Guy Thorne - When It Was Dark - The Story of a Great Conspiracy

"Oh, is that you?" he said, not brutally, but with a complete and utter indifference. "I shall want some dinner at home to-night. I shall be going out about ten to a supper engagement. See about it now, something light. And tell one of the maids to bring up some hot water."

"Yes, Robert," she said, and went out with no further word, but sighing a little as she closed the door quietly.

They had been married fifteen years. For fourteen of them he had hardly ever spoken to her except in anger at some household accident. On her own private income of six hundred a year she had to do what she could to keep the house going. Llwellyn never gave her anything of the thousand a year which was his salary at the Museum, and the greater sums he earned by his work outside it. She knew no one, the Professor went into none but official society, and indeed but few of his colleagues knew that he was a married man. He treated the house as a hotel, sleeping there occasionally, breakfasting, and dressing. His private rooms were the only habitable parts of the house. All the rest was old, faded, and without comfort. Mrs. Llwellyn spent most of her life with the two servants in the kitchen.

She always swept and tidied her husband's rooms herself. That afternoon she had built and coaxed the fire with her own hands.

She slept in a small room at the top of the house, next to the maids, for company.

This was her life.

Over the head of the little iron bedstead of her room hung a great crucifix.

That was her hope.

When Llwellyn was rioting in nameless places she prayed for him during the night. She prayed for him, for herself, and for the two servant girls, very simply – that Heaven might receive them all some day.

The maid brought up some dinner for the Professor – a little soup, a sole, and some camembert .

He ate slowly, and smoked a short light-brown cigar with his coffee. Then he bathed, put on evening clothes, dressing himself with care and circumspection, and left the house.

In the Edgeware Road he got into a hansom and told the man to drive him to Bloomsbury Court Mansions.

Robert Llwellyn paid the cabman outside the main gateway which led into the courtyard, and dismissed him.

The Court Mansions were but a few hundred yards from the British Museum itself, though he never visited them in the day time. A huge building, like a great hotel, rose skyward in a square. In the quadrangle in the centre, which was paved with asphalt, was an ornamental fountain surrounded by evergreen plants in tubs.

The Professor strode under the archway, his feet echoing in the stillness, and passed over the open space, which was brilliantly lit with the hectic radiance of arc lamps. He entered one of the doorways, and turning to the right of the ground-floor, away from the lift which was in waiting to convey passengers to the higher storeys, he stopped at No. 15.

He took a latch-key from his pocket, opened the door, and entered. It was very warm and close inside, and very silent also. The narrow hall was lit by a crimson-globed electric lamp. It was heavily carpeted, and thick curtains of plum-coloured plush, edged with round, fluffy balls of the same colour, hung over the doors leading into it.

He hung his hat up on a peg, and stood perfectly silent for a moment in the warm, scented air. He could hear no sound but the ticking of a French clock. The flat was obviously empty; and pulling aside one of the curtains, he went into the dining-room.

The place was full of light. Gertrude Hunt, or her maid, had, with characteristic carelessness, forgotten to turn off the switches. Llwellyn sat down and looked around him. How familiar the place was! The casual visitor would have recognised at a glance that the occupant of the room belonged to the dramatic profession.

Photographs abounded everywhere. The satinwood overmantel was crowded with them in heavy frames of chased silver. Bold enlargements hung on the crimson walls; they were upright, and stacked in disorderly heaps upon the grand piano.

All were of one woman – a dark Jewish girl with eyes full of a fixed fascination, a trained regard of allurement.

The eyes pursued him everywhere; bold and inviting, he was conscious of their multitude, and moved uneasily.

The dining-table was in a curious litter. Half-empty cups of egg-shell china stood upon a tray of Japanese lacquer inlaid with ivory and silver; a cake basket held pink and honey-coloured bon-bons, among which some cigarette ends had fallen. Two empty bottles, which had held champagne, stood side by side, cheek by jowl, with a gilt tray, on which was a miniature methyl lamp and some steel curling tongs.

The arm-chairs were upholstered in pink satin. On one of them was a long fawn-coloured tailor-made coat, hanging collar downwards over the back. A handful of silver and a tiny gun-metal cigarette case had dropped out of a pocket on to the seat of the chair.

The whole place reeked with a well-known perfume – an evil, sickly smell of ripe lilies and the acrid smoke of Egyptian tobacco. A frilled dressing jacket covered with yellowish lace lay in a tumbled heap upon the hearth-rug.

The room would have struck an ordinary visitor with a sense of nausea almost like a physical blow. There was something sordidly shameless about it. The vulgarest and most material of Circes held sway among all this gaudy and lavish disorder. The most sober-living and innocent-minded man, brought suddenly into such a place, would have known it instantly for what it was, and turned to fly as from a pestilence.

A week or two before, a picture of this den had appeared in one of the illustrated papers. Underneath the photograph had been printed —

Below had been another picture – "Miss Hunt in her new motor-car." Robert Llwellyn had paid four hundred pounds for the machine.

The big man seemed to fit into these surroundings as a hand into a glove. In his room at the Museum, on a platform at the Royal Society, his intellect always animated his face. In such places his personality was eminent, as his work also.

Here he was changed. Silenus was twin to him; he sniffed the perfume with pleasure; he stretched himself to the heat and warmth like a great cat. He was an integral part of the mise-en-scène – lost, and arrogant of his degradation.

A key clicked in the lock, there was a rustling of silk, and Gertrude Hunt swept into the room.

"So you're come to time, then," she said in a deep, musical voice, but spoilt by an unpleasing Cockney twang. "I'm dead tired. The theatre was crammed; I had to sing the Coon of Coons twice. Get me a brandy-and-soda, Bob. There's a good boy – the decanter's in the sideboard."

She threw off her long cloak and sank into a chair. The sticky grease-paint of the theatre had hardly been removed. She looked, as she said, worn out.

They chatted for a few moments on indifferent subjects, and she lit a cigarette. When she took it from her lips, Llwellyn noticed that the end was crimsoned by the paint upon them.

"Well," she said at length, "somehow or other you must pay those bills I sent on to you. They must be paid. I can't do it. I'm only getting twenty-five pounds from the theatre now, and that's just about enough to pay my drink bill!"

Llwellyn's face clouded. "I'm just about at my last gasp myself," he said. "I'm threatened with bankruptcy as it is."

"Oh, cheer up!" she cried. "Here, have a B. and S. I do hate to hear any one talk like that. It gives me the hump at once. Now look here, Bob. You know that I like you better than any one else. We've been pals for seven or eight years now, and I'd rather have you a thousand times than the others. You understand that, don't you?"