Mary Braddon - The Infidel - A Story of the Great Revival
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- Название:The Infidel: A Story of the Great Revival
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They sat in silence for a few minutes while she finished her chocolate, and while he summed up the situation. Then she rose hastily.
"I have been keeping you from your friends," she said.
"Oh, I have no friends here."
"Why, everybody was becking and bowing to you."
"I am on becking and bowing terms with everybody; but most of us hate each other. Let me get you some more chocolate."
"No, thank you. I must go back to my father."
They had not far to go. Thornton was at a table on the other side of the room, drinking punch with one of his patrons in the book trade, a junior partner who was frivolous enough to look in at Mrs. Mandalay's.
"Miss Thornton is so unkind as to fleer at our solemnities," said Kilrush, "and swears she will never come here again."
"I told her she was a fool to wish to come," answered Thornton. "Your lordship has been uncommonly civil to take care of her. What the devil should a Grub Street hack's daughter do here? She has never had a dancing-lesson in her life."
"She ought to begin to-morrow. Serise would glory in such a pupil. Give her but the knack of a minuet, and she would show young peeresses how to move like queens, or like a swan gliding on the current."
"Oh, pray, my lord, don't flatter her. She has not the art to riposter , and she may think you mean what you say."
Kilrush went with them to the street, where his chairmen were waiting to carry him to St. James's Square, or to whatever gambling-house he might prefer to the solitude of his ancestral mansion. He wanted to send Antonia home in his chair, but Thornton declined the favour laughingly.
"Your chairmen would leave your service to-morrow if you sent them to such a shabby neighbourhood," he said, taking his daughter on his arm. "We shall find a hackney coach on the stand."
CHAPTER IV.
A MORNING CALL
Tonia worked at the comedy, but did not find her idea of a woman of ton greatly enlarged by the women she had seen at Mrs. Mandalay's. Indeed, she began to think that her father was right, and that Mrs. Millamant – whose coarseness of speech disgusted her – was her best model. Yet, disappointing as that tawdry assembly had been, she felt as if she had gained something by her brief encounter with Lord Kilrush, and her pen seemed firmer when she tried to give life and meaning to the leading character in her play, the rôle intended for Garrick. She had begun by making him young and foolish. She remodelled the character, and made him older and wiser, and tried to give him the grand air; evolving from her inner consciousness the personality which her brief vision of Kilrush had suggested. Her ardent imagination made much out of little.
Of the man himself she scarcely thought, and would hardly have recognized his person had they met in the street. But the ideal man she endowed with every fascinating quality, every attracting grace.
Her father noted the improvement in her work.
"Why, this fourth act is the best we have done yet," he said, "and I think 'twas a wise stroke of mine to make our hero older – "
"Oh, father, 'twas my notion, you'll remember."
"You shall claim all the invention for your share, if you like, slut, so long as we concoct a piece that will satisfy Garrick, who grows more and more finical as he gets richer and more fooled by the town. The part will suit him all the better now we've struck a deeper note. He can't wish to play schoolboys all his life."
It was three weeks after the masquerade when there came a rap at the parlour door one morning, and the maid-servant announced Lord Kilrush.
Thornton was lying on a sofa in shirt-sleeves and slippers, smoking a long clay pipe, the picture of a self-indulgent sloven – that might have come straight from Hogarth. Tonia was writing at a table by an open window, the June sunshine gleaming in her ebon hair. Her father had been dictating and suggesting, objecting and approving, as she read her dialogue.
The visit was startling, for though Thornton was on easy terms with his lordship, who had known him at the University, and had patronized and employed him in his decadence, Kilrush had never crossed his threshold till to-day. Had he come immediately after the meeting at Mrs. Mandalay's, Antonia's father might have suspected evil; but Thornton had flung that event into the rag-bag of old memories, and had no thought of connecting his patron's visit with his daughter's attractiveness. He was about as incapable of thought and memory as a thinking animal can be, having lived for the past fourteen years in the immediate present, conscious only of good days and bad days, the luck or the ill-luck of the hour, without hope in the days that were coming, or remorse for the days that were gone.
Kilrush knew the man to the marrow of his bones, and although he had been profoundly impressed by Antonia's unlikeness to other women, he had waited a month before seeking to improve her acquaintance, and thus hoped to throw the paternal Argus off his guard.
Tonia laid down her pen, rose straight and tall as a June lily, and made his lordship her queenly curtsey, blushing a lovely crimson at the thought of the liberties that rapid quill had taken with his character.
"He is not half so handsome as my Dorifleur!" she thought; "but he has the grand air that no words can express. Poor little Garrick! What a genius he must be, and what heels he must wear, if he is to represent such a man!"
Kilrush returned the curtsey with a bow as lofty, and then bent over the ink-stained fingers and kissed them, as if they had been saintly digits in a crystal reliquaire .
"Does Miss Thornton concoct plays, as well as her gifted parent?" he inquired, with the smile that was so exquisitely gracious, yet not without the faintest hint of mockery.
"The jade has twice her father's genius," said Thornton, who had risen from the sofa and laid his pipe upon the hob of the wide iron grate, where a jug of wall-flowers filled the place of a winter fire. "Or, perhaps I should say, twice her father's memory, for she has a repertory of Spanish and Italian plays to choose from when her Pegasus halts."
"Nay, father, I am not a thief," protested Tonia.
Kilrush glanced at the hack-scribbler, remembering that awkward adventure with the farmer's cash-box which had brought so worthy a gentleman to the treadmill, and which might have acquainted him with Jack Ketch. He glanced from father to daughter, and decided that Antonia was unacquainted with that scandalous episode in her parent's clerical career.
After that one startled blush and conscious smile, the cause whereof he knew not, she was as unconcerned in his lordship's company to-day as she had been at Mrs. Mandalay's. She gave him no minauderies , no downcast eyelids or shy glances; but sat looking at him with a pleased interest while he talked of the day's news with her father, and answered him frankly and brightly when he discussed her own literary work.
"You are very young to write plays," he said.
"I wrote plays when I was five years younger," she answered, laughing, "and gave them to Betty to light the fires."
"And your father warmed his legs before the dramatic pyre, and never knew 'twas the flame of genius?"
"She was a fool to burn her trash," said Thornton. "I might have made a volume of it – 'Tragedies and Comedies, by a young lady of fifteen.'"
"I'll warrant Shakespeare burnt a stack of balderdash before he wrote The Two Gentlemen of Verona , poor stuff as it is," said Kilrush.
"Is your lordship so very sure 'tis poor stuff?" asked Tonia.
"If it wasn't, don't you think Garrick would have produced it? He loves Shakespeare – a vastly respectable poet whose plays he can act without paying for them. Be sure you let me know when your comedy is to be produced, madam, for I should die of vexation not to be present at the first performance."
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