Anna Green - The Mystery of the Hasty Arrow

It would be difficult not to, in face of his direct gaze, from which all faltering had now vanished. Yet the matter not being completely thrashed out, Mr. Gryce felt himself obliged to say in answer to this last:

"We see no reason to doubt your word or your story, Mr. Travis. All that you have said is possible. But how about your following the young girl here? How did that come about?"

"That was occasioned by my anxiety for her—an anxiety which seems to have been only too well-founded."

"How? What?" Both of the officials showed a greatly increased interest. "Please explain yourself, Mr. Travis. What reason had you for any such feeling in regard to a person with whom you had held no conversation? Anything which you saw or heard at the hotel?"

"Yes. I was sitting in the foyer. I knew that the ladies were in the house, but I had not seen them. I was anxious to do so (see, I am telling all) and was watching the door of the lift from behind my journal, when they both stepped out. Miss Willetts was dressed for the street, but Madame Duclos was not, which seemed very strange to me. But I felt no concern till I caught some fragments of what Madame said in passing me. She spoke in French, a language I understand, and she was exclaiming over her misfortune at not being allowed to accompany her young charge to whatever place she was going. It was bad, bad, she cried, and she would not have a moment's peace till her dear Angeline got back. Anxiety of this kind was natural in a Frenchwoman not accustomed to see a young lady enter the streets alone; but the force with which she expressed it betrayed a real alarm—an alarm which communicated itself to me. Where could this unprotected girl be going, alone and in a hotel cab?

"I could not imagine, and when I saw Madame stop in the middle of her talk to buy some fresh flowers and pin them to Miss Willetts' corsage, I got a queer feeling, and flinging my newspaper aside, I strolled to the door and so out in time to hear Madame's orders to the chauffeur. The young lady was to be taken to a museum. To a museum, at this early hour! and alone, alone! Such a proceeding is not at all in accord with French ideas, and I feared a plot. Though it was far from being my affair, I determined to make it so; and as soon as I dared, I followed her just as I had followed her from the dock. But fruitlessly! Not knowing the danger, how could I avert it? I was in one gallery, she in the other. It was my evil fate to see her fall, but by whose hand I am as ignorant as yourselves. Now I have told it all. Will you let me go?"

"Not yet," interposed the Coroner. "There are one or two questions more which you will undoubtedly answer with the same frankness. Were you standing in front of the pedestal or behind it when you saw Miss Willetts fall?"

"I was standing just where I said, somewhere near it in the open gallery."

This seemed so open to question that the Coroner paused a moment to recall the exact situation and see if it were possible for a man as conspicuous in figure as Mr. Travis to have stood thus in full view of gallery and court, without attracting the attention of anyone in either place. He found, after a moment's consideration, that it was possible. Mr. Gryce, for all his efforts and systematic inquiry into the position which each person had held at or near this time, had been able to find but one who chanced to be looking in the direction of this gallery, and he with a limited view which took in only the upper part of the tapestry.

A probe in a fresh direction might reach a more vulnerable spot.

"But you had been behind the pedestal?" Dr. Price suggested.

"Yes"—the quick flush coming again. "My old timidity led me to conceal myself where I could watch undetected her bright young figure pass from arch to arch along the opposite gallery. Not till she had got past my line of view did I step out, and then—then it was to see what I have already told you—her rush toward the front—the start she gave—the fall—that cruel arrow! I own that I shrank back into my narrow hiding-place when I realized that all was at an end—that she was dead."

"Why? You had been witness to a deed of blood—a deed which must have recalled to you the anxiety expressed by the woman whom you regarded as the young girl's guardian; and yet you shrank back—out of sight—away from those who had the right to make inquiries! How do you explain that, Mr. Travis?"

"I cannot, except that I was so dazed, so stricken, that I was hardly conscious of what I did. And, sirs, believe me or not, had it not been for the refuge afforded by that narrow space behind the pedestal, I think I should have fallen headlong to the floor. When I came again to myself, which was after some of the confusion had abated, I had only one thought in mind: to suppress myself and my story lest some shadow should fall across her sweet purity. Waiting till the attention of the man you had placed on guard over her body was attracted another way, I slid out and hastened to the front, where I managed to find a quiet room in which to sit down and brood again over my misfortune. Forewarned, as you have said, and on the spot, with every wish to protect her, I had failed to do so. I fear it will make me mad some day."

Had it made him insane already? Was his story to be trusted? It was full of incongruities; were they those of a disordered mind? Such had been the excuse made for Mrs. Taylor when she had been thought guilty of this attack; why should it not be applied to this man who certainly had given evidences of not being of the usual type of young Englishman? With a sidelong look at Mr. Gryce, which that individual perfectly understood, Dr. Price thanked Mr. Travis for his candor and asked if he could point out the room in which he had sat while their young man had gone through the building checking off the position of everybody in it.

To his surprise, the Englishman answered quite simply, "I will try," and rose when they rose.

The glances exchanged between the other two men were eloquent. Where was he about to take them? Sweetwater was no fool; how had this man of marked appearance and generous proportions managed to elude him?

As has happened before, it proved to be easily explainable when once the conditions were known. The room to which he led them was that on the upper story marked H on Chart Two. It was devoted, like one or two others near it, to a line of famous paintings at once the hope and despair of young girl copyists. The one most favored for this purpose hung just behind the door "X," which, half-open as they found it, made with the easel, the canvas upon it and an apron hanging carelessly over all, an impromptu screen behind which a man crouched in misery on the copyist's stool might easily remain unnoticed by anyone passing hurriedly by him.

And thus vanished one hindrance to a full belief in young Travis' story.

But a greater one remained. The bow! the bow found behind the tapestry at the edge of which he had stood in timorous hiding! In the hope that a shock might startle him into some admission which would give a different aspect to the case, they now led him back to this place of first concealment. He was showing strain by this time, and no delay was made to press their point. Giving the tapestry a pull, the Coroner bade him tell what he saw behind it.

The answer came with much emotion.

"The bow! The bow which sped the arrow which killed Miss Willetts. I do not want to see it. It hurts me—hurts me physically. Let me go, I entreat."

"Mr. Travis," urged the Coroner as they again emerged upon the open gallery, "you have said that there was no one with you in the section where you stood. If that was so, how came this bow to be where you have just seen it?"

A bewildered look, a slow shake of the head and nothing more.

"Did you know it was there? Did you see it thrown there?"