George MacDonald - David Elginbrod

“Ye’re a day-labourer it seems, Mr. Sutherlan’, and gang hame at night.”

“Exactly so, madam,” rejoined Hugh. “There is no other relation between you and me, than that of work and wages. You have done your best to convince me of that, by making it impossible for me to feel that this house is in any sense my home.”

With this grand speech he left the room, and from that time till the day of his final departure from Turriepuffit, there was not a single allusion made to the subject.

He soon reached the cottage. When he entered the new room, which was always called Mr. Sutherland’s study, the mute welcome afforded him by the signs of expectation, in the glow of the waiting fire, and the outspread arms of the elbow-chair, which was now called his, as well as the room, made ample amends to him for the unfriendliness of Mrs. Glasford. Going to the shelves to find the books he wanted, he saw that they had been carefully arranged on one shelf, and that the others were occupied with books belonging to the house. He looked at a few of them. They were almost all old books, and such as may be found in many Scotch cottages; for instance, Boston’s Fourfold State, in which the ways of God and man may be seen through a fourfold fog; Erskine’s Divine Sonnets, which will repay the reader in laughter for the pain it costs his reverence, producing much the same effect that a Gothic cathedral might, reproduced by the pencil and from the remembrance of a Chinese artist, who had seen it once; Drelincourt on Death, with the famous ghost-hoax of De Foe, to help the bookseller to the sale of the unsaleable; the Scots Worthies, opening of itself at the memoir of Mr. Alexander Peden; the Pilgrim’s Progress, that wonderful inspiration, failing never save when the theologian would sometimes snatch the pen from the hand of the poet; Theron and Aspasio; Village Dialogues; and others of a like class. To these must be added a rare edition of Blind Harry. It was clear to Hugh, unable as he was fully to appreciate the wisdom of David, that it was not from such books as these that he had gathered it; yet such books as these formed all his store. He turned from them, found his own, and sat down to read. By and by David came in.

“I’m ower sune, I doubt, Mr. Sutherlan’. I’m disturbin’ ye.”

“Not at all,” answered Hugh. “Besides, I am not much in a reading mood this evening: Mrs. Glasford has been annoying me again.”

“Poor body! What’s she been sayin’ noo?”

Thinking to amuse David, Hugh recounted the short passage between them recorded above. David, however, listened with a very different expression of countenance from what Hugh had anticipated; and, when he had finished, took up the conversation in a kind of apologetic tone.

“Weel, but ye see,” said he, folding his palms together, “she hasna’ jist had a’thegither fair play. She does na come o’ a guid breed. Man, it’s a fine thing to come o’ a guid breed. They hae a hantle to answer for ‘at come o’ decent forbears.”

“I thought she brought the laird a good property,” said Hugh, not quite understanding David.

“Ow, ay, she brocht him gowpenfu’s o’ siller; but hoo was’t gotten? An’ ye ken it’s no riches ‘at ‘ill mak’ a guid breed—‘cep’ it be o’ maggots. The richer cheese the mair maggots, ye ken. Ye maunna speyk o’ this; but the mistress’s father was weel kent to hae made his siller by fardins and bawbees, in creepin’, crafty ways. He was a bit merchan’ in Aberdeen, an’ aye keepit his thoom weel ahint the peint o’ the ellwan’, sae ‘at he made an inch or twa upo’ ilka yard he sauld. Sae he took frae his soul, and pat intill his siller-bag, an’ had little to gie his dochter but a guid tocher. Mr. Sutherlan’, it’s a fine thing to come o’ dacent fowk. Noo, to luik at yersel’: I ken naething aboot yer family; but ye seem at eesicht to come o’ a guid breed for the bodily part o’ ye. That’s a sma’ matter; but frae what I ha’e seen—an’ I trust in God I’m no’ mista’en—ye come o’ the richt breed for the min’ as weel. I’m no flatterin’ ye, Mr. Sutherlan’; but jist layin’ it upo’ ye, ‘at gin ye had an honest father and gran’father, an’ especially a guid mither, ye hae a heap to answer for; an’ ye ought never to be hard upo’ them ‘at’s sma’ creepin’ creatures, for they canna help it sae weel as the like o’ you and me can.”

David was not given to boasting. Hugh had never heard anything suggesting it from his lips before. He turned full round and looked at him. On his face lay a solemn quiet, either from a feeling of his own responsibility, or a sense of the excuse that must be made for others. What he had said about the signs of breed in Hugh’s exterior, certainly applied to himself as well. His carriage was full of dignity, and a certain rustic refinement; his voice was wonderfully gentle, but deep; and slowest when most impassioned. He seemed to have come of some gigantic antediluvian breed: there was something of the Titan slumbering about him. He would have been a stern man, but for an unusual amount of reverence that seemed to overflood the sternness, and change it into strong love. No one had ever seen him thoroughly angry; his simple displeasure with any of the labourers, the quality of whose work was deficient, would go further than the laird’s oaths.

Hugh sat looking at David, who supported the look with that perfect calmness that comes of unconscious simplicity. At length Hugh’s eye sank before David’s, as he said:

“I wish I had known your father, then, David.”

“My father was sic a ane as I tauld ye the ither day, Mr. Sutherlan’. I’m a’ richt there. A puir, semple, God-fearin’ shepherd, ‘at never gae his dog an ill-deserved word, nor took the skin o’ ony puir lammie, wha’s woo’ he was clippin’, atween the shears. He was weel worthy o’ the grave ‘at he wan till at last. An’ my mither was jist sic like, wi’ aiblins raither mair heid nor my father. They’re her beuks maistly upo’ the skelf there abune yer ain, Mr. Sutherlan’. I honour them for her sake, though I seldom trouble them mysel’. She gae me a kin’ o’ a scunner at them, honest woman, wi’ garrin’ me read at them o’ Sundays, till they near scomfisht a’ the guid ‘at was in me by nater. There’s doctrine for ye, Mr. Sutherlan’!” added David, with a queer laugh.

“I thought they could hardly be your books,” said Hugh.

“But I hae ae odd beuk, an’ that brings me upo’ my pedigree, Mr. Sutherlan’; for the puirest man has as lang a pedigree as the greatest, only he kens less aboot it, that’s a’. An’ I wat, for yer lords and ladies, it’s no a’ to their credit ‘at’s tauld o’ their hither-come; an’ that’s a’ against the breed, ye ken. A wilfu’ sin in the father may be a sinfu’ weakness i’ the son; an’ that’s what I ca’ no fair play.”

So saying, David went to his bedroom, whence he returned with a very old-looking book, which he laid on the table before Hugh. He opened it, and saw that it was a volume of Jacob Boehmen, in the original language. He found out afterwards, upon further inquiry, that it was in fact a copy of the first edition of his first work, The Aurora, printed in 1612. On the title-page was written a name, either in German or old English character, he was not sure which; but he was able to read it—Martin Elginbrodde. David, having given him time to see all this, went on:

“That buik has been in oor family far langer nor I ken. I needna say I canna read a word o’t, nor I never heard o’ ane ‘at could. But I canna help tellin’ ye a curious thing, Mr. Sutherlan’, in connexion wi’ the name on that buik: there’s a gravestane, a verra auld ane—hoo auld I canna weel mak’ out, though I gaed ends-errand to Aberdeen to see’t—an’ the name upo’ that gravestane is Martin Elginbrod, but made mention o’ in a strange fashion; an’ I’m no sure a’thegither aboot hoo ye’ll tak’ it, for it soun’s rather fearsome at first hearin’ o’t. But ye’se hae’t as I read it: