Alfred Lewis - An American Patrician, or The Story of Aaron Burr

General Washington learns of the incident of the dead Montgomery. Having a conscience, he is distressed by the thought that he may have been harshly unjust, one Cambridge day, to our “gentleman volunteer.” The conscience-smitten general has headquarters in New York, and now, when young Aaron arrives, strives to make amends. He invites that youthful campaigner to a place upon his personal staff, with the rank of major. Young Aaron accepts, and becomes part of Washington’s military family. The general is living at Richmond Hill, a mansion which in after years young Aaron will buy and make his residence.

For six weeks young Aaron is with Washington. Sometimes he rides out with him; sometimes he writes reports and orders at his dictation; always he dislikes him. He finds nothing in the Virginian to invoke his confidence or compel his esteem. In the finale he detests him.

This latter mind condition is vastly built up by the lack of notice he receives from the ever-taciturn, often-abstracted, overworried Washington. The big general will sit for hours, with brows of thought and pondering eye, as heedless of young Aaron – albeit in the same room with him – as though our sucking Marlborough owns no existence. This irritates the latter’s pride; for he has military views which he longs to unfold, but cannot because of the grim wordlessness of his chief. He resolves to break the ice.

Washington is sitting lost in thought. “Sir,” exclaims young Aaron, boldly rushing in upon the general’s meditations, “the English grow stronger. Every day their fleet is augmented by new ships, bringing fresh troops. Eventually they will land and drive us from the city. When that time comes, it will be my advice to burn New York to the ground, and leave them naught save the charred ruins.”

Washington pays no attention; it is as though a starling spoke. Presently he mounts his horse, and soberly rides off to an inspection of troops. Young Aaron is mightily mortified, and, by way of reestablishing his dignity on the pedestal from which it has been thrust, neglects a line of clerical work that should claim his attention. Washington upon his return discovers this, and having a temper like gunpowder flashes into a rage.

“What does this mean, sir?” he demands, angry to the eyes.

“Why, sir,” responds young Aaron coolly, “I should think it might mean that I brought a sword not a pen to this war.”

“You are insolent, sir!”

“As you please, sir. But since you say it, I must ask to be relieved from further duty on your staff.”

The big general stalks from the room. The next day he transfers young Aaron to the staff of Putnam.

“I’m sorry he offended you, general,” says the old wolf killer. “For myself, I’m bound to say that I think well of the boy.”

“There is a word,” returns Washington, “as to the meaning of which, until I met him, I was ignorant; that is the word ‘prig.’ It is strange, too; for he is as brave as Cæsar. I have it on the words of twenty. Yes, general, your ‘gentleman-volunteer’ is altogether a strangeling; for he is one of those anomalies, a courageous prig.”

ON that day when the farmers of Concord turn their rifles upon King George, there dwells in Elizabeth a certain English Major Moncrieffe. With him is his daughter, just ceasing to be a girl and beginning to be a woman. Peggy Moncrieffe is a beauty, and, to tell a whole truth, confident thereof to the verge of brazen. When her father is ordered to his regiment he leaves her behind. The war to him is no more than a riot; he looks to be back in Elizabeth before the month expires.

The optimistic Major Moncrieffe is wrong. That riot, which is not a riot but a revolution, spreads and spreads like fire among dry grass. At last a hostile line divides him from his daughter Peggy. This is serious; for, aside from forbidding any word between them, it prevents him sending what money she requires for her care. In her distress she writes General Putnam, her father’s comrade in the last war with the French. The old wolf killer invites the desolate Peggy to make one of his own household. When young Aaron leaves the staff of Washington, Peggy Moncrieffe is with the Putnams, whose house stands at the corner of Broadway and the Battery.

The family of the old wolf killer is made up of Madam Putnam and two daughters. Peggy Moncrieffe is received as a third daughter by the kindly Madam Putnam. Also, like a third daughter, she is set to the spinning wheel; for, while the old wolf killer fights the English, Madam Putnam and her daughters work early and late, with spinning wheel and loom, clothmaking for the continental troops. Peggy Moncrieffe offers no demur; but goes at the spinning and weaving as though she is as much puritan and patriot as are those about her. She is busy at the spinning when young Aaron is presented. And in that presentation lurks a peril; for she is eighteen and he is twenty.

Young Aaron, selfish, gallant, pleased with a pretty face as with a poem, becomes flatteringly attentive to pretty Peggy Moncrieffe. She, for her side, turns restless when he leaves her, to glow like the sun when he returns. She forgets the spinning wheel for his conversation. The two walk under the trees in the Battery, or, from the quiet steps of St. Paul’s, watch the evening sun go down beyond the Jersey hills.

Madam Putnam is prudent, and does not like these symptoms. She issues a whispered mandate to the old wolf killer, with whom her word is law. Thereupon he sends the pretty Peggy to safer quarters near Kingsbridge.

That is to say, the Kingsbridge refuge, to which pretty Peggy reluctantly retires, is safe until she arrives. It presently becomes a theater of danger, since young Aaron is not a day in discovering a complete military reason for visiting it. The old wolf killer is not like Washington; there are no foolish orders or tedious dispatches for his aide to write. This gives leisure to young Aaron, which he improves in daily gallops to Kingsbridge. It is to be feared that he and pretty Peggy Moncrieffe find walks as shady, and prospects as pleasant, and moments as sweet, as when they had the Battery for a promenade and took in the Jersey hills from the twilight steps of St. Paul’s. Also, the pretty Peggy no longer pleads to join her father; albeit that parent has just been sent with his regiment to Staten Island, not an hour’s sail away.

This contentment of the pretty Peggy with things as they are, re-alarms the prudence of Madam Putnam, who regards it as a sign most sinister. Having a genius to be military, quite equal to that of her old wolf-killing husband, she attacks this dangerously tender situation in flank. She gives her commands to the old wolf killer, and at once he blindly obeys. He dispatches young Aaron on a mission to Long Island. The latter is to look up positions of defense, so as to be prepared for the English, should they carry their arms in that direction.

In two days young Aaron returns, and makes an exhaustive report; whereat the old wolf killer breaks into words of praise. This duty discharged, young Aaron is into the saddle and off, clatteringly, for Kingsbridge. The old wolf killer sees him depart and says nothing, while a cunning twinkle dances in the old gray eye. Then the twinkle subsides, and is succeeded by a self-reproachful doubt.

“He might have married her,” he observes tentatively to Madam Putnam.

“Never!” returns that clear matron. “Your young Major Burr is too coolly the selfish calculating egotist. He would win her and wear her as he might some bauble ornament, and cast her aside when the glitter was gone. As for marrying her, he’d as soon think of marrying the rings on his fingers, or the buckles on his shoes.”

Young Aaron comes clattering back from Kingsbridge. His black eyes sparkle wickedly; his face, usually so imperturbable, is the seat of an obvious anger. Moreover, he seems chokingly full of a question, which even his ingenious self-confidence is at a loss how to ask. He gets the old wolf killer alone.