Carolyn Wells - A Parody Anthology

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Anonymous.

TOOTHACHE

TO have it out or not. That is the question —
Whether 'tis better for the jaws to suffer
The pangs and torments of an aching tooth
Or to take steel against a host of troubles,
And, by extracting them, end them? To pull – to tug! —
No more: and by a tug to say we end
The toothache and a thousand natural ills
The jaw is heir to. 'Tis a consummation
Devoutly to be wished! To pull – to tug! —
To tug – perchance to break! Ay, there's the rub,
For in that wrench what agonies may come
When we have half dislodged the stubborn foe,
Must give us pause. There's the respect
That makes an aching tooth of so long life.
For who would bear the whips and stings of pain,
The old wife's nostrum, dentist's contumely;
The pangs of hope deferred, kind sleep's delay;
The insolence of pity, and the spurns,
That patient sickness of the healthy takes,
When he himself might his quietus make
For one poor shilling? Who would fardels bear,
To groan and sink beneath a load of pain? —
But that the dread of something lodged within
The linen-twisted forceps, from whose pangs
No jaw at ease returns, puzzles the will,
And makes it rather bear the ills it has
Than fly to others that it knows not of.
Thus dentists do make cowards of us all,
And thus the native hue of resolution
Is sicklied o'er with the pale cast of fear;
And many a one, whose courage seeks the door,
With this regard his footsteps turns away,
Scared at the name of dentist.

Anonymous.

A DREARY SONG

WELL, don't cry, my little tiny boy,
With hey, ho, the wind and the rain
Amuse yourself, and break some toy,
For the rain it raineth every day.

Alas, for the grass on Papa's estate,
With hey, ho, the wind and the rain,
He'll have to buy hay at an awful rate,
For the rain it raineth every day.

Mamma, she can't go out for a drive,
With hey, ho, the wind and the rain,
How cross she gets about four or five,
For the rain it raineth every day.

If I were you I'd be off to bed,
With hey, ho, the wind and the rain,
Or the damp will give you a cold in the head,
For the rain it raineth every day.

A great while ago this song was done,
With hey, ho, the wind and the rain,
And I, for one, cannot see it's fun,
But the Dyces and the Colliers can – they say.

Shirley Brooks.

TO THE STALL-HOLDERS AT A FANCY FAIR

WITH pretty speech accost both old and young,
And speak it trippingly upon the tongue;
But if you mouth it with a hoyden laugh,
With clumsy ogling and uncomely chaff —
As I have oft seen done at fancy fairs,
I had as lief a huckster sold my wares,
Avoid all so-called beautifying, dear.
Oh! it offends me to the soul to hear
The things that men among themselves will say
Of some soi-disant “beauty of the day,"
Whose face, when she with cosmetics has cloyed it,
Out-Rachels Rachel! pray you, girls, avoid it.
Neither be you too tame – but, ere you go,
Provide yourselves with sprigs of mistletoe;
Offer them coyly to the Roman herd —
But don't you suit “the action to the word,"
For in that very torrent of your passion
Remember modesty is still in fashion.
Oh, there be ladies whom I've seen hold stalls —
Ladies of rank, my dear – to whom befalls
Neither the accent nor the gait of ladies;
So clumsily made up with Bloom of Cadiz,
Powder-rouge – lip-salve – that I've fancied then
They were the work of Nature's journeymen.

W. S. Gilbert.

SONG

WITH a hey! and a hi! and a hey-ho rhyme!
Oh, the shepherd lad
He is ne'er so glad
As when he pipes, in the blossom-time,
So rare!
While Kate picks by, yet looks not there.
So rare! so rare!
With a hey! and a hi! and a ho!
The grasses curdle where the daisies blow!
With a hey! and a hi! and a hey-ho vow!
Then he sips her face
At the sweetest place —
And ho! how white is the hawthorn now! —
So rare! —
And the daisied world rocks round them there.
So rare! so rare!
With a hey! and a hi! and a ho!
The grasses curdle where the daisies blow!

James Whitcomb Riley.

THE WHIST-PLAYER'S SOLILOQUY

TO trump, or not to trump, – that is the question:
Whether 't is better in this case to notice
The leads and signals of outraged opponents,
Or to force trumps against a suit of diamonds,
And by opposing end them? To trump, – to take, —
No more; and by that trick to win the lead
And after that, return my partner's spades
For which he signalled, – 'tis a consummation
Devoutly to be wished. To trump – to take, —
To take! perchance to win! Ay, there's the rub;
For if we win this game, what hands may come
When we have shuffled up these cards again.
Play to the score? ah! yes, there's the defect
That makes this Duplicate Whist so much like work.
For who would heed the theories of Hoyle,
The laws of Pole, the books of Cavendish,
The Short-Suit system, Leads American,
The Eleven Rule Finesse, The Fourth-best play,
The Influence of signals on The Ruff,
When he himself this doubtful trick might take
With a small two-spot? Who would hesitate,
But that the dread of something afterwards,
An undiscovered discard or forced lead
When playing the return, puzzles the will,
And makes us rather lose the tricks we have
To win the others that we know not of?
Thus Duplicate Whist makes cowards of us all;
And thus the native hue of Bumblepuppy
Is sicklied o'er with the pale cast of thought.
And good whist-players of great skill and judgment,
With this regard their formulas defy,
And lose the game by ruffing.

Carolyn Wells.

AFTER WITHER

ANSWER TO MASTER WITHERS SONG, “SHALL I, WASTING IN DESPAIR?"

SHALL I, mine affections slack,
'Cause I see a woman's black?
Or myself, with care cast down,
'Cause I see a woman brown?
Be she blacker than the night,
Or the blackest jet in sight!
If she be not so to me,
What care I how black she be?

Shall my foolish heart be burst,
'Cause I see a woman's curst?
Or a thwarting hoggish nature
Joinèd in as bad a feature?
Be she curst or fiercer than
Brutish beast, or savage man!
If she be not so to me,
What care I how curst she be?

Shall a woman's vices make
Me her vices quite forsake?
Or her faults to me made known,
Make me think that I have none?
Be she of the most accurst,
And deserve the name of worst!
If she be not so to me,
What care I how bad she be?

'Cause her fortunes seem too low,
Shall I therefore let her go?
He that bears an humble mind
And with riches can be kind,
Think how kind a heart he'd have,
If he were some servile slave!
And if that same mind I see
What care I how poor she be?

Poor, or bad, or curst, or black,
I will ne'er the more be slack!
If she hate me (then believe!)
She shall die ere I will grieve!
If she like me when I woo
I can like and love her too!
If that she be fit for me!
What care I what others be?

Ben Jonson.

AFTER HERRICK

SONG

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