Margaret Vandercook - The Loves of Ambrose

"You hadn't a right to run off from business," Miner spluttered next. Having made up his mind not to make this accusation, the little man was surprised upon hearing it explode of its own strength.

However, Ambrose, instead of appearing disturbed, attempted to arrange himself more comfortably on the grass, but finding this impossible, his voice suggested richer repose.

"Miner, ain't it ever come to you that the Lord has given human bein's time for more than one thing?" he queried, resting his chin upon his hand. "I hold with work myself most always, but now and then there comes a time, maybe it's just a short time, that is meant for something else, something that belongs to you and is intended for you to do same as your work. Maybe it's restin' and maybe it ain't."

But at this the little man rose up on his feet. "As you've made up your mind you are not goin' to tell me, Ambrose, what is the use of talkin' so much? I suppose you're sure you are not goin' to tell me?"

His companion bowed his head.

"All right then, it ain't necessary," Miner rejoined. "I know what 'tis. There ain't but one thing that could ever come between you and me and that's – a girl. If it ain't Peachy Williams that has lured you from home, then it's some one else. I've been expectin' this to happen a long time, and I've been tryin' to prepare myself for this day," – here Miner choked, and coughed in order to conceal his emotion – "but I've always said to myself: Ambrose's easy, but he's open, and he'll surely tell me in time to get a brace. Of course I know, Ambrose, that you've been plumb crazy about girls since the Lord knows when, and been sendin' mottoes and valentines since you were able to talk, but I didn't think you would reach the marryin' stage fer quite a spell. Still I can see for myself that this spring trip looks like business. It passes my knowledge," – Miner relented – "but it's you. Seems as if I couldn't bear havin' females worritin' me save those my parents and the Lord put on me to the last day I live, but you, Ambrose, you ain't never had petticoat sense and never will. Good-bye." And there was unutterable scorn in Miner's last words, as he moved away, mingled with the affection he was to feel for no living thing save Ambrose. When with head bowed, he was unconsciously treading underfoot the flowers that sprinkled his path, a fishing-pole and line deftly circled through the air caught its hook in his coat sleeve.

The one boy struggled, while the other jerked, and then a rich voice drawled: "Please come back, old man, for if you really want to know why I've run off to myself each spring for these past five years so it clean hurts you not to know, I reckon I've got to tell you."

Then Miner returned and sat down again. His friend's behaviour was now even more puzzling than before, for although Ambrose was close by, his eyes had a faraway look in them, his eyebrows were twitching, his slender nostrils quivering, and indeed, he had the appearance of a man having strayed off some great distance by himself.

"Swear you'll never give me away, Miner," he began, and holding up one of his big hands in the sunlight – his hands which were the truly beautiful thing about him – he made a mystic sign to which his companion swore.

"You won't understand when I do tell you," he hedged, "but I've been comin' away off to myself every spring since I was a boy on account of the 'Second Song of Solomon.'"

And at this Miner groaned, shutting his near-sighted eyes. "Lord, he's the chap that had a thousand wives!"

Then back to earth came Ambrose, his blue eyes swimming in mists of laughter and his shouts waking all the echoes in the hills.

"Wives!" he cried, rolling his long body over and over in the grass, and kicking out his legs in sheer ecstasy, "Miner Hobbs, if ever you git an idea fixed in your head, earthquakes won't shake it. Wives, is it? Why, I ain't given Peachy Williams a thought of my own accord since I started on this trip, nor any other girl, for that matter, so I can't for the land sakes see why I have been havin' her poked at me so continual! 'Course there wouldn't be sense in me denyin' that I have a hankerin' for girls; flesh and blood, 'ceptin' yours, Miner Hobbs, cannot deny the kind we raise in Kentucky. However, they ain't been on my mind this trip. Old King Solomon done a lot of things besides havin' a thousand wives – they was his recreation. He builded a temple and founded a nation and wrote pretty nigh the greatest poetry heard in these parts."

Here the speaker commenced pulling at the damp earth to hide his embarrassment, and then made a pretence of examining the soil that came up in his hand.

"It's the 'Second Song of Solomon' I'm meanin', Miner, and I've already told you you ain't goin' to comprehend me when I do explain," he continued patiently, "but bein's as it's you, I reckon I've got to try. It's that song about spring. Ever since I was a little boy and first heard it, why it began a-callin' me to get away for a little space to myself to try and kind of hear things grow. It's a disappointin' reason for me sneakin' off, ain't it, and foolish? I wish I had been doin' somethin' with more snap to it, just to gratify Pennyroyal. But at first, you see, I didn't mean nothin' in particular by not tellin', knowin' that folks would think my real reason outlandish, but by and by when the town got so all-fired curious and kept sayin' I was up to different sorts of mischief, I just thought I'd keep 'em guessin'." Now the long face was quivering in its eagerness to make things clear. "Why, it seems to me from the time that the first green tips come peepin' up between the stubble in the winter fields I kin hear that Solomon Song a-beatin' and a-beatin' in my ears. 'Rise up, my love, my fair one, and come away. For, lo, the winter is past, the rain is over and gone; the flowers appear on the earth; the time of the singing of birds has come, and the voice of the turtle is heard in our land.'"

But poor Miner was making a cup for his ear with his hand. "But turtles ain't voices, Ambrose, that anybody knows of," he murmured dimly; "it's frogs we hear croakin' along the river bank."

And this time Ambrose laughed to himself. "It's croaks you're always hearin', old fellow, ain't it?" he whispered affectionately. And then – "I reckon it makes no difference to me whether it's a frog or a turtle, a bird or even a tree toad. It's the song of life, I'm listenin' for, Miner."

Nevertheless, in spite of Ambrose's intentionally truthful declaration to Miner, for the rest of that afternoon and evening he was never wholly able to get free from the thought of Peachy. However, he did not then stir from his first shelter in the woods, finding endless refreshment in the beauty of the Kentucky river landscape, nor did he surrender himself readily to the lure of the feminine; but poor Ambrose was a victim of the strange force that lies embodied within a universal idea.

A bird appearing on the branch of a tree above his head and bending over, peeped into his face twittering: "Pe-che, Pe-che," as impudently as any small Susan; then, catching his eye, with a little mocking courtesy, flew away. A robin hopping on the grass near the boy's side, pecked at the crumbs left over from his luncheon; her full breast, her air of concentrated domesticity somehow recalled the image of his latest affection – Peachy, the youthful mistress of the Red Farm.

Now in setting out on this spring pilgrimage nothing had been farther from the traveller's intention than any dallying with his familiar weakness. Girls – why, the years behind Ambrose Thompson blossomed with them; never could he recall a season since his extremest boyhood when he had not been enchantingly in love. But actually there was little reason why Peachy Williams should be thrust upon him more than another save that he was growing older and had been devoting some time to her of late. Besides which, she was comely.