Frederick Brereton - King of Ranleigh - A School Story

"It ain't to go further, mind that!" repeated Tom, wrinkling his face and glaring round. "It's a secret; but it's got truth behind it, so I tell ye. I ain't so sure that these here Rawlings come by the house and the park in a square sort of way. You take it from me, I ain't so sure. There was queer doings afore the old master died. He got to runnin' up to Lunnon, which ain't no good for anyone, least of all for a squire as has things to see to in the country. There was letters to this man Rawlings. I knows that, 'cos I posted 'em, as I always posted all the letters from the house. Then the master dies, and this here Rawlings come down and takes the place and starts ordering people about."

"And he ain't got it fair?" asked one of the hearers.

"I ain't a-going to say that," nodded Tom cautiously. "But I kin think as I like. You can't go and stop a man thinking, can yer? No. I thought not. You can't. So I thinks what I like, and thinkin' with me's precious nigh knowing."

The old fellow gave the company generally the benefit of a knowing wink, and lapsed into silence. But from that moment all who had heard him speaking thought as he thought, and were as equally certain. Such is the unstable foundation of tales which at times go the round of the country. Not that Tom was altogether wrong. There were others who might have said more, others in the city of London. But Tom did not know that, nor any of his audience. But the conversation at least gives one the impression that if Clive and his chums were not enamoured of the new-comers, Tom was even less so.

"It'll come to blows atween that ere son of Rawlings and Master Clive and his friends," he observed to the company present. "There's been words already, and ef Master Clive's like his father – which he is – why, it's 'look out' fer this here Albert Rawlings."

That pit so craftily constructed would have made Tom even more emphatic. For when all was ready, and Clive and his accomplices had completed their work to their own satisfaction, even they could hardly say where the pit existed.

"Of course," observed Hugh, with that grin to which his friends were accustomed – "of course, if we were actually setting the proper sort of trap we'd have to bait it, eh, and put sharpened stakes in it to kill the game. But it isn't necessary here, eh?"

"To bait? – not a bit. This is a booby trap," laughed Bert. "It's meant for an ass, and an ass is the one that'll fall into it."

It came as a shock, rather, to this lanky young hero that he himself was trapped within the minute. For Bert was not too observant. That dreamy eye was not meant for close watching, while here it wanted the eye of a hawk to detect the presence of a pit. For Clive had been very thorough. To the covering of reeds and light sticks laid across the pit mouth had been added a thick sprinkling of leaves which were most bewildering. Bert's description of the trap as a booby one carried him away into a whirl of delight, during which he strutted aimlessly along the path. And in an instant he was immersed. There was the sound of rending reeds, his lanky figure disappeared as if by magic, and only the top of his cap remained in view, frantically bobbing.

"Hi! Here! What's this?" he shouted, roused to a pitch of indignation.

"Booby trap. Well caught!" cried Clive, dancing with delight at this unexpected demonstration of the successful working of his invention.

"And done without baiting," gibed Hugh, shaking with laughter. "Now, Bert, you've spoiled the thing. Come along out. Don't stop hiding in there."

That was an impossibility. Two feet of glutinous clay adhered to the boy's boots and trousers and refused to be shaken off. He raised one leg with an effort, gripped the sloping side of his prison, and endeavoured to raise the other limb. The result was that he was dragged back into the depths promptly.

"Well, it's a beauty," he grinned at last, beginning to relish the fun of the scene himself. "Regularly tested the trap, eh? and been badly had myself. But lend a hand. This stuff'd stick old Rawlings himself, let alone his son. And it's beautifully hidden. I was never more surprised in my life."

"Then it'll be ten times more of a jar to the fellow we're after," gurgled Clive. "My! You do look a beauty! And what a mess you've got into!"

Bert was smothered in sticky clay from the knees downward, and had need to stand in the stream adjacent and wash his boots and clothing. Meanwhile Clive and Hugh completed their repairs to the covering of the pit, scattered leaves about till the surroundings looked quite natural, and having concluded matters to their satisfaction passed out of the spinney.

To-morrow, they promised themselves retaliation. "And it's not been such a long job as I thought," said Clive, as he put Old Tom's garden tools back into the shed from which they had been taken. "Supposing we tackle the car again. She'd be ready, perhaps, by the morning."

But tea was of almost equal importance. Hugh and his brother therefore partook of Mrs. Darrell's hospitality, the state of Bert's trousers and boots being skilfully concealed by that young gentleman by the simple expedient of standing well in the background. But he left a stain here and there. Peering through her spectacles on the following morning, Clive's mother was astonished to find red lines of clay on the chintz cover of one of her chairs.

And then the workshop claimed the three young fellows.

"Ready for dropping the engine in," declared Clive, surveying the skeleton of his motor. "By the way, we've forgotten seats, haven't we?"

"That's a nuisance!" admitted Hugh. "But we'll not let that bother us. We'll fix it by nailing boards across. I know. We'll get a box and make that fast. That's what all the garage people do. A shop body, you know. Smart! Eh? I rather think so."

Behold them, then, struggling with the sheer legs erected over the petrol engine so nicely fitted in the workshop. Watch the pulley contrivance secured to those legs above and the rope passing about it. The slipping of the legs of this improvised crane was a distinct nuisance at first, and made the lifting of the engine difficult, if not impossible. But an iron peg driven in between the tiles of the floor put an end to the trouble, while, once the bolts of the engine had been freed, Bert and Hugh were easily able to haul the engine clear of its foundation.

"Hoist!" shouted Clive, "and stand clear. I'll shove the chassis beneath the engine. Then lower gently. I don't want to have my fingers pinched off, remember that; so slack an inch at a time, and be ready to haul again."

Oh, the triumph of this final achievement! That engine went into position with the docility of a lamb. The chassis framework might have been its intended resting-place from the very commencement. It bedded down on the wooden frame snugly, hugging the timber. The bolt holes matched beautifully with those bored by Clive perhaps a week before, calling shouts of approval from his comrades. And when the hoisting rope was thrown off, and the sheer legs removed, there the engine was in position.

"And the wheels don't even feel the weight. Look. See if they do," cried Clive.

"A bit wobbly, eh?" suggested Hugh grudgingly, pushing the chassis from side to side, when it certainly had what might be described as freedom of movement. "Just a bit, eh? Still, that don't matter. Make her run all the better. But I'm glad she hasn't springs. She'd fairly roll herself over if she had them."

"But the back part's as steady as a rock," reported Clive enthusiastically. "Don't rock. Not a bit. Anyway, she runs forward and backward easily. By George! That's a bother!"

"What? You make a fellow ask such heaps of questions," grumbled Hugh, dismayed himself at the sudden fall in Clive's features.

"We've forgotten something else, and the bally thing's frightfully important."