George Eggleston - Evelyn Byrd

THIS book is the third and last of a trilogy of romances. In that trilogy I have endeavoured to show forth the character of the Virginians – men and women.

In “Dorothy South” I tried to show what the Virginians were while the old life lasted – “before the war.”

In “The Master of Warlock” I endeavoured faithfully to depict the same people as they were during the first half of the Civil War, when their valour seemed to promise everything of results that they desired. In “Evelyn Byrd” I have sought to show the heroism of endurance that marked the conduct of those people during the last half of the war, when disaster stared them in the face and they unfalteringly confronted it.

A BATTERY of six twelve-pounder Napoleon guns lay in a little skirt of woodland on the south bank of the Rapidan. It was raining, not violently, but with a soaking persistence that might well have made the artillery-men tired of life and ready to welcome whatever end that day’s skirmishing might bring to the weariness of living. But these men were veteran soldiers, inured to hardship as well as to danger. A saturating rain meant next to nothing to them. A day’s discomfort, more or less, counted not at all in the monotonously uncomfortable routine of their lives.

They had been sent into the woodland an hour or two ago, and had done a little desultory firing now and then, merely by way of disturbing the movements of small bodies of the enemy who were being shifted about on the other side of the river.

Just now the guns were silent, no enemy being in sight, and Captain Marshall Pollard being disposed to save his ammunition against the time, now obviously near at hand, when the new commander of the Federal forces, General Grant, should push the Army of the Potomac across the river to make a final trial of strength and sagacity with that small but wonderfully fighting Army of Northern Virginia directed by the master mind of Robert E. Lee.

But, while no enemy was within sight, there was a hornets’ nest of Federal sharp-shooters concealed in a barn not far beyond the river, and from their secure cover they were very seriously annoying the Confederate lines. The barn lay a little to the left of the battery front, but near enough for the sharp-shooters’ bullets to cut twigs from the tree under which Captain Marshall Pollard sat on horseback with Owen Kilgariff by his side. Still, the fire of the sharp-shooters was not mainly directed upon the woodland-screened battery, but upon the troops in the open field on Pollard’s left.

Presently Captain Pollard, with the peculiar deliberation which characterised all his actions, lowered his field-glass from his eyes, and, withdrawing a handkerchief from a rain-proof breast pocket, began polishing the mist-obscured lenses. As he did so, he said to Kilgariff: —

“Order one of the guns to burn that barn.”

As he spoke, both his own horse and Kilgariff’s sank to the ground; the one struggling in the agony of a mortal wound, the other instantly dead.

“And tell the quartermaster-sergeant to send us two more horses – good ones,” Captain Pollard added, with no more of change in his tone than if the killing of the horses at that precise moment had been a previously ordered part of the programme.

A gun was quickly moved up to a little open space. It fired two shots. The flames burst from the barn, and instantly a horde of sharp-shooters abandoned the place and went scurrying across an open field in search of cover. As they fled, the gun that had destroyed their lurking-place, and another which Captain Pollard had instantly ordered up, shelled them mercilessly.

It was then that Owen Kilgariff said: —

“That barn was full of fodder. Its owner had saved a little something against a future need, and now all the results of his toil have gone up in smoke. That’s war!”

“Yes,” answered Captain Pollard, “and the worst of it is that the man whose possessions we have destroyed is our friend, and not our enemy; again, as you say, ‘that’s war.’ War is destruction – whether the thing destroyed be that of friend or foe.”

Just then a new and vicious fire of skilled sharp-shooters broke forth from the mansion-house of the plantation to which the burned barn had belonged. It was an old-time colonial edifice. Marshall Pollard had spent many delightful days and nights under its hospitable roof. He had learned to love its historic associations. He knew and loved every old portrait that hung on its oak-wainscotted walls. He knew and loved every stick of its old, colonial, plantation-made furniture; its very floors of white ash, that had been polished every morning for two hundred years; and its mahogany dining-table, around which distinguished guests had gathered through many generations. All these were dear to the peculiarly sympathetic soul of the scholar-soldier, Marshall Pollard, a man born for books, and set by adverse fate to command batteries instead; a man of creative genius, as his novels and poems, written after the war, abundantly proved, set for the time to do the brutal work of destruction. He remembered the library of that mansion, too, the slow accumulation of two hundred years. He had read there precious volumes that existed nowhere else in America, and that money could not duplicate, however lavishly it might be offered for books, of which no fellows were to be found except upon the sealed shelves of the British Museum, or in other great public collections from which no treasures are ever to be sold while the world shall endure.

That house, with all its memories and all its treasures, must be destroyed. Marshall Pollard clearly understood the necessity, and he was altogether a soldier now, in spite of his strong inclinations to peace and civilisation, and all gentleness of spirit. Yet he found it difficult to order the work of destruction that it was his manifest duty to do. Presently, with bullets whistling about his ears, he turned to Owen Kilgariff, and, in a tone of petulance that was wholly foreign to his habit, asked: —

“Why don’t you order the thing done? Why do you sit there on your horse waiting for me to give the order?”

Kilgariff understood. He was a man accustomed to understand quickly; and now that Captain Pollard had made him his chief staff officer, sergeant-major of the battery, his orders, whatever they might be, carried with them all the authority of the captain’s own commands.

Kilgariff instantly rode back to the battery and ordered up two sections – four guns. Advancing them well to the front, where the house to be shot at could be easily seen, he posted them with entire calm, in spite of the fact that a Federal battery of rifled guns stationed at a long distance was playing vigorously upon his position, and not without effect. The artillery-men in both armies had, by this late period of the war, become marksmen so expert that the only limit of the effectiveness of their fire was the limit of their range.

Half a dozen of Marshall Pollard’s men bit the dust, and nearly a dozen of his horses were killed, while Owen Kilgariff was getting the four guns into position for the effective doing of the work to be done, although that process of placing the guns occupied less than a minute of time. Two wheels of cannon carriages were smashed by well-directed rifle shells, but these were quickly replaced by the extra wheels carried on the caissons; for every detail of artillery drill was an a-b-c to the veterans of this battery, and if the men had nerves, the fact was never permitted to manifest itself when there was work of war to be done.