Irvin Cobb - J. Poindexter, Colored

NEXT morning after we gets across into Ohio, Mr. Dallas he fetches me into the Pullman car where he's riding. I finds myself more comfortable there than I has been riding up front in the colored compartment, but lesser easy in my mind. I enjoys the feel of them soft seats and yet I gets sort of uneasy setting amongst so many strange white folks. Still, there ain't nobody telling me to roust myself out from there and after a while I gets more used to being where I now is. Also I gets acquainted with two of the porters, the one on our car and the one on the car which is hitched on next to us. When they ain't busy, we all three gets out in the little porches betwixt the cars and confabs together. 'Course I don't let on to them, but all the time I studies them two boys. The one on our car, which his given name is Roscoe, is short and chunky and kind of fatted out; he's black as the pots and powerful nappy-headed besides. His head looks like somebody has done dipped it in a kettle of grease and then throwed a handful of buckshot at it and they all stuck. But he's smart; he knows what's service. I sees that plain.

With Roscoe it's this way: A lady gets on board the car. No sooner does she sit down and begin to fumble with the hat-pins than there's old Roscoe standing right alongside of her holding a big paper bag in his hands all opened out for her to put her hat in it and keep it out of the dust. A gentleman setting in the smoking-room reaches in his pocket and gets a cigar out. Before he rightly can bite the end of it off, here is this here same Roscoe at his elbow with a match ready. Roscoe he ain't hanging back waiting for folks to ask him for something and then have them getting all fretful whilst he's running to find whatever 'tis they wants. No sir, not him. He's there with the materials almost before they is made up their minds what it is they craves next. He just naturally beats 'em to it; which I'll tell the world that's service.

He's powerful crafty about his tips, too. When he does something for a passenger and the passenger reaches in his pocket to get a little piece of chicken-feed out to hand over to Roscoe, he smiles and holds up his hand.

"No, suh," he says to him, "keep yore funds whar they now is, please, suh. There ain't no hurry – we're goin' travel quite a piece together. W'en we gits to whar you gits off, ef you is puffec'ly satisfied wid all whut has been done in yore behalf then you kin slip me a lil' reward, ef you's a-mind to."

He tells me in confidences that working it that-a-way he gets dollars where he would a-got dimes. He calls it his deferred payment plan. He says some months his tips run three times what his wages is. I'll say that old tar-baby certainly is got something in his head besides sockets for his teeth to set in.

The other porter, the one which is on the car next behind, is as different from Roscoe as day is from night. He calls himself Harold. But I knows just from looking at him that he's too old for such a fancy entitlement as that. 'Cause Harold is a new-issue name amongst us colored, and this here boy must be rising of forty years old, if he's a day. This Harold is yellow-complected and yet he ain't the pure high yellow, neither; he's more the shade of a slice of scorched sponge cake. He's plenty uppidity. And I takes notice that the further North the train goes the more uppidity he gets. He quits saying "No, ma'am," and "Yas, suh," almost before we leaves Cincinnati. He quits saying "Thanky, suh ," and he starts saying " I thank you," in such a way it sounds like he was actually doing you a favor to accept your two bits. He starts talking back to passengers which complains about something. He acts more and more begrudgeful until it looks like it must actually hurt him to step along and do something which somebody on the train wants done. Along about Pittsburgh he's got so brash that I keeps watching for some white man to rise up and knock that boy's mouth so far round from the middle of his face it'll look like his side-entrance. But nothing like that don't happen and I is most deeply surprised and marvels greatly. I says to myself, I says:

"Harold," I says, "I aims to git yore likeness well fixed in my mind 'cause I got a presentermint 'at you ain't goin' be 'round yere so very much longer an' I wants to be able to remember how you looked, after you is gone frum us. Some these times you is goin' git yore system mixed an' start bein' biggotty on yore way South an' 'en you is due to wake up at the end of yore run all organized to attend yore own fune'l. Yas, suh, man, w'en you comes to in Newerleans you'll a-been daid fully twelve hours. I kin jest shut my eyes right now an' see the cemetery sexton pattin' you in the face wid a spade."

I talks to him about the way he acts. Course I does not come right out and ask him about it; but I leads him up to it gentle and roundabout. He tells me he don't aim to let nobody run over him. He tells me he considers himself just as good as they is, if not better. He says he lives in a place called Jersey City where the colored race gets their bounden rights and if they don't get 'em they up and contends for 'em until they do. I says to him, I says:

"Harold," I says, "I ain't never been about nowhars much till this present trip an' I ain't never seen much, so you must excuse of my ign'ence but the way it looks to me, I'd ruther be happy amongst niggers then miser'ble amongst w'ite folks."

He says to me ain't I got no respect for my color? I says to him I's got so much respect for it that I ain't aiming to jam myself into places where I ain't desired. He says that ain't the point; he says the point is that I is got to stand up for the entitled rights and privileges of the colored race. I says where I comes from I also has got to think about keeping from getting my head all peeled. He says to me I'll find out before I has been long up North that there is a sight of difference betwixt Kentucky and New Jersey. I says to him that most doubtless he is right. And then he says I should also be careful about speaking the word "nigger." He says the word ain't never used no more amongst colored folks which respects themselves. I says to him, I says:

"Huh!" I says. "Well, then, whut does you call a boy w'en you's blabbin' 'long wid him friendly-lak?"

He says it is different when I is strictly amongst my own color, but that I mustn't never speak the word "nigger" in front of white folks nor never allow no white man to call me that and get away with it.

I says:

"Not even ef you is wu'kin' fur him an' he don't call it to you to hurt yore feelin's nor to demean you but jest sez it sociable an' so-an'-so?"

He says:

"Not under no circumstances whutsomever."

I says:

"How is I goin' stop him?"

He says:

"Wid yore fists. Or half of a loose brick. Or somethin'."

I says to Harold:

"Harold," I says, "you shore wuz right jest now w'en you norrated 'at they wuz a diff'ience betwixt Kintucky an' up-North. Well, live an' learn," I says, "live an' learn. Only, ef I aims to learn frum you I has doubts whether I'll live so ver' much longer."

We talks some more about making money, too. It seems like the closer you gets to New York City the more you thinks about money. I noticed it then and I notices it since, frequent. He says to me that some of the boys in the sleeping-car portering business don't depend just on their wages and their tips alone. He says they has another way for to pick up loose change. He says he don't follow after it himself; he says he has got one or two other boys in mind which he has talked with 'em and knows how they does it.

I says to him, I says:

"Specify?"

He says:

"The way these yere boys gits they money is 'at they gits it late at night after ever'body has done went to baid. Most gin'elly a man 'at's travelin' he don't keep track of his loose change. Anyhow, he don't keep near ez close track of it ez he do w'en he's home. He's buyin' hisse'f a cigar yere an' a paper-back book there an' a apple in this place an' a sandwitch in 'at place, an' he jest stick the change in his pants pocket an' goes on 'bout his bus'ness. Well, come baid-time, he turns in. We'll say you is the porter on his car. You goes th'ough the car till you comes to his berth. You parts the curtains jest ez easy ez you kin an' you peeps in th'ough the crack an' see ef he's sleepin' good. Ef his pants is all folded up smooth you better ramble along an' leave 'at man be. Folded pants is most gine'lly a sign of a careful man w'ich the chances is he knows how much he's got to a cent. But ef his pants is kind of wadded-up in the lil' hammock or flung to one side sort of keerless-lak, you reaches in an' you lifts 'em out. But fust you wants to be shore he's sleepin' sound. Them w'ich sleeps on the back wid the mouth open is the safetest."