Annie Johnston - Miss Santa Claus of the Pullman

A quarter of an hour later when Will'm found himself on the ground again, gazing after the departing train, he was a trifle dazed with all he had seen and heard. But three things were clear in his mind. That he held in one hand a great yellow orange, in the other a box of prize pop-corn, and in his heart the precious assurance that Santa Claus would be told by one in high authority that he was a good boy.

So elated was he by this last fact, that he decided on the way home to send a letter up the chimney on his own account, especially as he knew now exactly what to ask for. He had been a bit hazy on the question before. Now he knew beyond all doubt that what he wanted more than anything in the wide world, was a ride on a Pullman car . He wanted to sit at one of those tables, and eat things that had been cooked in that mysterious kitchen, at the same time that he was flying along through the night on the wings of a mighty dragon breathing out smoke and fire as it flew.

He went in to the house by way of the shop so that he might make the bell go ting-a-ling. It was so delightfully like the bells on the camels, also like the bells on the sleigh which would be coming before so very long to bring him what he wanted.

Miss Sally Watts was sitting behind the counter, crocheting. To his question of "Where's Dranma?" she answered without looking up.

"She and Mr. Neal have driven over to Westfield. They have some business at the court house. She said you're not to go off the place again till she gets back. I was to tell you when you came in. She looked everywhere to find you before she left, because she's going to be gone till late in the afternoon. Where you been, anyhow?"

Will'm told her. Miss Sally was a neighbor who often helped in the shop at times like this, and he was always glad when such times came. It was easy to tell Miss Sally things, and presently when a few direct questions disclosed the fact that Miss Sally "bleeved" as he did, he asked her another question, which had been puzzling him ever since he had decided to ask for a ride on the train.

"How can Santa put a ride in a stocking? "

"I don't know," answered Miss Sally, still intent on her crocheting. "But then I don't really see how he can put anything in; sleds or dolls or anything of the sort. He's a mighty mysterious man to me. But then, probably he wouldn't try to put the ride in a stocking. He'd send the ticket or the money to buy it with. And he might give it to you beforehand, and not wait for stocking-hanging time, knowing how much you want it."

All this from Miss Sally because Mrs. Neal had just told her that the children were to be sent to their father the day before Christmas, and that they were to go on a Pullman car, because the ordinary coaches did not go straight through. The children were too small to risk changing cars, and he was too busy to come for them.

Will'm stayed in the shop the rest of the morning, for Miss Sally echoing the sentiment of everybody at the Junction, felt sorry for the poor little fellow who was soon to be sent away to a stepmother, and felt that it was her duty to do what she could toward making his world as pleasant as possible for him, while she had the opportunity.

Together they ate the lunch which had been left on the pantry shelves for them. Will'm helped set it out on the table. Then he went back into the shop with Miss Sally. But his endless questions "got on her nerves" after awhile, she said, and she suddenly ceased to be the good company that she had been all morning. She mended the fire in the sitting-room and told Will'm he'd better play in there till Libby came home. It was an endless afternoon, so long that after he had done everything that he could think of to pass the time, he decided he'd write his own letter and send it up the chimney himself. He couldn't possibly wait for Libby to come home and do it. He'd write a picture letter. It was easier to read pictures than print, anyhow. At least for him. He slipped back into the shop long enough to get paper and a pencil from the old secretary in the corner, and then lying on his stomach on the hearth-rug with his heels in the air, he began drawing his favorite sketch, a train of cars.

All that can be said of the picture is that one could recognize what it was meant for. The wheels were wobbly and no two of the same size, the windows zigzagged in uneven lines and were of varied shapes. The cow-catcher looked as if it could toss anything it might pick up high enough to join the cow that jumped over the moon. But it was unmistakably a train, and the long line of smoke pouring back over it from the tipsy smoke-stack showed that it was going at the top of its speed. Despite the straggling scratchy lines any art critic must acknowledge that it had in it that intangible quality known as life and "go."

It puzzled Will'm at first to know how to introduce himself into the picture so as to show that he was the one wanting a ride. Finally on top of one of the cars he drew a figure supposed to represent a boy, and after long thought, drew one just like it, except that the second figure wore a skirt. He didn't want to take the ride alone. He'd be almost afraid to go without Libby, and he knew very well that she'd like to go. She'd often played "S'posen" they were riding away off to the other side of the world on one of those trains which they watched nightly pass the sitting-room window.

He wished he could spell his name and hers. He knew only the letters with which each began, and he wasn't sure of either unless he could see the picture on the other side of the building block on which it was printed. The box of blocks was in the sitting-room closet. He brought it out, emptied it on the rug and searched until he found the block bearing the picture of a lion. That was the king of beasts, and the L on the other side which stood for Lion, stood also for Libby. Very slowly and painstakingly he copied the letter on his drawing, placing it directly across the girl's skirt so that there could be no mistake. Then he pawed over the blocks till he found the one with the picture of a whale. That was the king of fishes, and the W on the other side which stood for Whale, stood also for William. He tried putting the W across the boy, but as each leg was represented by one straight line only, bent at right angles at the bottom to make a foot, the result was confusing. He rubbed out the legs, made them anew, and put the W over the boy's head, drawing a thin line from the end of the W to the crossed scratches representing fingers. That plainly showed that the Boy and the W were one and the same, although it gave to the unenlightened the idea that the picture had something to do with flying a kite. Then he rubbed out the L on Libby's skirt and placed it over her head, likewise connecting her letter with her fingers.

The rubbing-out process gave a smudgy effect. Will'm was not satisfied with the result, and like a true artist who counts all labor as naught, which helps him towards that perfection which is his ideal, he laid aside the drawing as unworthy and began another.

The second was better. He accomplished it with a more certain touch and with no smudges, and filled with the joy of a creator, sat and looked at it a few minutes before starting it on its flight up the flue towards the Sky Road.

The great moment was over. He had just drawn back from watching it start when Libby came in. She came primly and quietly this time. She had waited to leave her overshoes on the porch, her lunch basket in the kitchen, her wraps in the entry. The white ruffled apron which she had worn all day was scarcely mussed. The bows on her narrow braids stuck out stiffly and properly. Her shoes were tied and the laces tucked in. She walked on tiptoe, and every movement showed that she was keeping up the reputation she had earned of being "so good that nobody could be any better, no matter how hard he tried." She had been that good for over a week.