Brand Whitlock - The Turn of the Balance

"What's that about Koerner?" he said, coming forward aggressively. Gusta shrank from him. She felt herself in the midst of powerful, angry foes.

"You say he's your brother?" asked the inspector.

"Yes, sir."

"What do you want of him?"

"Oh, I just want to see him, sir," Gusta said. "I just want to talk to him a minute–that's all, sir."

Her blue eyes were swimming with tears.

"Hold on a minute," said the man of the dark visage. He went up to the inspector, whispered to him a moment. The inspector listened, finally nodded, then took up a tube that hung by his desk and blew into it. Far away a whistle shrilled.

"Let this girl see Koerner," he said, speaking into the tube, "in Kouka's presence." Then, dropping the tube, he said to Gusta:

"Go down-stairs–you can see him."

The policeman took her by the arm again, and led her down the hall and down the stairs to the turnkey's room. The turnkey unlocked a heavy door and tugged it open; inside, in a little square vestibule, Gusta saw a dim gas-jet burning. The turnkey called:

"Koerner!"

Then he turned to Gusta and said:

"This way."

She went timidly into the vestibule and found herself facing a heavy door, crossed with iron bars. On the other side of the bars was the face of Archie.

"Hello, Gusta," he said.

She had lifted her skirts a little; the floor seemed to her unclean. The odor of disinfectants, which, strong as it was, could not overpower the other odors it was intended to annihilate, came strongly to her. Through the bars she had a glimpse of high whitewashed walls, pierced near the top with narrow windows dirty beyond all hope. On the other side was a row of cells, their barred doors now swinging open. Along the wall miserable figures were stretched on a bench. Far back, where the prison grew dark as night, other figures slouched, and she saw strange, haggard faces peering curiously at her out of the gloom.

"Hello, Gusta," Archie said.

She felt that she should take his hand, but she disliked to thrust it through the bars. Still she did so. In slipping her hand through to take Archie's hand it touched the iron, which was cold and soft as if with some foul grease.

"Oh, Archie," she said, "what has happened?"

"Search me," he said, "I don't know what I'm here for. Ask Detective Kouka there. He run me in."

Gusta turned. The black-visaged man was standing beside her. Archie glared at the detective in open hatred, and Kouka sneered but controlled himself, and looked away as if, after all, he were far above such things.

Then they were silent, for Gusta could not speak.

"How did you hear of the pinch?" asked Archie presently.

"Mrs. Schopfle was in–she told us," replied Gusta.

"What did the old man say?"

"Oh, Archie! He's awful mad!"

Archie hung his head and meditatively fitted the toe of his boot into one of the squares made by the crossed bars at the bottom of the door.

"Say, Gusta," he said, "you tell him I'm in wrong; will you? Honest to God, I am!"

He raised his face suddenly and held it close to the bars.

"I will, Archie," she said.

"And how's ma?"

"Oh, she's pretty well." Gusta could not say the things she wished; she felt the presence of Kouka.

"Say, Gusta," said Archie, "see Mr. Marriott; tell him to come down here; I want him to take my case. I'll work and pay him when I get out. Say, Gusta," he went on, "tell him to come down this afternoon. My God, I've got to get out of here! Will you? You know where his office is?"

"I'll find it," said Gusta.

"It's in the Wayne Building."

Gusta tried to look at Archie; she tried to keep her eyes on his face, on his tumbled yellow hair, on his broad shoulders, broader still because his coat and waistcoat were off, and his white throat was revealed by his open shirt. But she found it hard, because her eyes were constantly challenged by the sights beyond–the cell doors, the men sleeping off their liquor, the restless figures that haunted the shadows, the white faces peering out of the gloom. The smell that came from within was beginning to sicken her.

"Oh, Archie," she said, "it must be awful in there!"

Archie became suddenly enraged

"Awful?" he said. "It's hell! This place ain't fit for a dog to stay in. Why, Gusta, it's alive–it's crawlin'! That's what it is! I didn't sleep a wink last night! Not a wink! Say, Gusta," he grasped the bars, pressed his face against them, "see Mr. Marriott and tell him to get me out of here. Will you? See him, will you?"

"I will, Archie," she said. "Ill go right away."

She was eager now to leave, for she had already turned sick with loathing.

"And say, Gusta," Archie said, "get me some cigarettes and send 'em down by Marriott."

"All right," she said. She was backing away.

"Good-by," he called. The turnkey was locking the door on him.

Outside, Gusta leaned a moment against the wall of the building, breathing in the outdoor air; presently she went on, but it was long before she could cleanse her mouth of the taste or her nostrils of the odor of the foul air of that prison in which her brother was locked.

Gusta hurried out of the alley as fast as she could go; she wished to get away from the police station, and to forget the faces of those men in prison. It was now nine o'clock and the activity of the Market was waning; the few gardener's wagons that lingered with the remnants of their loads were but a suggestion of the hundreds of wagons that had packed the square before the dawn. Under the shed, a block long, a constable was offering at public vendue the household goods of some widow who had been evicted; the torn and rusty mattresses, broken chairs and an old bed were going for scarcely enough to pay the costs; a little, blue-bearded man, who had forced the sale, stood by sharply watching, ready to bid the things in himself if the dealers in second-hand furniture should not offer enough. Gusta hurried on, past butcher-shops, past small saloons, and she hurried faster because every one–the policemen, the second-hand dealers, the drivers of the market-wagons, the butchers in their blood-stained smock frocks–turned to look at her. It was three blocks to the Wayne Building, rearing its fifteen stories aloft from the roaring tide of business at its feet, and Gusta was glad to lose herself in the crowds that swarmed along the street.

The waiting-room of Marriott's office was filled; the door which was lettered with his name was closed, and Gusta had to wait. She joined the group that sat silent in the chairs along the walls, and watched the girl with the yellow hair at the typewriter. The girl's white fingers twinkled over the keys; the little bell tinkled and the girl snatched back the carriage of the machine with a swift grating sound; she wrote furiously, and Gusta was fascinated. She wished she might be a typewriter; it must be so much easier to sit here in this pleasant, sunlit office, high above the cares and turmoil of the world, and write on that beautiful machine; so much easier than to toil in a poor, unhappy home with a mother ill, a father maimed and racked by pains so that he was always morose and cross, a brother in jail, and always work–the thankless task of washing at a tub, of getting meals when there was little food to get them with. Gusta thought she might master the machine, but no–her heart sank–she could not spell nor understand all the long words the lawyers used, so that was hopeless.

After a while the door marked "Mr. Marriott" opened, and a man stepped out, a well-dressed man, with an air of prosperousness; he glanced at the yellow-haired typewriter as he passed out of the office. Marriott was standing in his door, looking at the line of waiting clients; his face was worn and tired. He seemed to hesitate an instant, then he nodded to one of the waiting women, and she rose and entered the private office. Just as Marriott was closing the door, he saw Gusta and smiled, and Gusta was cheered; it was the first friendly smile she had seen that day.