Guy Thorne - The Socialist

After the interview was over the two young men remained talking frankly to each other for a few minutes, and, wide as the poles asunder in rank, birth, and fortune, they were mutually pleased. For both of them it was a new and stimulating experience, and the peer realised how narrow his views of Oxford must necessarily be. Suddenly a thought struck him.

"Wait a minute," he said. "I think I have something here that will interest you."

He went to his writing-table, and, after some search, found a letter. It was a long business document from his chief agent, Colonel Simpson.

"I want to read you this paragraph from my agent's last letter," he said.

"' … There is another matter to which I wish to draw your grace's attention. As you are aware, the libraries, both at Fakenham and Paddington House, are of extreme value and interest, but since the death of the late librarian, Mr. Fox, no steps have been taken to fill his position. When he died Mr. Fox was half-way through the work of compiling a comprehensive and scholarly catalogue of your grace's literary treasures. Would it not be as well to have this catalogue completed by a competent person in view of the fact that sooner or later your grace will be probably throwing open the two houses again?'

"Now, wouldn't that suit you, Mr. Burnside, as work in the vacation, don't you know? It would last a couple of years or so probably, and you need not give all your time to it, even if you take your degree meanwhile and read for the Bar, as you tell me you mean to. I would pay you, say, four hundred a year, if you think that is enough," he added hastily, wondering if he ought to have offered more.

The young man's stammering gratitude soon undeceived him, and as Burnside left him his last words sent a glow of satisfaction through him – "I won't say any more than just this, your splendid offer has removed all obstacles from my path. The career I have mapped out for myself is now absolutely assured."

For half an hour longer the duke remained alone, thinking of the events of the day, thinking especially of Lady Constance Camborne. He did not give a thought to the smaller Gainsborough or the Florentine vase, and he was entirely ignorant that he had just done something which was to have a marked and definite influence upon his future life.

By six o'clock he had wired to Colonel Simpson, had obtained the necessary exeat from the dean, and was entering a first-class carriage in the fast train from Oxford to London.

The fog was thick all along the line, and more than once the express was stopped for some minutes when the muffled report of fog signals, like guns fired under a blanket, could be heard in the dark.

One such stop occurred when, judging by the time and such blurred indications of gaunt housebacks as he could discern, the duke felt that they must be just outside Paddington Station.

He had the carriage to himself, brightly lit, warm, and comfortable. He sat there, wrapped in his heavy, sable-lined coat, a little drowsy and tired, though with a pleasant sense of well-being, despite the errand which was bringing him to London.

The noise of the train died away and the engine stopped. Voices could be heard talking in the silence, voices which seemed very far away.

Then there was the roar of an advancing train somewhere in the distance, a roar which grew louder and louder, one or two sudden shouts, and then a frightful crash as if a thunderbolt had burst, a shrill multiple cry of fear, and finally the long, rending noise of timber and iron breaking into splinters.

The duke heard all this, and even as his brain realised what it meant, he was thrown violently up into the air – so it seemed to him – he caught sight of the light in the roof of the carriage for the thousandth part of a second, and then everything flashed away into darkness and silence.

It was the morning of the day on which part of the façade of Paddington House, Piccadilly, was destroyed by the explosion of a bomb.

London was a city of darkness and gloom, a veritable "city of dreadful night."

The fog was everywhere, it was bitter cold, and all the lights in the shops and the lamps in the streets were lit. As yet the fog was some few yards above the house-tops. It had not descended, as it did later on in the day, into the actual streets themselves. It lay, a terrible leaden pall, a little above them.

In no part of London did the fog seem more dreary than in Bloomsbury. The gaunt squares, the wide, old-fashioned streets, were like gashes cut into a face of despair.

At half-past nine o'clock Mary Marriott came out of her tiny bedroom into her tiny sitting-room and lit the gas. She lived on the topmost floor of a great Georgian house in a narrow street just off Bedford Square. In the old days, before there were fogs, and when trees were still green in the heart of London, a great man had lived in this house. The neighbourhood was fashionable then, and all the world had not moved westwards. The staircase at No. 102 was guarded by carved balusters, the ceilings of the lower rooms were worked in the ornate plaster of Adams, the doors were high, and the lintels delicately fluted. Now 102 was let out in lodgings, some furnished, some unfurnished. Mary Marriott had two tiny rooms under the roof. On the little landing outside was a small gas-stove and some shelves, upon which were a few pots and pans. A curtain screened this off from the stairhead. This was the kitchen. The furniture, what there was of it, was Mary's own, and, in short, she might, had she been so disposed, have called her dwelling almost a flat. Moreover, she paid her rent quarterly – five pounds every three months – and was quite an independent householder.

Mary was an actress, a hard-working member of the rank and file. She had never yet secured even the smallest engagement in London, and most of her life was spent on tour in the provinces. When she was away she locked up her rooms.

She was without any relations, except a sister, who was married to a curate in Birmingham. Her private income was exactly thirty pounds a year, the interest upon a thousand pounds safely invested. This paid the rent of the rooms which were all she had to call "home," and left her ten pounds over. Every penny in addition to this she must earn by the exercise of her art.

She had been lucky during her four years of stage life in rarely being out of an engagement. She had never played a leading part, even in the provinces, but her second parts had generally been good. If she had come nowhere near success she had been able to keep herself and save a little, a very little, money for a rainy day. It is astonishing on how little two careful girls, chumming together, can live on tour. Managing in this way it was an extravagant week when Mary spent thirty shillings upon her share of the week's bill, and as she never earned less than three pounds she felt herself fortunate. She knew piteous things of girls who were less fortunate than she.

She came into the room and lit the gas. It was not a beautiful room, some people would have called it a two-penny-halfpenny room, but it was comfortable, there was a gracious feminine touch about all its simple appointments, and to Mary Marriott it represented home.

The chairs were of wicker-work, with cretonne cushions – sixteen-and-six each in the Tottenham Court Road. The pictures were chiefly photographs of theatrical friends, the curtains were a cheap art-green rep, the carpet plain Indian matting – so easy to clean! But the colours were all harmonious, and a shelf holding nearly two hundred books gave a finishing note of pleasant habitableness.

The girl moved with that grace which is not languid but alert. There was a spring and balance in her walk that made one think of a handsome boy; for though the lithe and beautiful figure was girlish enough, few girls learn to move from the hips, erect and unswayed, as she moved, or often suggest the temper and resilience of a foil. The simple grey tweed coat and the slim skirts that hung so superbly gave every movement its full value.