George Gissing - Thyrza

'We have much yet to talk of,' said Egremont, as he rose, 'but it gets late and I mustn't keep you longer. Will you come here some evening when there is no lecture and let us turn over our ideas together? I shall begin at once to think of the library. It will make a centre for us, won't it? And remember Ackroyd. You are intimate with him?'

'We think very differently of many things,' said Grail, 'but I like him. We work together.'

'We mustn't lose him. He has the bright look of a man who could do much if he were really moved. Persuade him to come and see me on Sunday night.'

They shook hands again, and Grail took his departure. Egremont still stood for a few minutes before the fire; then he extinguished the gas, locked the door behind him, and went forth into the street singing to himself.

Gilbert turned into Paradise Street, which was close at hand. He had decided to call and ask for Ackroyd on his way home. The latter had not been at work that day, and was perhaps ailing; for some time he had seemed out of sorts. Intercourse between them was not as constant as formerly. Grail explained this as due to Ackroyd's disturbed mood, another result of which was seen in his ceasing to attend the lecture; yet in Gilbert also there was something which tended to weaken the intimacy. He knew well enough what this was, and strove against it, but not with great success.

Ackroyd lived with his married sister, who let half her house to lodgers. When Gilbert knocked at the door, it was she who opened. Mrs. Poole was a buxom young woman with a complexion which suggested continual activity within range of the kitchen fire; her sleeves were always rolled up to her elbow, and at whatever moment surprised she wore an apron which seemed just washed and ironed. She knew not weariness, nor discomfort, nor discontent, and her flow of words suggested a safety valve letting off superfluous energy.

'That Mr. Grail?' she said, peering out into the darkness. 'You've come to look after that great good-for-nothing of a brother of mine, I'll be bound! Come downstairs, and I'll tell him you're here. You may well wonder what's become of him. Ill! Not he, indeed! No more ill than I am. It's only his laziness. He wants a good shaking, that's about the truth of it, Mr. Grail.'

She led him down into the kitchen. A low clothes-horse, covered with fresh-smelling, gently-steaming linen, stood before a great glowing fire. A baby lay awake in a swinging cot just under the protruding leaf of the table, and a little girl of three was sitting in night-dress and shawl on a stool in a warm corner.

'Yes, you may well stare,' resumed Mrs. Poole, noticing Grail's glance at the children. 'A quarter past ten and neither one of 'em shut an eye yet, nor won't do till their father comes home, not if it's twelve o'clock. You dare to laugh, Miss!' she cried to the little one on the stool, with mock wrath. 'The idea of having to fetch you out o' bed just for peace and quietness. And that young man there'—she pointed to the cradle; 'there's about as much sleep ill him as there is in that eight-day clock! You rascal, you!'

Like her brother, she had the northern accent still lingering in her speech; it suited with her brisk, hearty ways. Whilst speaking, she had partly moved the horse from the fire and placed a round-backed chair for the visitor in a position which would have answered tolerably had she meant to roast him.

'He's in the sulks, that's what he is,' she continued, returning to the subject of Luke. 'I suppose you know all about it, Mr. Grail?'

Gilbert seated himself, and Mrs. Poole, pretending to arrange the linen, stood just before him, with a sly smile.

'I'm not sure that I do,' he replied, avoiding her look.

She lowered her voice.

'The idea of a great lad going on like he does! Why, it's the young lady that lives in your house—Miss Trent, you know, I don't know her myself; no doubt she's wonderful pretty and all the rest of it, but I'm that sick and tired of hearing about her! My husband's out a great deal at night, of course, and Luke comes and sits here hours by the clock, just where you are, right in my way. I don't mean you're in my way; I'm talking of times when I'm busy. Well, there he sits; and sometimes he'll be that low it's enough to make a body strangle herself with her apron-string. Other times he'll talk, talk, talk and it's all Thyrza Trent, Thyrza Trent, till the name makes my ears jingle. This afternoon I couldn't put up with it, so I told him he was a great big baby to go on as he does. Then we had some snappy words, and he went off to his bedroom and wouldn't have any tea. But really and truly, I don't know what'll come to him. He says he'll take to drinking, and he does a deal too much o' that as it is. And to think of him losing days from his work! Now do just tell him not to be a fool, Mr. Grail.'

With difficulty Gilbert found an opportunity to put in a word.

'But is there something wrong between them?' he asked with a forced smile.

'Wrong? Why, doesn't he talk about it to you?'

'No. I used to hear just a word or two, but there's been no mention of her for a long time.'

'You may think yourself lucky then, that's all I can say. Why, she wouldn't have anything to say to him. And I don't see what he's got to complain of; he admits she told him from the first she didn't care a bit for him. As if there wasn't plenty of other lasses! Luke was always such a softy about 'em; but I never knew him have such a turn as this. I'll just go and tell him you're here.'

'Perhaps he's gone to bed.'

'Not he. He sits in the cold half the night, just to make people sorry for him. He doesn't get much pity from me, the silly fellow.'

She ran up the stairs. Grail, as soon as she was gone, fell into a reverie. It did not seem a pleasant one.

In a few minutes Mrs. Poole was heard returning; behind her came a heavier foot. Ackroyd certainly looked far from well, but had assumed a gay air, which he exaggerated.

'Come to see if I've hanged myself, old man? Not quite so bad as that yet. I've had the toothache and the headache and Lord knows what. Now I feel hungry; we'll have some supper together. Give me a jug, Maggie, and I'll get some beer.'

'You sit down,' she replied. 'I'll run out and fetch it.'

'Why, what's the good of a jug like that!' he roared, watching her. 'A gallon or so won't be a drop too much for me.'

He flung himself into a chair and stretched his legs.

'Been to the lecture?' he asked, as his sister left the room.

'Yes,' Gilbert replied, his wonted quietness contrasting with the other's noise. 'Mr. Egremont's been asking me about you. He's disappointed that you've left him.'

'Can't help it. I held out as long as I could. It isn't my line. Besides, nothing's my line just now. So you had a talk with him, eh?'

'Yes, a talk I shan't forget. There are not many men like Mr. Egremont.'

Gilbert had it on his lips to speak of the library project, but a doubt as to whether he might not be betraying confidence checked him.

'He wants you to go and see him at the lecture-room,' he continued, 'either on Sunday after the lecture, or any evening that suits you. Will you go?'

Luke shook his head.

'No. What's the good?'

'I wish you would, Ackroyd,' said Gilbert, bending forward and speaking with earnestness. 'You'd be glad of it afterwards. He said I was to ask you to go and have a smoke with him by the fire; you needn't be afraid of a sermon, you see. Besides, you know he isn't that kind of man.'

'No, I shan't go, old man,' returned the other, with resolution. 'I liked his lectures well enough, as far as they went, but they're not the kind of thing to suit me nowadays. If I go and talk to him, I'm bound to go to the lectures. What's the good? What's the good of anything?'