Henry Riley - The Puddleford Papers - or, Humors of the West

Everybody who writes a book, is expected to introduce it with a preface; to hang out a sign, the more captivating the better, informing the public what kind of entertainment may be expected within. I am very sorry that I am obliged to say that many a one has been wofully deceived by these outside proclamations, and some one may be again.

I am unable to apologize to the public for inflicting this work upon it. It was not through "the entreaty of friends" that it was written. It is not the "outpourings of a delicate constitution." (I weigh one hundred and sixty pounds.) I was not driven into it "by a predestination to write, which was beyond my control." It is not "offered for the benefit of a few near relatives, who have insisted upon seeing it in print;" nor do I expect the public will tolerate it simply out of regard to my feelings, if their own feelings are not enlisted in its favor.

The book is filled with portraits of Puddleford and the Puddlefordians. The reader may never have seen the portrait of a genuine Puddlefordian. Bless me, how much that man has lost! If the reader does not like the painting after he has seen it, I cannot help it; it may be the fault of the original, or it may be from a want of skill in the painter.

Like the carrier-pigeon, let it go, to return with glad tidings, or none at all.

Many years have passed since Puddleford was first published. In the meanwhile the world has turned round and round, and so has Puddleford. The book, too, has been growing in size, from time to time, and some new "matter" has been now introduced.

The object of the book was not merely humor. It was hoped by the author that the reader would discover an undercurrent, showing strong points of human nature in the rough, and how at last the rugged rock becomes rounded and polished into the smooth stone – the iron cleaver turned into the tempered sword. How stern, honest men, who are driven to grapple and struggle with the hardships of a new country, meet and dispose of them in an irregular and home-made way, by striking at the root of the question, disregarding mere form. How the foundation of law, religion, and order is laid in strength, if not in beauty. How other generations build thereon the temple with its pillars and spire.

I cannot attempt to describe the Puddleford of to-day. Ike Turtle is old and gray, but his children hold high positions in society and state. Some of them have Ike's thorny, sharp genius, but toned down by education and cultivation into method and power. Squire Longbow totters around on his staff, tries over his old cases with anybody who will listen to him, repeats his decisions of fifteen years ago, quotes Ike's jokes, and sums up all the testimony for the fortieth time to his weary listeners. Aunt Sonora has gone to her reward. Other courts are held in Puddleford now. Technicalities are observed. Law is law. How much more justice is administered, it is not for me to say.

The book is once more before the public. The public have received it in the past quite as well as it deserved, perhaps. Its future is now committed to the public again.

Puddleford. – Eagle Tavern. – Mr. and Mrs. Bulliphant. – May Morning. – Birds. – Venison Styles. – General Character of Society. – The Colonel. – Venison Styles' Cabin.

The township of Puddleford was located in the far west, and was, and is, unknown, I presume, to a large portion of my readers. It has never been considered of sufficient importance by atlas-makers to be designated by them; and yet men, women, and children live and die in Puddleford. Its population helps make up the census of the United States every ten years; it helps make governors, congressmen, presidents. Puddleford does, and fails to do, a great many things, just like the "rest of mankind," and yet who knows and cares anything about Puddleford?

Puddleford was well enough as a township of land, and beautiful was its scenery. It was spotted with bright, clear lakes, reflecting the trees that stooped over them; and straight through its centre flowed a majestic river, guarded by hills on either side. The village of Puddleford (there was a village of Puddleford, too) stood huddled in a gorge that opened up from the river; and through it, day and night, a little brook ran tinkling along, making music around the "settlement." The houses in Puddleford were very shabby indeed; I am very sorry to be compelled to make that fact public, but they were very shabby. Some were built of logs, and some of boards, and some were never exactly built at all, but came together through a combination of circumstances which the "oldest inhabitant" has never been able to explain. The log-houses were just like log-houses in every place else; for no person has yet been found with impudence enough to suggest an improvement. A pile of logs, laid up and packed in mud; a mammoth fireplace, with a chimney-throat as large; a lower story and a garret, connected in one corner by a ladder, called "Jacob's ladder," are its essentials. A few very ambitious persons in Puddleford had, it is true, attempted to build frame-houses, but there was never one entirely finished yet. Some of them had erected a frame only, when, their purses having failed, the enterprise was left at the mercy of the storms. Others had covered their frames; and one citizen, old Squire Longbow, had actually finished off two rooms; and this, in connection with the office of justice of the peace, gave him a standing and influence in the settlement almost omnipotent.

The reader discovers, of course, that Puddleford was a very miscellaneous-looking place. It appeared unfinished, and ever likely to be. It did really seem that the houses, and cabins, and sheds, and pig-sties, had been sown up and down the gorge, as their owners sowed wheat. The only harmony about the place was the harmony of confusion.

Puddleford had a population made up of all sorts of people, who had been, from a variety of causes, thrown together just there; and every person owned a number of dogs, so that it was very difficult to determine which were numerically the strongest, the inhabitants or the dogs. There were great droves of cows owned, too, which were in the habit of congregating every morning, and marching some miles to a distant marsh to feed to the jingle of the bells they wore on their necks.

There was one public house at Puddleford. It was built of logs, with a long stoop running along its whole front, supported by trunks of trees roughly cut from the woods, and bark and knots were preserved in the full strength and simplicity of nature. Its bar-room was the resort of all the leading men of Puddleford, besides several ragged boys and these self-same dogs. It stood in the centre of the village, and announced itself to the public through a sign, upon which were painted a cock crowing and a spread eagle. The bar was fenced off in one corner of the room, and was supplied with three bottles of whiskey, called, according to their color, brandy, rum, and gin; but fly-tracks and dust had so completely covered them, that the kind of liquor was determined by the pledge of the landlord, that always passed current. There were also about a dozen mouldy crackers laid away on the shelf in a discarded cigar-box, intended more particularly for the travelling public. The walls of the bar-room were illuminated by a large menagerie advertisement, which was the only real display of the fine arts that ever entered the place. Upon a table, near the centre of the room, stood a backgammon and checker-board, which were in use from the rising sun to midnight. Pipes, crusted thick with soot, lay scattered about on the window-stools and chimney-shelf – old stubs that had seen service – and all over the floor rolled great quids of tobacco, ancient and modern, the creatures of yesterday and years ago; for the floor of the "Eagle Tavern" – such it was called – of Puddleford was never profaned by a broom, nor its windows with water. He who attempted to look out would have supposed there was an eternal fog in the streets.