“This well seems to have been the dump for all the old rubbish in the country,” he said, letting down the hook once more. “I guess I’ve captured everything now. No – the hook has caught again. Help me, Betsy! Whatever this thing is, it’s heavy.”
She ran up and helped him turn the windlass and after much effort a confused mass of copper came in sight.
“Good gracious!” exclaimed Shaggy. “Here is a surprise, indeed!”
“What is it?” inquired Betsy, clinging to the windlass and panting for breath.
For answer the Shaggy Man grasped the bundle of copper and dumped it upon the ground, free of the well. Then he turned it over with his foot, spread it out, and to Betsy’s astonishment the thing proved to be a copper man.
“Just as I thought,” said Shaggy, looking hard at the object. “But unless there are two copper men in the world this is the most astonishing thing I ever came across.”
At this moment the Rainbow’s Daughter and the Rose Princess approached them, and Polychrome said:
“What have you found, Shaggy One?”
“Either an old friend, or a stranger,” he replied.
“Oh, here’s a sign on his back!” cried Betsy, who had knelt down to examine the man. “Dear me; how funny! Listen to this.”
Then she read the following words, engraved upon the copper plates of the man’s body:
SMITH & TINKER’S
Patent Double-Action, Extra-Responsive,
Thought-Creating, Perfect-Talking
MECHANICAL MAN
Fitted with our Special Clockwork Attachment
Thinks, Speaks, Acts, and Does Everything but Live
“Isn’t he wonderful!” exclaimed the Princess.
“Yes; but here’s more,” said Betsy, reading from another engraved plate:
DIRECTIONS FOR USING:
For THINKING: – Wind the Clockwork Man under his left arm, (marked No. 1).
For SPEAKING: – Wind the Clockwork Man under his right arm, (marked No. 2).
For WALKING and ACTION: – Wind Clockwork Man in the middle of his back, (marked No. 3).
N. B. – This Mechanism is guaranteed to work perfectly for a thousand years.
“If he’s guaranteed for a thousand years,” said Polychrome, “he ought to work yet.”
“Of course,” replied Shaggy. “Let’s wind him up.”
In order to do this they were obliged to set the copper man upon his feet, in an upright position, and this was no easy task. He was inclined to topple over, and had to be propped again and again. The girls assisted Shaggy, and at last Tik-Tok seemed to be balanced and stood alone upon his broad feet.
“Yes,” said Shaggy, looking at the copper man carefully, “this must be, indeed, my old friend Tik-Tok, whom I left ticking merrily in the Land of Oz. But how he came to this lonely place, and got into that old well, is surely a mystery.”
“If we wind him, perhaps he will tell us,” suggested Betsy. “Here’s the key, hanging to a hook on his back. What part of him shall I wind up first?”
“His thoughts, of course,” said Polychrome, “for it requires thought to speak or move intelligently.”
So Betsy wound him under his left arm, and at once little flashes of light began to show in the top of his head, which was proof that he had begun to think.
“Now, then,” said Shaggy, “wind up his phonograph.”
“What’s that?” she asked.
“Why, his talking-machine. His thoughts may be interesting, but they don’t tell us anything.”
So Betsy wound the copper man under his right arm, and then from the interior of his copper body came in jerky tones the words: “Ma-ny thanks!”
“Hurrah!” cried Shaggy, joyfully, and he slapped Tik-Tok upon the back in such a hearty manner that the copper man lost his balance and tumbled to the ground in a heap. But the clockwork that enabled him to speak had been wound up and he kept saying: “Pick-me-up! Pick-me-up! Pick-me-up!” until they had again raised him and balanced him upon his feet, when he added politely: “Ma-ny thanks!”
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This King was formerly named “Roquat,” but after he drank of the “Waters of Oblivion” he forgot his own name and had to take another.