George MacDonald - There & Back

When she left for Mortgrange, they had agreed that her husband should say she was gone to her father’s; and as nobody where they lived knew who or where her father was, nobody had the end of any clue. For some time after her return she did not show herself, leaving it to her husband to say she had come back with her baby. Then she began to appear with the child, and so managed her references to her absence, that no one dreamed of his not being her own, or imagined that she had left her husband for other reason than to be tended at her old home in her confinement. After a few years, even the fact of his not having been born in that house was forgotten; and Richard Lestrange grew up as the son of John Tuke, the bookbinder. Not in any mind was there a doubt as to his parentage.

They lived on the very bank of the Thames, in a poor part of a populous, busy, thriving suburb, far from fashionable, yet not without inhabitants of refinement. Had not art and literature sent out a few suckers into it, there would have been no place in it for John Tuke. For, more than liking his trade, being indeed fond of it, he would not work for the booksellers, but used his talent to the satisfaction of known customers, of whom he had now not a few, for his reputation had spread beyond the near neighbourhood. But while he worked cheaper, quality considered, than many binders, even carefully superintending that most important yet most neglected part of the handicraft, the sewing, he never undertook cheap work. Never, indeed, without persuasion on the part of his employer and expostulation on his own, did he consent to half-bind a book. Hence it comes to be confessed, that, when carte blanche was given him, he would not infrequently expend upon a book an amount of labour and a value of material quite out of proportion to the importance of the book. Still, being a thoroughly conscientious workman, who never hurried the forwarding, never cut from a margin a hair’s breadth more than was necessary, and hated finger-marks on the whiteness of a page, he was well known as such, and had plenty of work—had often, indeed, to refuse what was offered him, hence was able to decline all such jobs as would give him no pleasure, and grew more fastidious as he grew older in regard to the quality of the work he would undertake. He had never employed a journeyman, and would never take more than two apprentices at a time.

As Richard Lestrange grew, his chief pleasure was to be in the shop with his uncle, and watch him at his varying work. I think his knowledge of books as things led him the sooner to desire them as realities, for to read he learned with avidity. When he was old enough to go to school, his adopted father spared nothing he could spend to make him fit for his future; wisely resolved, however, that he should know nothing of his rights until he was of an age to understand them—except, indeed, sir Wilton should die before that age arrived, when his cause would be too much prejudiced by farther postponement of claim. Heartily they hoped that their secret might remain a secret until their nephew should be capable of protecting them from any untoward consequence of their well intended crime.

Happily there was in the place, and near enough for the boy to attend it easily, a good day-school upon an old foundation, whose fees were within his father’s means. Richard proved a fair student and became a great reader. But he took such an intelligent and practical interest in the work he saw going on at home, that he began, while yet a mere child, to use paste and paper of his own accord. First he made manuscript-books for his work at school, and for the copying of such verses as he took a fancy to in his reading. Then inside the covers of some of these he would make pockets for papers; and so advanced to small portfolios and pocket-books, of which he would make presents to his companions, and sometimes, when more ambitiously successful, to a master. In their construction he used bits of coloured paper and scraps of leather, chiefly morocco, which his father willingly made over to him, watching his progress with an interest quite paternal, and showing a workman’s wisdom in this, that only when he saw him in a real difficulty would he come to his aid—as, for instance, when first he struggled with a piece of leather too thick for the bonds of paste, and must be taught how to pare it to the necessary flexibility and compliance.

To become able to make something is, I think, necessary to thorough development. I would rather have son of mine a carpenter, a watchmaker, a wood-carver, a shoemaker, a jeweller, a blacksmith, a bookbinder, than I would have him earn his bread as a clerk in a counting-house. Not merely is the cultivation of operant faculty a better education in faculty, but it brings the man nearer to every thing operant; humanity unfolds itself to him the readier; its ways and thoughts and modes of being grow the clearer to both intellect and heart. The poetry of life, the inner side of that nature which comes from him who, on the Sabbath-days even, “worketh hitherto,” rises nearer the surface to meet the eyes of the man who makes. What advantage the carpenter of Nazareth gathered from his bench, is the inheritance of every workman, in proportion as he does divine, that is, honest work.

Perceiving the faculty of the boy, his father—so let us call John Tuke for the present—naturally thought it well to make him a gift of his trade: it would always be a possession! “Whatever turn things may take,” he would remark to his wife, “the boy will have his bread in his hands. And say what they will, the man who can gather his food off his own bench, or screw it out of his own press, must be a freer man than he who but for his inheritance would have to beg, steal, or die of hunger. And who knows how long the world may permit idlers to fare of its best!”

For, after a fashion of his own, Tuke was a philosopher and a politician. But his politics were those of the philosopher, not of the politician.

Richard, with his great love of reading, and therefore of books, was delighted to learn the craft which is their attendant and servitor. When too young yet to wield the hammer without danger both to himself and the book under it, he began to sew, and in a few weeks was able to bring the sheets together entirely to the satisfaction of his father. From the first he set him to do that essential part of the work in the best way, that is, to sew every sheet round every cord: it is only when one can perfectly work after the perfect rule, that he may be trusted with variations and exceptions.

He went on teaching him until the boy could, he confessed, do almost everything better than himself—went on until he had taught him every delicacy, every secret of the craft. Richard developed a positive genius for the work, seeming almost to learn it by intuition. A pocket-book, with which he presented his father on his fiftieth birthday, brought out his unqualified praise.

In the process he gradually revealed a predilection for a rarer use of his faculty—a use more nice, while less distinguished, and not much favoured by his father. It had its prime source deeper than the art of book-binding—in the love of books themselves, not as leaves to be bound, but as utterances to be heard. Certain dealers in old books have loved some of them so as to refuse to part with them on any terms; Richard, unable to possess more than a very few, manifested his veneration for them in another and nearer fashion, running, as was natural and healthy, in the lines of his calling.

For many months in diligent attendance at certain of the evening-classes at King’s College, he had developed a true insight into and sympathy with what is best in our literature—chiefly in that of the sixteenth century: from this grew an almost peculiar regard for old books. With three or four shillings weekly at his disposal, he laid himself out to discover and buy such volumes as, in themselves of value, were in so bad a condition as to be of little worth from the mere bookseller’s point of view: with these for his first patients he opened a hospital, or angel-asylum, for the lodging, restorative treatment, and systematic invigoration of decayed volumes. Love and power combined made him look on the dilapidated, slow-wasting abodes of human thought and delight with a healing compassion—almost with a passion of healing. The worse gnawed of the tooth of insect-time, the farther down any choice book in the steep decline of years, the more intent was Richard on having it. More and more skillful he grew, not only in rebinding such whose clothing was past repair, but in restoring the tone of their very constitution; and in so mending the ancient and beggarly garments of others that they reassumed a venerable respectability. Through love, he passed from an artisan to an artist. His reverence for the inner reality, the book itself, in itself beyond time and decay, had roused in him a child-like regard for its body, for its broken inclosure and default of manifestation. He would espy the beauty of an old binding through any amount of abrasion and laceration. To his eyes almost any old binding was better for its book than any new one.