Laura Richards - Mrs. Tree's Will

"There is only one wish in my mind, Vesta," said Miss Wax, "and that is to show the highest respect for our venerable friend, and I speak, I am sure, for the whole Society. The question is, how best to show it."

Vesta Strong reflected a moment. "I think, Miss Wax," she said, "it will be wisest to hold the meeting. I am quite sure Aunt Marcia would have wished it. But you might, perhaps, give it a rather special character; make it something of a memorial meeting. What do you think of that?"

Miss Wax's face brightened.

"Excellent," she said. "Vesta, I do think that would be excellent. I am real glad I came to you. I will have the room draped in mourning. Tapes has some nice black bombazine, a little injured by water, but – "

Vesta suppressed a shudder. "Oh, no, Miss Wax!" she said. "I wouldn't do that. Aunt Marcia did not like display of any kind, you know. Your pleasant parlors just as they are will be much better, I am sure."

"I do aim at showing my respect!" pleaded Miss Wax. "Perhaps we might all wear a crape rosette, or streamer. What do you think of that?"

But Vesta did not think well even of this, and Miss Wax reluctantly abandoned the plan of official mourning, though determined to show her respect in her own way as regarded her own person. She was a very tall woman, with a figure which, in youth, had been called willowy, and was now unkindly termed scraggy. She had been something of a beauty, and there was a note of the pathetic in her ringlets and the few girlish trinkets she habitually wore, – a coral necklace, which at sixteen had set off admirably the whiteness of her neck, but which at fifty did not harmonize so well with the prevailing sallow tint; a blue enamel locket on a slender gold chain, etc. She was very fond of pink, and could never forget, poor lady, that Pindar Hollopeter had once called her a lily dressed in rose-leaves. But, though a trifle fantastic, Miss Bethia was as good a soul as ever wore prunella shoes, and her desire to do honor to Mrs. Tree's memory was genuine and earnest. Her soul yearned for the black bombazine hangings, but she was loyal to Vesta's expressed wish, and contented herself with removing certain rose-colored scarfs and sofa-pillows, which on ordinary occasions of entertainment were the delight of her eyes. She had gathered all the white flowers she could find, and had arranged a kind of trophy of silver coffee-spoons on the mantelpiece, surrounding a black velvet band, on which was worked in silver tinsel the inscription:

"HER WE HONOR."

Miss Bethia had meant to have a photograph of Mrs. Tree in the centre of this sombre glory, but no photograph was to be had. Mrs. Tree had stoutly refused to be photographed, or to have her portrait painted in her later years.

"Folderol!" she used to say, when urged by loving friends or relatives. "When I go, I'm going, all there is of me. I shall leave my gowns, because they are good satin, but I'm not going to leave my old rags, nor the likeness of old rags. Cat's foot! don't talk to me!"

So, except the miniature which was Vesta Strong's choicest treasure, the portrait of the brilliant, flashing little beauty whom Ethan Tree named the Pocket Venus when first he saw her, and whom he vowed then and there to woo and win, there was no portrait of Mrs. Tree; but Miss Wax put a cluster of immortelles above the inscription, and hoped it would "convey the idea."

In her own person, as has already been said, Miss Bethia felt that she could brook no dictation, even from Vesta. Accordingly, as the hour of the meeting approached, she arrayed herself in a trailing robe of black cashmere, with long bands of crape hanging from the shoulders. Examining with anxious care her slender stock of trinkets, she selected a mourning brooch of the size of a small saucer, which displayed under glass an urn and weeping willow in the choicest style of hair jewelry, and two hair bracelets, one a broad, massive band clasped with a miniature, the other a chain of globules not unlike the rockweed bladders that children love to dry and "pop" between their fingers. Hair jewelry survived in Elmerton long after it was forgotten in other places. Miss Wax herself was a skilful worker in it, and might often be seen bending over the curious little round table, from the centre of which radiated numerous fine strands of hair, black, brown, or golden, hanging over the edge and weighted with leaden pellets. To see Miss Bethia's long fingers weaving the strands into braids or chains was a quaint and pleasant sight.

Her toilet completed, the good lady surveyed herself earnestly in the oval mirror, gave a gentle sigh, half approval, half regretful reminiscence, and went down to the parlor. Here she seated herself in her favorite chair and her favorite attitude. The chair was an ancient one, of slender and graceful shape; and the attitude – somehow – was a good deal like the chair. Both were as accurate reproductions as might be of a picture that hung over Miss Bethia's head as she sat, the portrait of a handsome young woman with long, black ringlets, arched eyebrows, and dark, expressive eyes. Miss Bethia had been said to resemble this portrait of her great-great-aunt, and the resemblance was one which she was loth to relinquish. Accordingly, she loved to sit under it, in the same chair that the picture showed, leaning one elbow on the same little table, her cheek resting on the same fingers of the same hand, – the index and middle fingers, – while the others curved outward at a graceful angle. When seated thus, somebody was pretty sure to call attention to the resemblance, and not the most ill-natured gossip could grudge Miss Bethia the mild pleasure that beamed in her eyes whenever it was noted.

There might be a slight resemblance, she would say modestly. It had been remarked upon, she might say, more than once. The lady was her relative, and likenesses ran strong in her family.

Tommy Candy had once irreverently named Miss Wax's parlor "the Wax Works," and the name had stuck, as naughty nicknames are apt to do. It was indeed quite a little museum in itself of the fruit of bygone accomplishments. Wax fruit, wax flowers – chiefly roses – in profusion, all carefully guarded by glass; pictures in worsted work, pictures in hair work, all in home-made frames of pinked leather, of varnished acorns, of painted velvet; vases and jars decorated with potichomanie, with decalcomanie, with spatter-work. One would think that not one, but seven, Misses Wax had spent their entire lives in adorning this one room.

But the first guests to arrive on this occasion gave little heed either to the room or to the attitude of their hostess, even though, as usual, Miss Wax sat still for a moment, with an air of gentle appeal, before rising to receive them. Mrs. Deacon Weight is older than when we last met her, and her surname is even more appropriate than it was then; three hundred pounds of too, too solid flesh are encased in that brown alpaca dress, and her inspiration in trimming it with transverse bands of black velvet was not a happy one. Mrs. Weight was accompanied by Miss Eliza Goby, a lady whose high complexion and protruding eyes made her look rather more like a boiled lobster than anything else.

These two ladies, having obeyed the injunction of Miss Wax's handmaid to "lay off their things" in the best bedroom, entered the parlor with an eager air.

Miss Wax, after her little pause, came forward to meet them.

"Good afternoon, Malvina," she said; "Eliza, I am pleased to see you, I am sure. Be seated, ladies, please." She waved her hand gracefully toward a couple of chairs, and resumed her attitude, though more from force of habit and a consciousness that others more appreciative were coming than from any sense of impressing these first comers.

Mrs. Weight seated herself with emphasis, and drew her chair near to that of her hostess, motioning her companion to do likewise.