George MacDonald: What's Mine's Mine — Volume 3

When Mercy was able to go down to the drawing-room, she found the evenings pass as never evenings passed before; and during the day, although her mother and Christina came often to see her, she had time and quiet for thinking. And think she must; for she found herself in a region of human life so different from any she had hitherto entered, that in no other circumstances would she have been able to recognize even its existence. Everything said or done in it seemed to acknowledge something understood. Life went on with a continuous lean toward something rarely mentioned, plainly uppermost; it embodied a tacit reference of everything to some code so thoroughly recognized that occasion for alluding to it was unfrequent. Its inhabitants appeared to know things which her people did not even suspect. The air of the brothers especially was that of men at their ease yet ready to rise—of men whose loins were girded, alert for an expected call.

Under their influence a new idea of life, and the world, and the relations of men and things, began to grow in the mind of Mercy. There was a dignity, almost grandeur, about the simple life of the cottage, and the relation of its inmates to all they came near. No one of them seemed to live for self, but each to be thinking and caring for the others and for the clan. She awoke to see that manners are of the soul; that such as she had hitherto heard admired were not to be compared with the simple, almost peasant-like dignity and courtesy of the chief; that the natural grace, accustomed ease, and cultivated refinement of Ian's carriage, came out in attention and service to the lowly even more than in converse with his equals; while his words, his gestures, his looks, every expression born of contact, witnessed a directness and delicacy of recognition she could never have imagined. The moment he began to speak to another, he seemed to pass out of himself, and sit in the ears of the other to watch his own words, lest his thoughts should take such sound or shape as might render them unwelcome or weak. If they were not to be pleasant words, they should yet be no more unpleasant than was needful; they should not hurt save in the nature of that which they bore; the truth should receive no injury by admixture of his personality. He heard with his own soul, and was careful over the other soul as one of like kind. So delicately would he initiate what might be communion with another, that to a nature too dull or selfish to understand him, he gave offence by the very graciousness of his approach.

It was through her growing love to Alister that Mercy became able to understand Ian, and perceived at length that her dread, almost dislike of him at first, was owing solely to her mingled incapacity and unworthiness. Before she left the cottage, it was spring time in her soul; it had begun to put forth the buds of eternal life. Such buds are not unfrequently nipped; but even if they are, if a dull, false, commonplace frost close in, and numb the half wakened spirit back into its wintry sleep, that sleep will ever after be haunted with some fainting airs of the paradise those buds prophesied. In Mercy's case they were to grow into spiritual eyes—to open and see, through all the fogs and tumults of this phantom world, the light and reality of the true, the spiritual world everywhere around her—as the opened eyes of the servant of the prophet saw the mountains of Samaria full of horses of fire and chariots of fire around him. Every throb of true love, however mingled with the foolish and the false, is a bourgeoning of the buds of the life eternal—ah, how far from leaves! how much farther from flowers.

Ian was high above her, so high that she shrank from him; there seemed a whole heaven of height between them. It would fill her with a kind of despair to see him at times sit lost in thought: he was where she could never follow him! He was in a world which, to her childish thought, seemed not the world of humanity; and she would turn, with a sense of both seeking and finding, to the chief. She imagined he felt as she did, saw between his brother and him a gulf he could not cross. She did not perceive this difference, that Alister knew the gulf had to be crossed. At such a time, too, she had seen his mother regarding him with a similar expression of loss, but with a mingling of anxiety that was hers only. It was sweet to Mercy to see in the eyes of Alister, and in his whole bearing toward his younger brother, that he was a learner like herself, that they were scholars together in Ian's school.

A hunger after something beyond her, a something she could not have described, awoke in her. She needed a salvation of some kind, toward which she must grow! She needed a change which she could not understand until it came—a change the greatest in the universe, but which, man being created with the absolute necessity for it, can be no violent transformation, can be only a grand process in the divine idea of development.

She began to feel a mystery in the world, and in all the looks of it—a mystery because a meaning. She saw a jubilance in every sunrise, a sober sadness in every sunset; heard a whispering of strange secrets in the wind of the twilight; perceived a consciousness of unknown bliss in the song of the lark;—and was aware of a something beyond it all, now and then filling her with wonder, and compelling her to ask, "What does it, what can it mean?" Not once did she suspect that Nature had indeed begun to deal with her; not once suspect, although from childhood accustomed to hear the name of Love taken in vain, that love had anything to do with these inexplicable experiences.

Let no one, however, imagine he explains such experiences by suggesting that she was in love! That were but to mention another mystery as having introduced the former. For who in heaven or on earth has fathomed the marvel betwixt the man and the woman? Least of all the man or the woman who has not learned to regard it with reverence. There is more in this love to uplift us, more to condemn the lie in us, than in any other inborn drift of our being, except the heavenly tide Godward. From it flow all the other redeeming relations of life. It is the hold God has of us with his right hand, while death is the hold he has of us with his left. Love and death are the two marvels, yea the two terrors—but the one goal of our history.

It was love, in part, that now awoke in Mercy a hunger and thirst after heavenly things. This is a direction of its power little heeded by its historians; its earthly side occupies almost all their care. Because lovers are not worthy of even its earthly aspect, it palls upon them, and they grow weary, not of love, but of their lack of it. The want of the heavenly in it has caused it to perish: it had no salt. From those that have not is taken away that which they have. Love without religion is the plucked rose. Religion without love—there is no such thing. Religion is the bush that bears all the roses; for religion is the natural condition of man in relation to the eternal facts, that is the truths, of his own being. To live is to love; there is no life but love. What shape the love puts on, depends on the persons between whom is the relation. The poorest love with religion, is better, because truer, therefore more lasting, more genuine, more endowed with the possibility of persistence—that is, of infinite development, than the most passionate devotion between man and woman without it.

Thus together in their relation to Ian, it was natural that Mercy and the chief should draw yet more to each other. Mercy regarded Alister as a big brother in the same class with herself, but able to help her. Quickly they grew intimate. In the simplicity of his large nature, the chief talked with Mercy as openly as a boy, laying a heart bare to her such that, if the world had many like it, the kingdom of heaven would be more than at hand.