Edmund Burke - Burke's Speech on Conciliation with America

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It is clear that Burke thought the State existed for the people, and not the people for the State. The doctrine is old to us, but it was not so in Burke's time, and it required courage to expound it. The great parties had forgotten the reason for their existence, and one of them had become hardened and blinded by that corruption which seems to follow long tenure of office. The affairs of India, Ireland, and America gave excellent opportunity for an exhibition of English statesmanship, but in each case the policy pursued was dictated, not by a clear perception of what was needed in these countries, but by narrow selfishness, not unmixed with dogmatism of the most challenging sort. The situation in India, as regards climate, character, and institutions, counted for little in the minds of those who were growing rich as agents of the East India Company. Much the same may be said of America and Ireland. The sense of Parliament, influenced by the king, was to use these parts of the British Empire in raising a revenue, and in strengthening party organization at home. In opposing this policy, Burke lost his seat as representative for Bristol, then the second city of England; spent fourteen of the best years of his life in conducting the impeachment of Warren Hastings, Governor-General of India; and, greatest of all, delivered his famous speeches on Taxation and Conciliation, in behalf of the American colonists.

Notwithstanding the distinctly modern tone of Burke's ideas, it would be wrong to think of him as a thoroughgoing reformer. He has been called the Great Conservative, and the title is appropriate. He would have shrunk from a purely republican form of government, such as our own, and it is, perhaps, a fact that he was suspicious of a government by the people. The trouble, as he saw it, lay with the representatives of the people. Upon them, as guardians of a trust, rested the responsibility of protecting those whom they were chosen to serve. While he bitterly opposed any measures involving radical change in the Constitution, he was no less ardent in denouncing political corruptions of all kinds whatsoever. In his Economical Reform he sought to curtail the enormous extravagance of the royal household, and to withdraw the means of wholesale bribery, which offices at the disposal of the king created. He did not believe that a more effective means than this lay in the proposed plan for a redistribution of seats in the House of Commons. In one place, he declared it might be well to lessen the number of voters, in order to add to their weight and independence; at another, he asks that the people be stimulated to a more careful scrutiny of the conduct of their representatives; and on every occasion he demands that the legislators give their support to those measures only which have for their object the good of the whole people.

It is obvious, however, that Burke's policy had grievous faults. His reverence for the past, and his respect for existing institutions as the heritage of the past, made him timid and overcautious in dealing with abuses. Although he stood with Pitt in defending the American colonies, he had no confidence in the thoroughgoing reforms which the great Commoner proposed. When the Stamp Act was repealed, Pitt would have gone even further. He would have acknowledged the absolute injustice of taxation without representation. Burke held tenaciously to the opposing theory, and warmly supported the Declaratory Act, which "asserted the supreme authority of Parliament over the colonies, in all cases whatsoever." His support of the bill for the repeal of the Stamp Act, as well as his plea for reconciliation, ten years later, were not prompted by a firm belief in the injustice of England's course. He expressly states, in both cases that to enforce measures so repugnant to the Americans, would be detrimental to the home government. It would result in confusion and disorder, and would bring, perhaps, in the end, open rebellion. All of his speeches on American affairs show his willingness to "barter and compromise" in order to avoid this, but nowhere is there a hint of fundamental error in the Constitution. This was sacred to him, and he resented to the last any proposition looking to an organic change in its structure. "The lines of morality," he declared, "are not like ideal lines of mathematics. They are broad and deep, as well as long. They admit of exceptions; they demand modifications. These exceptions and modifications are made, not by the process of logic, but the rules of prudence. Prudence is not only first in rank of all the virtues, political and moral, but she is the director, the regulator, the standard of them all."

The chief characteristics, then, of Burke's political philosophy are opposed to much that is fundamental in modern systems. His doctrine is better than that of George III, because it is more generous, and affords opportunity for superficial readjustment and adaptation. It is this last, or rather the proof it gives of his insight, that has secured Burke so high a place among English statesmen.

A GROUP OF WRITERS COMING IMMEDIATELY BEFORE BURKE

Addison. . . . 1672-1719

Steele . . . . 1672-1729

Defoe. . . . . 1661-1731

Swift. . . . . 1667-1745

Pope . . . . . 1688-1744

Richardson . . 1689-1761

A GROUP OF WRITERS CONTEMPORARY WITH BURKE

Johnson . . . . 1709-1784

Goldsmith . . . 1728-1774

Fielding. . . . 1707-1754

Sterne. . . . . 1713-1768

Smollett. . . . 1721-1771

Gray. . . . . . 1716-1771

Boswell . . . . 1740-1795

BURKE IN LITERATURE

It has become almost trite to speak of the breadth of Burke's sympathies. We should examine the statement, however, and understand its significance and see its justice. While he must always be regarded first as a statesman of one of the highest types, he had other interests than those directly suggested by his office, and in one of these, at least, he affords an interesting and profitable study.

To the student of literature Burke's name must always suggest that of Johnson and Goldsmith. It was eight years after Burke's first appearance as an author, that the famous Literary Club was formed. At first it was the intention to limit the club to a membership of nine, and for a time this was adhered to. The original members were Johnson, Burke, Goldsmith, Reynolds, and Hawkins. Garrick, Pox, and Boswell came in later. Macaulay declares that the influence of the club was so great that its verdict made and unmade reputations; but the thing most interesting to us does not lie in the consideration of such literary dictatorship. To Boswell we owe a biography of Johnson which has immortalized its subject, and shed lustre upon all associated with him. The literary history of the last third of the eighteenth century, with Johnson as a central figure, is told nowhere else with such accuracy, or with better effect.

Although a Tory, Johnson was a great one, and his lasting friendship for Burke is an enduring evidence of his generosity and great-mindedness. For twenty years, and longer, they were eminent men in opposing parties, yet their mutual respect and admiration continued to the last. To Burke, Johnson was a writer of "eminent literary merit" and entitled to a pension "solely on that account." To Johnson, Burke was the greatest man of his age, wrong politically, to be sure, yet the only one "whose common conversation corresponded to the general fame which he had in the world"—the only one "who was ready, whatever subject was chosen, to meet you on your own ground." Here and there in the Life are allusions to Burke, and admirable estimates of his many-sided character.

Coming directly to an estimate of Burke from the purely literary point of view, it must be borne in mind that the greater part of his writings was prepared for an audience. Like Macaulay, his prevailing style suggests the speaker, and his methods throughout are suited to declamation and oratory. He lacks the ease and delicacy that we are accustomed to look for in the best prose writers, and occasionally one feels the justice of Johnson's stricture, that "he sometimes talked partly from ostentation", or of Hazlitt's criticism that he seemed to be "perpetually calling the speaker out to dance a minuet with him before he begins."

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