George MacDonald: Sir Gibbie

In his shed under the stair it had been dark for some time—too dark for work, that is, and George Galbraith had lighted a candle: he never felt at liberty to leave off so long as a man was recognizable in the street by daylight. But now at last, with a sigh of relief, he rose. The hour of his redemption was come, the moment of it at hand. Outwardly calm, he was within eager as a lover to reach Lucky Croale's back parlour. His hand trembled with expectation as he laid from it the awl, took from between his knees the great boot on the toe of which he had been stitching a patch, lifted the yoke of his leather apron over his head, and threw it aside. With one hasty glance around, as if he feared some enemy lurking near to prevent his escape, he caught up a hat which looked as if it had been brushed with grease, pulled it on his head with both hands, stepped out quickly, closed the door behind him, turned the key, left it in the lock, and made straight for his earthly paradise—but with chastened step. All Mistress Croale's customers made a point of looking decent in the street—strove, in their very consciousness, to carry the expression of being on their way to their tea, not their toddy—or if their toddy, then not that they desired it, but merely that it was their custom always of an afternoon: man had no choice—he must fill space, he must occupy himself; and if so, why not Mistress Croale's the place, and the consumption of whisky the occupation? But alas for their would-be seeming indifference! Everybody in the lane, almost in the Widdiehill, knew every one of them, and knew him for what he was; knew that every drop of toddy he drank was to him as to a miser his counted sovereign; knew that, as the hart for the water-brooks, so thirsted his soul ever after another tumbler; that he made haste to swallow the last drops of the present, that he might behold the plenitude of the next steaming before him; that, like the miser, he always understated the amount of the treasure he had secured, because the less he acknowledged, the more he thought he could claim.

George was a tall man, of good figure, loosened and bowed. His face was well favoured, but not a little wronged by the beard and dirt of a week, through which it gloomed haggard and white. Beneath his projecting black brows, his eyes gleamed doubtful, as a wood-fire where white ash dims the glow. He looked neither to right nor left, but walked on with moveless dull gaze, noting nothing.

"Yon's his ain warst enemy," said the kindly grocer-wife, as he passed her door.

"Ay," responded her customer, who kept a shop near by for old furniture, or anything that had been already once possessed—"ay, I daursay. But eh! to see that puir negleckit bairn o' his rin scoorin' aboot the toon yon gait—wi' little o' a jacket but the collar, an' naething o' the breeks but the doup—eh, wuman! it maks a mither's hert sair to luik upo' 't. It's a providence 'at his mither's weel awa' an' canna see't; it wad gar her turn in her grave."

George was the first arrival at Mistress Croale's that night. He opened the door of the shop like a thief, and glided softly into the dim parlour, where the candles were not yet lit. There was light enough, however, from the busy little fire in the grate to show the clean sanded floor which it crossed with flickering shadows, the coloured prints and cases of stuffed birds on the walls, the full-rigged barque suspended from the centre of the ceiling, and, chief of all shows of heaven or earth, the black bottle on the table, with the tumblers, each holding its ladle, and its wine glass turned bottom upwards. Nor must I omit a part without which the rest could not have been a whole—the kettle of water that sat on the hob, softly crooning. Compared with the place where George had been at work all day, this was indeed an earthly paradise. Nor was the presence and appearance of Mistress Croale an insignificant element in the paradisial character of the place. She was now in a clean white cap with blue ribbons. Her hair was neatly divided, and drawn back from her forehead. Every trace of dirt and untidiness had disappeared from her person, which was one of importance both in size and in bearing. She wore a gown of some dark stuff with bright flowers on it, and a black silk apron. Her face was composed, almost to sadness, and throughout the evening, during which she waited in person upon her customers, she comported herself with such dignity, that her slow step and stately carriage seemed rather to belong to the assistant at some religious ceremony than to one who ministered at the orgies of a few drunken tradespeople.

She was seated on the horsehair sofa in the fire-twilight, waiting for customers, when the face of Galbraith came peering round the door-cheek.

"Come awa' ben," she said, hospitably, and rose. But as she did so, she added with a little change of tone, "But I'm thinkin' ye maun hae forgotten, Sir George. This is Setterday nicht, ye ken; an' gien it war to be Sunday mornin' afore ye wan to yer bed, it wadna be the first time, an' ye michtna be up ear eneuch to get yersel shaved afore kirk time."

She knew as well as George himself that never by any chance did he go to church; but it was her custom, as I fancy it is that of some other bulwarks of society and pillars of the church, "for the sake of example," I presume, to make not unfrequent allusion to certain observances, moral, religious, or sanatory as if they were laws that everybody kept.

Galbraith lifted his hand, black, and embossed with cobbler's wax, and rubbed it thoughtfully over his chin: he accepted the fiction offered him; it was but the well-known prologue to a hebdomadal passage between them. What if he did not intend going to church the next day? Was that any reason why he should not look a little tidier when his hard week's-work was over, and his nightly habit was turned into the comparatively harmless indulgence of a Saturday, in sure hope of the day of rest behind.

"Troth, I didna min' 'at it was Setterday," he answered. "I wuss I had pitten on a clean sark, an' washen my face. But I s' jist gang ower to the barber's an' get a scrape, an' maybe some o' them 'ill be here or I come back."

Mistress Croale knew perfectly that there was no clean shirt in George's garret. She knew also that the shirt he then wore, which probably, in consideration of her maid's festered hand, she would wash for him herself, was one of her late husband's which she had given him. But George's speech was one of those forms of sound words held fast by all who frequented Mistress Croale's parlour, and by herself estimated at more than their worth.

The woman had a genuine regard for Galbraith. Neither the character nor fate of one of the rest gave her a moment's trouble; but in her secret mind she deplored that George should drink so inordinately, and so utterly neglect his child as to let him spend his life in the streets. She comforted herself, however, with the reflection, that seeing he would drink, he drank with no bad companions—drank at all events where what natural wickedness might be in them, was suppressed by the sternness of her rule. Were he to leave her fold—for a fold in very truth, and not a sty, it appeared to her—and wander away to Jock Thamson's or Jeemie Deuk's, he would be drawn into loud and indecorous talk, probably into quarrel and uproar.

In a few minutes George returned, an odd contrast visible between the upper and lower halves of his face. Hearing his approach she met him at the door.

"Noo, Sir George," she said, "jist gang up to my room an' hae a wash, an' pit on the sark ye'll see lyin' upo' the bed; syne come doon an' hae yer tum'ler comfortable."

George's whole soul was bent upon his drink, but he obeyed as if she had been twice his mother. By the time he had finished his toilet, the usual company was assembled, and he appeared amongst them in all the respectability of a clean shirt and what purity besides the general adhesiveness of his trade-material would yield to a single ablution long delayed. They welcomed him all, with nod, or grin, or merry word, in individual fashion, as each sat measuring out his whisky, or pounding at the slow-dissolving sugar, or tasting the mixture with critical soul seated between tongue and palate.