song. She came, distinctly turning toward the box party. She had never sung like this in London before. There was a freshness in her voice, a quality in her gesture, a pathos and a sweetness that delighted her audience. They fairly clamored for her, waved and called and recalled. Dan stood motionless, his eyes fastened on her, his heart rocked by the song. He didn’t want any one to speak to him. He wished that none of them would breathe, and nearly as absorbed as was he, no one did speak.

There are certain natures to whom each appearance of evil, each form of delinquency is a fresh surprise. They are born simple, in the sweet sense of the word, and they go down to old age never of the world, although in a sense worldly. If Dan Blair’s eyes were somewhat opened at twenty-two, he had yet the bloom on his soul. He was no fool, but his ideals stood up each on its pedestal and ready to appear one by one to him as the scenes of his life shifted and the different curtains rose. He had been trained in finance from his boyhood and he was a born financier. Money was his natural element; he could go far in it. But woman ! He was one of those manly creatures – a knight – to whom each woman is a sacred thing: a dove, a crystal-clear soul, made to cherish and to protect, made to be spoiled. And in Dan were all the qualities that go to make up the unselfish, tender, foolish, and often unhappy American husband. These were some of the other things he had inherited from his father. Blair, senior, had married his first love, and whereas his boy had been trained to know money and its value, how to keep it and spend it, to save it and to make it, he had been taught nothing at all about woman. He had never been taught to distrust women, never been warned against them; he had been taught nothing but his father’s memory of his mother, and the result was that he worshiped the sex and wondered at the mystery.

With Gordon Galorey and the others he had ridden, shot better than they, and had played, but with Lady Galorey and the Duchess of Breakwater he was nothing but a child. As far as his hostess was concerned, on several occasions she had put to him certain states of affairs, well, touchingly. Dan had been moved by the stories of sore need among the tenants, had been impressed by the necessity of reforms and rebuildings and on each occasion had given his hostess a check. She had asked him to say nothing about it to Gordon, and he had kept his silence. Dan liked Lady Galorey extremely: she was jolly, witty and friendly. She treated him as a member of the family and made no demands on him, save the ones mentioned.

In the time that he had come to know the Duchess of Breakwater she, on her part, had filled him full of other confidences. Into his young ears she poured the story of her disappointment, her disjointed life, from her worldly girlhood to her disillusion in marriage. She was beautiful when she talked and more lovely when she wept. Dan thought himself in love with the Duchess of Breakwater. His conversations with her had brought him to this conclusion. They had motored from Osdene Park together, and he had been extremely taken with the pleasure of it, and with the fact of their real companionship. Two or three times the words had been on his lips, which were fated not to be spoken then, however, and Dan reached the Gaiety still unfettered, his duchess by his side. And then the orchestra had begun to play Mandalay , the curtain had gone up and Letty Lane had come out on the boards. But her apparition did not strike off his chains immediately, nor did he renounce his plan to tell the duchess the very next day that he loved her.

When with sparkling eyes Lady Galorey raved about Mandalay , Dan listened with eagerness. Everybody seemed to know all about Letty Lane, but he alone knew from what town she had come!

They went for supper at the Carlton after the theater.

“Letty,” Lady Galorey said, “tells it herself how the impresario heard her sing in some country church – picked her up then and there and brought her over here, and they say she married him.”

Dan Blair could have told them how she had sung in that little church that day. Dan was eating his caviare sandwich. “Her name then was Sally Towney,” he murmured. How little he had guessed that she was singing herself right out of that church and into the London Gaiety Theater! Anyway, she had made him “sit up!” It was a far cry from Montana to the London Gaiety. And so she married the greasy Jew who had discovered her!

Dan glanced over at the Duchess of Breakwater. She was looking well, exquisitely high bred, and she impressed him. She leaned slightly over to him, laughing. He had hardly dared to meet her eyes that day, fearing that she might read his secret. She had told him that in her own right she was a countess – the Countess of Stainer. Titles didn’t cut any ice with him. At any rate, she would be able to “buy back the old farm” – that is the way Dan put it. She had told him of the beautiful old Stainer Court, mortgaged and hung up with debts, as deep in ruins as the ivy was thick on the walls.

As Dan looked over at the duchess he saw the other people staring and looking about at a table near. It was spread a little to their left for four people, a great bouquet of orchids in the center.

“There,” Galorey said, “there’s Letty Lane.” And the singer came in, followed by three men, the first of them the Prince Poniotowsky, indolent, bored, haughty, his eye-glass dangling. Miss Lane was dressed in black, a superb costume of faultless cut, and it enfolded her like a shadow; as a shadow might enfold a specter, for the dancer was as pale as the dead. She had neither painted nor rouged, she had evidently employed no coquetry to disguise her fag; rather she seemed to be on the verge of a serious illness, and presented a striking contrast to the brilliant creature, who had shone before their eyes not an hour before. Her dress was a challenge to the more gay and delicate affairs the other women in the restaurant wore. The gown came severely up to her chin. Its high collar closed around with a pearl necklace; from her ears fell pearls, long, creamy and priceless. She wore a great feathered hat, which, drooping, almost hid her small, pale face and her golden hair. She drew off her gloves as she came in and her white, jeweled hands flashed. She looked infinitely tired and extremely bored. As soon as she took her seat at the table intended for her party, Poniotowsky poured her out a glass of champagne, which she drank off as though it were water.