Charles Kingsley - Two Years Ago, Volume I

It may seem a somewhat Irish method of beginning the story of "Two Years Ago" by a scene which happened but a month since. And yet, will not the story be on that very account a better type of many a man's own experiences! How few of us had learnt the meaning of "Two Years Ago," until this late quiet autumn time; and till Christmas, too, with its gaps in the old ring of friendly faces, never to be filled up again on earth, began to teach us somewhat of its lesson.

Two years ago, while pestilence was hovering over us and ours; while the battle-roar was ringing in our ears; who had time to think, to ask what all that meant; to seek for the deep lesson which we knew must lie beneath? Two years ago was the time for work; for men to do with all their might whatsoever their hands found to do. But now the storm has lulled once more; the air has cleared awhile, and we can talk calmly over all the wonders of that sudden, strange, and sad "Two years ago."

So felt, at least, two friends who went down, just one week before Christmas-day, to Whitbury, in Berkshire. Two years ago had come to one of them, as to thousands more, the crisis of his life; and he was talking of it with his companion; and was on his way, too, to learn more of that story, which this book contains, and in which he had borne his part.

They were both of them men who would at first sight interest a stranger. The shorter of the two he might have seen before—at picture sales, Royal Academy meetings, dinner parties, evening parties, anywhere and everywhere, in town; for Claude Mellot is a general favourite, and a general guest.

He is a tiny, delicate-featured man, with a look of half-lazy enthusiasm about his beautiful face, which reminds you much of Shelley's portrait; only he has what Shelley had not, clustering auburn curls, and a rich brown beard, soft as silk. You set him down at once as a man of delicate susceptibility, sweetness, thoughtfulness; probably (as he actually is) an artist.

His companion is a man of statelier stamp, tall, dark, and handsome, with a very large forehead; if the face has a fault, it is that the mouth is too small; that, and the expression of face too, and the tone of voice, seem to indicate over-refinement, possibly a too aristocratic exclusiveness. He is dressed like a very fine gentleman indeed, and looks and talks like one. Aristocrat, however, in the common sense of the word, he is not; for he is a native of the Model Republic, and sleeping-partner in a great New York merchant firm.

He is chatting away to Claude Mellot, the artist, about Frémont's election; and on that point seems to be earnest enough, though patient and moderate.

"My dear Claude, our loss is gain. The delay of the next four years was really necessary, that we might consolidate our party. And I leave you to judge, if it has grown to its present size in but a few months, what dimensions it will have attained before the next election. We require the delay, too, to discover who are our really best men; not merely as orators, but as workers; and you English ought to know better than any nation, that the latter class of men are those whom the world most needs—that though Aaron may be an altogether inspired preacher, yet it is only slow-tongued practical Moses, whose spokesman he is, who can deliver Israel from their taskmasters. Besides, my dear fellow, we really want the next four years—'tell it not in Gath'—to look about us and see what is to be done. Your wisest Englishmen justly complain of us, that our 'platform' is as yet a merely negative one; that we define what the South shall not do, but not what the North shall. Ere four years be over, we will have a 'positive platform,' at which you shall have no cause to grumble."

"I still think with Marie, that your 'positive platform' is already made for you, plain as the sun in heaven, as the lightnings of Sinai. Free those slaves at once and utterly!"

"Impatient idealist! By what means? By law, or by force? Leave us to draw a cordon sanitaire round the tainted States, and leave the system to die a natural death, as it rapidly will if it be prevented from enlarging its field. Don't fancy that a dream of mine. None know it better than the Southerners themselves. What makes them ready just now to risk honour, justice, even the common law of nations and humanity, in the struggle for new slave territory? What but the consciousness that without virgin soil, which will yield rapid and enormous profit to slave labour, they and their institution must be ruined!"

"The more reason for accelerating so desirable a consummation, by freeing the slaves at once."

"Humph!" said Stangrave with a smile. "Who so cruel at times as your too benevolent philanthropist? Did you ever count the meaning of those words? Disruption of the Union, an invasion of the South by the North; and an internecine war, aggravated by the horrors of a general rising of the slaves, and such scenes as Hayti beheld sixty years ago. If you have ever read them, you will pause ere you determine to repeat them on a vaster scale."

"It is dreadful, Heaven knows, even in thought! But, Stangrave, can any moderation on your part ward it off? Where there is crime, there is vengeance; and without shedding of blood is no remission of sin."

"God knows! It may be true: but God forbid that I should ever do aught to hasten what may come. Oh, Claude, do you fancy that I, of all men, do not feel at moments the thirst for brute vengeance?"

Claude was silent.

"Judge for yourself, you who know all—what man among us Northerners can feel, as I do, what those hapless men may have deserved?—I who have day and night before me the brand of their cruelty, filling my heart with fire? I need all my strength, all my reason, at times to say to myself, as I say to others—'Are not these slaveholders men of like passions with yourself? What have they done which you would not have done in their place?' I have never read that key to Uncle Tom's Cabin. I will not even read this Dred, admirable as I believe it to be."

"Why should you?" said Claude. "Have you not a key to Uncle Tom's Cabin, more pathetic than any word of man's or woman's?"

"But I do not mean that! I will not read them, because I have the key to them in my own heart, Claude: because conscience has taught me to feel for the Southerner as a brother, who is but what I might have been; and to sigh over his misdirected courage and energy, not with hatred, not with contempt: but with pity, all the more intense the more he scorns that pity; to long, not merely for the slaves' sake, but for the masters' sake, to see them—the once chivalrous gentlemen of the South—delivered from the meshes of a net which they did not spread for themselves, but which was round their feet, and round their fathers', from the day that they were born. You ask me to destroy these men. I long to save them from their certain doom!"

"You are right, and a better Christian than I am, I believe. Certainly they do need pity, if any sinners do; for slavery seems to be—to judge from Mr. Brooks's triumph—a great moral curse, and a heavier degradation to the slaveholder himself, than it can ever be to the slave."

"Then I would free them from that curse, that degradation. If the negro asks, 'Am I not a man and a brother?' have they no right to ask it also? Shall I, pretending to love my country, venture on any rash step which may shut out the whole Southern white population from their share in my country's future glory? No; have but patience with us, you comfortable liberals of the Old World, who find freedom ready made to your hands, and we will pay you all. Remember, we are but children yet; our sins are the sins of youth,—greediness, intemperance, petulance, self-conceit. When we are purged from our youthful sins, England will not be ashamed of her child."