Grant Allen - The Great Taboo

I desire to express my profound indebtedness, for the central mythological idea embodied in this tale, to Mr. J.G. Frazer's admirable and epoch-making work, "The Golden Bough," whose main contention I have endeavored incidentally to popularize in my present story. I wish also to express my obligations in other ways to Mr. Andrew Lang's "Myth, Ritual, and Religion," Mr. H.O. Forbes's "Naturalist's Wanderings," and Mr. Julian Thomas's "Cannibals and Convicts." If I have omitted to mention any other author to whom I may have owed incidental hints, it will be some consolation to me to reflect that I shall at least have afforded an opportunity for legitimate sport to the amateurs of the new and popular British pastime of badger-baiting or plagiary-hunting. It may also save critics some moments' search if I say at once that, after careful consideration, I have been unable to discover any moral whatsoever in this humble narrative. I venture to believe that in so enlightened an age the majority of my readers will never miss it.

G.A.

THE NOOK, DORKING, October, 1890.

"Man overboard!"

It rang in Felix Thurstan's ears like the sound of a bell. He gazed about him in dismay, wondering what had happened.

The first intimation he received of the accident was that sudden sharp cry from the bo'sun's mate. Almost before he had fully taken it in, in all its meaning, another voice, farther aft, took up the cry once more in an altered form: "A lady! a lady! Somebody overboard! Great heavens, it is her ! It's Miss Ellis! Miss Ellis!"

Next instant Felix found himself, he knew not how, struggling in a wild grapple with the dark, black water. A woman was clinging to him—clinging for dear life. But he couldn't have told you himself that minute how it all took place. He was too stunned and dazzled.

He looked around him on the seething sea in a sudden awakening, as it were, to life and consciousness. All about, the great water stretched dark and tumultuous. White breakers surged over him. Far ahead the steamer's lights gleamed red and green in long lines upon the ocean. At first they ran fast; then they slackened somewhat. She was surely slowing now; they must be reversing engines and trying to stop her. They would put out a boat. But what hope, what chance of rescue by night, in such a wild waste of waves as that? And Muriel Ellis was clinging to him for dear life all the while, with the despairing clutch of a half-drowned woman!

The people on the Australasian, for their part, knew better what had occurred. There was bustle and confusion enough on deck and on the captain's bridge, to be sure: "Man overboard!"—three sharp rings at the engine bell:—"Stop her short!—reverse engines!—lower the gig!—look sharp, there, all of you!" Passengers hurried up breathless at the first alarm to know what was the matter. Sailors loosened and lowered the boat from the davits with extraordinary quickness. Officers stood by, giving orders in monosyllables with practised calm. All was hurry and turmoil, yet with a marvellous sense of order and prompt obedience as well. But, at any rate, the people on deck hadn't the swift swirl of the boisterous water, the hampering wet clothes, the pervading consciousness of personal danger, to make their brains reel, like Felix Thurstan's. They could ask one another with comparative composure what had happened on board; they could listen without terror to the story of the accident.

It was the thirteenth day out from Sydney, and the Australasian was rapidly nearing the equator. Toward evening the wind had freshened, and the sea was running high against her weather side. But it was a fine starlit night, though the moon had not yet risen; and as the brief tropical twilight faded away by quick degrees in the west, the fringe of cocoanut palms on the reef that bounded the little island of Boupari showed out for a minute or two in dark relief, some miles to leeward, against the pale pink horizon. In spite of the heavy sea, many passengers lingered late on deck that night to see the last of that coral-girt shore, which was to be their final glimpse of land till they reached Honolulu, en route for San Francisco.

Bit by bit, however, the cocoanut palms, silhouetted with their graceful waving arms for a few brief minutes in black against the glowing background, merged slowly into the sky or sank below the horizon. All grew dark. One by one, as the trees disappeared, the passengers dropped off for whist in the saloon, or retired to the uneasy solitude of their own state-rooms. At last only two or three men were left smoking and chatting near the top of the companion ladder; while at the stern of the ship Muriel Ellis looked over toward the retreating island, and talked with a certain timid maidenly frankness to Felix Thurstan.

There's nowhere on earth for getting really to know people in a very short time like the deck of a great Atlantic or Pacific liner. You're thrown together so much, and all day long, that you see more of your fellow-passengers' inner life and nature in a few brief weeks than you would ever be likely to see in a long twelvemonth of ordinary town or country acquaintanceship. And Muriel Ellis had seen a great deal in those thirteen days of Felix Thurstan; enough to make sure in her own heart that she really liked him—well—so much that she looked up with a pretty blush of self-consciousness every time he approached and lifted his hat to her. Muriel was an English rector's daughter, from a country village in Somersetshire; and she was now on her way back from a long year's visit, to recruit her health, to an aunt in Paramatta. She was travelling under the escort of an amiable old chaperon whom the aunt in question had picked up for her before leaving Sydney; but, as the amiable old chaperon, being but an indifferent sailor, spent most of her time in her own berth, closely attended by the obliging stewardess, Muriel had found her chaperonage interfere very little with opportunities of talk with that nice Mr. Thurstan. And now, as the last glow of sunset died out in the western sky, and the last palm-tree faded away against the colder green darkness of the tropical night, Muriel was leaning over the bulwarks in confidential mood, and watching the big waves advance or recede, and talking the sort of talk that such an hour seems to favor with the handsome young civil servant who stood on guard, as it were, beside her. For Felix Thurstan held a government appointment at Levuka, in Fiji, and was now on his way home, on leave of absence after six years' service in that new-made colony.

"How delightful it would be to live on an island like that!" Muriel murmured, half to herself, as she gazed out wistfully in the direction of the disappearing coral reef. "With those beautiful palms waving always over one's head, and that delicious evening air blowing cool through their branches! It looks such a Paradise!"

Felix smiled and glanced down at her, as he steadied himself with one hand against the bulwark, while the ship rolled over into the trough of the sea heavily. "Well, I don't know about that, Miss Ellis," he answered with a doubtful air, eying her close as he spoke with eyes of evident admiration. "One might be happy anywhere, of course—in suitable society; but if you'd lived as long among cocoanuts in Fiji as I have, I dare say the poetry of these calm palm-grove islands would be a little less real to you. Remember, though they look so beautiful and dreamy against the sky like that, at sunset especially (that was a heavy one, that time; I'm really afraid we must go down to the cabin soon; she'll be shipping seas before long if we stop on deck much later—and yet, it's so delightful stopping up here till the dusk comes on, isn't it?)—well, remember, I was saying, though they look so beautiful and dreamy and poetical—'Summer isles of Eden lying in dark purple spheres of sea,' and all that sort of thing—these islands are inhabited by the fiercest and most bloodthirsty cannibals known to travellers."