David Ritchie - The New Warden

"Very pretty," said May Dashwood, and she became busy again with her work.

"Exactly," said Lady Dashwood. "If she were plain even Belinda would not have the impertinence to deposit her on people's doorsteps in the way she does."

The Warden took his cigar out of his mouth, as if he had suddenly remembered something that he had forgotten. He laid his hands on the arms of his chair and seemed about to rise.

"You're not going, Jim!" exclaimed Lady Dashwood. "I thought you had come to talk to us. We have been doing our duty since dawn of day, and this is May's little holiday, you know. Stop and talk nicely to us. Do cheer us up!" Her voice became appealing.

The Warden rose from his chair and stood with one hand resting on the back of it as if about to make some excuse for going away. Except for the glance, necessitated by courtesy, that May Dashwood gave the Warden when he entered, she had kept her eyes obstinately upon her work. Now she looked up and met his eyes, only for a moment.

"I'm not going," he said, "but I find the fire too hot. Excuse me if I move away. It has got muggy and warm – Oxford weather!"

"Open one of the windows," said Lady Dashwood. "I'm sure May and I shall be glad of it."

He moved away and walked slowly down the length of the room. Going behind the heavy curtains he opened a part of the casement and then drew aside one of the curtains slightly. Then he slowly came back to them in silence.

This silence that followed was embarrassing, so embarrassing that Lady Dashwood broke into it urgently with the first subject that she could think of. "Tell May about the Barber's ghost, Jim."

"Where does he appear?" asked May, interestedly, but without looking up. "What part of the college?"

"In the library," said the Warden.

"And at the witching hour of midnight, I suppose?" said May.

"Birds of ill omen, I believe, appear at night," said the Warden. "All Souls College ought to have had an All Souls' ghost, but it hasn't, it has only its 'foolish Mallard.'"

"And if he does appear," said May, "what apology are you going to offer him for the injustice of your predecessor in the eighteenth century?"

The Warden turned and stood looking back across the room at the warm space of light and the two women sitting in it, with the firelight flickering between them.

"If I were to make myself responsible for all the misdemeanours of the Reverend Charles Langley," he said, "I should have my hands full;" and he came slowly towards them as he spoke. "You have only to look at Langley's face, over the mantelpiece, and you will see what I mean."

May Dashwood glanced up at the portrait and smiled.

"Do you admire our Custos dilectissimus?" he asked.

The lights were below the level of the portrait, but the hard handsome face with its bold eyes, was distinctly visible. He was looking lazily watchful, listening sardonically to the conversation about himself.

"I admire the artist who painted his portrait," said May.

"Yes, the artist knew what he was doing when he painted Langley," said the Warden. He seemed now to have recovered his ease, and stood leaning his arms on the back of the chair he had vacated. "Your idea is a good one," he went on. "I don't suppose it has occurred to any Warden since Langley's time that a frank and pleasant apology might lay the Barber's ghost for ever. Shall I try it?" he asked, looking at his guest.

"My dear," said Lady Dashwood slowly, "I wish you wouldn't even joke about it – I dislike it. I wish people wouldn't invent ghost stories," she went on. "They are silly, and they are often mischievous. I wish you wouldn't talk as if you believed it."

"It was you, Lena, who brought up the subject," said Middleton. "But I won't talk about him if you dislike it. You know that I am not a believer in ghosts."

Lady Dashwood nodded her head approvingly, and began turning more pages of her book.

"I sometimes wonder," said the Warden, and now he turned his face towards May Dashwood – "I wonder if men like Langley really believed in a future life?"

May looked up at the portrait, but was silent.

"The eighteenth century was not tormented with the question as we are now!" said the Warden, and again he looked at the auburn head and the dark lashes hiding the downcast eyes. "Those who doubt," he said slowly and tentatively, "whether after all the High Gods want us – those who doubt whether there are High Gods – even those doubt with regret – now." He waited for a response and May Dashwood suddenly raised her eyes to his.

"There is no truculence in modern unbelief," he said, "it is a matter of passionate regret. And belief has become a passionate hope."

Lady Dashwood knew that not a word of this was meant for her. She disliked all talk about the future world. It made her feel dismal. Her life had been spent in managing first her father, then her brother, and now her husband, and incidentally many of her friends.

Some people dislike having plans made for them, some endure it, some positively like it, and for those who liked it, Lady Dashwood made extensive plans. Her brain worked now almost automatically in plans. For herself she had no plans, she was the planner. But her plans were about this world. To the "other world" Lady Dashwood felt secretly inimical; that "unknown" lurking in the future, would probably, not so long hence, engulf her husband, leaving her, alas! still on this side – with no heart left for making any more plans.

If she had been alone with the Warden he would not have mentioned the "future life," nor would he have spoken of the "High Gods." He knew her mind too well. Was he probing the mind of May Dashwood? Either he was deliberately questioning her, or there was something in her presence that drew from him his inmost thoughts. Lady Dashwood felt a pang of indignation at herself for "being in the way" when to be "out of the way" at such a moment was absolutely necessary. She must leave these two people alone together – now – at this propitious moment. What should she do? She began casting about wildly in her brain for a plan of escape that would not be too obvious in its intention. The Warden had never been with May alone for five minutes. To-morrow would be a blank day – there was Chartcote first and then when they returned the Warden would be still away and very probably would not be visible that evening.

She could see May's raised face looking very expressive – full of thoughts. Lady Dashwood rose from her chair confident that inspired words would come to her lips – and they came!

"My dear Jim," she heard herself saying, "your mentioning the High Gods has made me remember that I left about some letters that ought to be answered. Horribly careless of me – I must go and find them. I'll only be away a moment. So sorry to interrupt when you are just getting interesting!" And still murmuring Lady Dashwood made her escape.

She had done the best she could under the circumstances, and she smiled broadly as she went through the corridor.

"That for Belinda and Co.!" she exclaimed half aloud, and she snapped her fingers.

And what was going to happen after Belinda and Co. were defeated, banished for ever from the Lodgings? What was going to happen to the Warden? He had been successfully rescued from one danger – but what about the future? Was he going to fall in love with May Dashwood?

"It sounded to me uncommonly like a metaphysical wooing of May," said Lady Dashwood to herself. " That I must leave in the hands of Providence;" and she went up to her room smiling. There she found Louise.

"Madame is gay," said the Frenchwoman, catching sight of the entering smile. "Gay in this sad Oxford!"

"Sad!" said Lady Dashwood, her smile still lingering. "The hospitals are sad, Louise, yes, very sad, and the half-empty Colleges."