Bill Nye - Bill Nye's Chestnuts Old and New

"O papa, let us take two or three cucumbers with our lunch," says one of the children, in glee.

"Very well, my child," exclaims the father, with ill-concealed delight, "Go down to the market and get one for each of us."

The artist has chosen to make his study of the fisherman a short time after lunch. The father is engaged in regretting something which it is now too late to recall. Cholera infantum has overtaken the younger child and the other is gathering lobelia for her father. The picture is wonderful in its conception ana execution. One can see that he is a poor fisherman, for he has not caught any fish, and the great agony he feels is depicted in his face and the altitude of his hair. The picture might have been called a battle piece or a French interior, with equal propriety.

Manet has several bright and cheery bits of color, among them No. 147, "Spring at Giverny," which might be called Fourth of July in a Roman candle factory without misleading the thoughtful art-student.

No. 150, "Meadows at Giverny," by the same man, is a study in connecting the foreground and background of an oil painting by means of purple hay and dark-blue bunches of boneset in such a way as to deceive the eye.

I have always bitterly regretted that while I was abroad I did not go to Giverny and see the purple hay and navy-blue tansy and water cress which grow there in such great abundance. How often we go hurrying through a country, seeing the old and well-worn features shown us by the professional guides and tourists, forgetting or overlooking more important matters, like a scene in France, No. 142, entitled "Women Bathing." I presume I was within three-quarters of a mile of this view and yet came home without knowing anything about it.

No. 123, "Diana Surprised," is no doubt the best picture in the whole collection. The tall and beautiful figure of Diana in the middle distance in the act of being surprised, is well calculated to appeal to any one with a tender heart or a few extra clothes. Diana has just been in swimming with her entire corps de ballet , and on coming out of the water is surprised to find that someone has stolen her clothes. The artist has very happily caught the attitude and expression at the moment when she is about to offer a reward for them. The picture is so true to life that I instinctively stammered "Excuse me," and got behind the artist who was with me. The figures are life size and the attitudes are easy and graceful in the extreme. One very beautiful young woman in the middle foreground, about seven and one-half inches north of the frame of the picture, with her back to the spectator, crouches at Diana's feet. She has done her beautiful and abundant hair up in a graceful coil at the back of her head, but has gone no further with her toilet when the surprise takes place. The idea is lofty and the treatment beneficial. I do not know that I am using these terms as I should, but I am doing the best I can.

We often hear our friends regret that their portraits, dressed in clothing that has long since become obsolete, are still in existence, and though the features are correctly reproduced, the costume is now so ridiculous as to impair the de trop of the picture and mar its aplomb .

Jules Lefebvre has overcome this great obstacle in a marvelous manner, and gives us Diana and her entire staff surrounded by an atmosphere that time cannot cloud with contumely or obscure with ridicule. Had the artist seen fit to paint Diana wearing a Garibaldi waist and very full skirt with large hoops, and her hair wrapped around two or three large "rats," he might have been true to the customs and costumes of a certain period in the history of art, but it would not have stood the test of time. As it is he has wisely chosen to throw about her a certain air of hauteur which will look just as well in a hundred years as it does now.

The picture has a massive frame and would brighten up one end of a dining-room very much. I was deeply mortified and disappointed to learn that it was not for sale. Actéon is the party who surprised Diana.

Nice Points of Seasonable Etiquette – City Relatives Whose Friendship Grows Warm with the Summer, but Who Regard a Chalk Meerschaum Pipe at Christmas as an Offset for a Season's Board.

I hold that I violate no particular amount of confidence when I lay the following private letter before the heated public:

Shirley-on-the-Piscataquis River,

State of Maine, June 20, 1887.

Mr. William Nye, World Office, New York.

Sir: I have been a reader of The World for some time and have frequently noticed the alacrity with which you have come forward and explained things through its columns. You must be indeed a kind-hearted man, or you would not try to throw light on things just to oblige other people, when you do not, as a matter of fact, know what you are talking about. Few men would so far forget their own comfort as to do this in order to please others. Most men are selfish and hang back when asked a difficult question, preferring to wait till they know how to answer it; but you, sir, you seem to be so free always to come forward and explain things, and yet are so buoyant and hopeful that you will escape the authorities, that I have ventured to write you in regard to a matter that I feel somewhat of an interest in. It is now getting along into the shank of the summer and people from the great cities of our land are beginning to care less and less for the allurements of sewer gas, and to sigh for a home in the country and to hanker for the "spare room" in a quiet neighborhood at $2 a week with board.

I have seen a great many rules of etiquette for the guidance of country people who go to the city, but I have never run up against a large, blue-book telling city people how to conduct themselves as to avoid adverse criticism while in the country. Every little while some person writes a piece regarding the queer pranks of a countryman in town and acts it out on the stage and makes a whole pile of money on it, but we do not seem to get the other side of this matter at all. What I desire is that you will give us a few hints in regard to the conduct of city people who visit in the rural districts during the heated term. I am not a professional summer-resort tender or anything of that kind, but I am a plain man, that works and slaves in the lumber woods all winter and then blows it in, if you will allow the term, on some New York friends of my wife's who come down, as they state, for the purpose of relaxation, but really to spread themselves out over our new white coverlids with their clothes on, and murmur in a dreamy voice: "Oh, how restful!"

They also kick because we have no elevated trains that will take them down to the depot, whereas I am not able and cannot get enough ahead or forehanded sufficiently to do so, as heaven is my judge.

They bring with them a small son, who is a pale, emaciated little cuss, with a quiet way of catching my three-year-old heifer by the tail and scaring the life out of her that is far beyond his years. His mother thinks he will not live, mayhap, to grow up, and I hope she may not be disappointed. Still he has a good appetite, and one day last summer, besides his meals, he ate:

I laid off all that day from haying in order to follow the little rascal around with a lead pencil and a piece of paper and see how much he would eat. That evening I thought what a beautiful night he had selected for his death. The moon was slipping in and out through the frothy, fleece-lined clouds, and I could imagine the angels just behind the battlements putting the celestial bric-a-brac high enough up so that Henry couldn't get hold of it when he came. I had a slow horse concealed behind the barn, with which I intended going for the doctor. It was a horse with which I had failed to get the doctor in time on a similar occasion, and I felt that he could be relied on now.