Amelia Barr - Maids, Wives, and Bachelors

How can love be the be-all and the end-all of life with us, when steam-looms and litigation, railway shares and big bonanzas, cotton and corn, literature and art, politics and dry goods, and a thousand other interests share our affections and attentions? It is impossible that our life should be the mere machinery of a love plot; it is rather a drama in which love is simply one of the dramatis personæ .

This fact is well understood, even if not acknowledged in words; the sighs and the fevers, the hoarding of flowers and gloves, the broken hearts and shattered lives, all for the sake of one sweet face, still exist in literature, but not much in life. Lovers of to-day are more given to considering how to make housekeeping as easy as matrimony than to writing sonnets to their mistresses’ eyebrows. The very devotion of ancient times would now be tedious, its long protestations a bore, and we lovers of the nineteenth century would be very apt to yawn in the very face of a sixteenth-century Cupid. Let the modern lover try one of Amadis’ long speeches to his lady, and she would likely answer, “Don’t be tiresome, Jack; let us go to Thomas’ and hear the music and eat an ice-cream.”

Is love, then, in a state of decay? By no means – it has merely accommodated itself to the spirit of the age; and this spirit demands that the lives of men shall be more affected by Hymen than by Cupid. Lovers interest society now solely as possible husbands and wives, fathers and mothers of the republic. Lord Lytton points out this fact as forcibly exemplified in our national dramas. Every one feels the love scenes in a play, the sentimental dialogues of the lovers, fatiguing; but a matrimonial quarrel excites the whole audience, and it sheds its pleasantest tears over their reconciliation. For few persons in any audience ever have made, or ever will make, love as poets do; but the majority have had, or will have, quarrels and reconciliations with their wives.

“Men have died from time to time, and worms have eaten them – but not for love;” and if this was true of Shakespeare’s times, it is doubly so of ours. If there ever was any merit in dying for love, we fail to see it; occasionally a man will wildly admit that he is making a fool of himself for this or that woman, but though we may pity him, we don’t respect him for such a course. Women, still more rarely than men, “make fools of themselves” on this score; and in spite of all poets assert to the contrary, they are eminently reasonable, and their affections bear transplanting.

In other respects we quite ignore the inflation of old love terms. “Our fate,” “our destiny,” etc., resolve themselves into the simplest and most natural of events; a chat on a rainy afternoon, a walk home in the moonlight, mere contiguity for a season, are the agents which often decide our love affairs. And yet, below all this, lies that inexplicable something which seems to place this bit of our lives beyond our wisest thoughts. We can’t fall in love to order, and all our reasoning on the subject resolves itself into a conviction that under certain inexplicable conditions, “it is possible for anybody to fall in love with anybody else.”

Perhaps this is a part of what Artemus Ward calls the “cussedness” of things in general; but at any rate we must admit that if “like attracts like,” it attracts unlike too. The scholar marries the foolish beauty; the beauty marries an ugly man, and admires him. Poverty intensifies itself by marrying poverty; plenty grows plethoric by marrying wealth. But how far love is to blame for these strange attractions, who can tell? Probably a great deal that passes for love is only reflected self-love, the passion to acquire what is generally admired or desired. Thus beautiful women are often married as the most decorous way of gratifying male vanity. A pleasant anecdote, as the Scotch say, anent this view, is told of the Duc de Guise, who after a long courtship prevailed on a celebrated beauty to grant him her hand. The lady observing him very restless, asked what ailed him. “Ah, madame,” answered the lover, “I ought to have been off long ago to communicate my good fortune to all my friends.”

But the motives and influences that go to make up so highly complex an emotion as love are beyond even indication, though the subject has been a tempting one to most philosophical writers. Even Comte descends from the positive and unconditional to deify the charmingly erratic feminine principle; Michelet, after forty volumes of history, rests and restores himself by penning a book on love; the pale, religious Pascal, terrified at the vastness of his own questions, comforts himself by an analysis of the same passion; and Herbert Spencer has gone con amore into the same subject. But love laughs at philosophy, and delights in making fools of the wise for its sake.

It is easy to construct a theory, but the first touch of a white hand may demolish it; easy to make resolutions, but the first glance of a pair of bright eyes may send them packing. It is easy for men to be philosophers, when they are not lovers; but when once they fall in love there is no distinction then between the fool and the wise man. However, we can be thankful that love no longer demands such outward and visible tokens of slavery as she used to. In this day lovers address their mistresses as women – not goddesses. Indeed we should say now of men who serve women on their knees, “ When they get up, they go away .”

It is a beautiful fancy that marriages are ordained in heaven; it is a practical fact that they are made on earth; and that what we call “our destiny,” or “our fate,” is generally the result of favorable opportunities, sympathetic circumstances, or even pleasant contiguity for a season. Hence we always expect after the summer vacation to hear of a number of “engagements.” The news is perennially interesting; we may have seen the parties a thousand times, but their first appearance in their new character excites all our curiosity.

Generally the woman expands and beautifies, rises with the occasion, and puts on new beauty with the confidence of an augmenting wardrobe and an assured position. There is nothing ridiculous in her attitude; her wedding trousseau and marriage presents keep her in a delightful state of triumphant satisfaction, and if she has “done well unto herself,” she feels entitled to the gratitude of her family and the envy of all her female acquaintance.

The case is not so socially pleasant for her accomplice; it is always an awkward thing for a man to announce his engagement. His married friends ask him prosaic questions, and “wish him joy,” – a compliment which of itself implies a doubt; or they tell him he is going to do a wise thing, and treat him in the interval as if he was naturally in a state of semi-lunacy. His bachelor friends receive the news either with a fit of laughter, an expressive, long-drawn whistle, or at best with the assurance that they “consider marriage a good thing, though they are not able to carry out their principles.” But he is soon aware that they regard him virtually as a deserter; they make parties without including him; he drops out of their consultations; he has lost his caste among the order of young men, and has not been admitted among the husbands of the community; he hangs between two states; is not of that , nor yet quite of this .

Naturally enough, there are a variety of opinions on the subject of prolonging or cutting as short as possible this preliminary stage. Those who regard marriage as a kind of commerce, whose clearing house is St. Thomas’s or St. Bartholomew’s, will, of course, prefer to clinch the contemplated arrangement as soon as possible. Their business is intelligible; there is “no nonsense about them;” and, upon the whole, the sooner they get to ordering dinner and paying taxes the better. Many of us have sat waiting in a dentist’s room with a tooth-ache similar to that which made Burns and some of us have watched for an editor’s decision with feelings which would gladly have annihilated the interval.