George Meredith - Complete Short Works of George Meredith

‘For surely,’ says the minstrel, ‘Hope is not born of earth, or it were perishable. Rather know her the offspring of that embrace strong love straineth the heavens with. This owe we to thy music, bridal nightingale! And the difference of this celestial spirit from the smirking phantasy of whom all stand soon or late forsaken, is the difference between painted day with its poor ambitious snares, and night lifting its myriad tapers round the throne of the eternal, the prophet stars of everlasting time! And the one dieth, and the other liveth; and the one is unregretted, and the other walketh in thought-spun raiment of divine melancholy; her ears crowded with the pale surges that wrap this shifting shore; in her eyes a shape of beauty floating dimly, that she will not attain this side the water, but broodeth on evermore.

‘Therefore, hold on thy cherished four long notes, which are as the very edge where exultation and anguish melt, meet, and are sharpened to one ecstasy, death-dividing bird! Fill the woods with passionate chuckle and sob, sweet chaplain of the marriage service of a soul with heaven! Pour out thy holy wine of song upon the soft-footed darkness, till, like a priest of the inmost temple, ‘tis drunken with fair intelligences!’

Thus the old minstrels and minnesingers.

Strong and full sang the nightingales that night Farina held watch by the guilty castle that entombed his living beloved. The castle looked itself a denser shade among the moonthrown shadows of rock and tree. The meadow spread like a green courtyard at the castle’s foot. It was of lush deep emerald grass, softly mixed with grey in the moon’s light, and showing like jasper. Where the shadows fell thickest, there was yet a mist of colour. All about ran a brook, and babbled to itself. The spring crocus lifted its head in moist midgrasses of the meadow, rejoiced with freshness. The rugged heights seemed to clasp this one innocent spot as their only garden-treasure; and a bank of hazels hid it from the castle with a lover’s arm.

‘The moon will tell me,’ mused Farina; ‘the moon will signal me the hour! When the moon hangs over the round tower, I shall know ‘tis time to strike.’

The song of the nightingales was a full unceasing throb.

It went like the outcry of one heart from branch to branch. The four long notes, and the short fifth which leads off to that hurried gush of music, gurgling rich with passion, came thick and constant from under the tremulous leaves.

At first Farina had been deaf to them. His heart was in the dungeon with Margarita, or with the Goshawk in his dangers, forming a thousand desperate plans, among the red-hot ploughshares of desperate action. Finally, without a sense of being wooed, it was won. The tenderness of his love then mastered him.

‘God will not suffer that fair head to come to harm!’ he thought, and with the thought a load fell off his breast.

He paced the meadows, and patted the three pasturing steeds. Involuntarily his sight grew on the moon. She went so slowly. She seemed not to move at all. A little wing of vapour flew toward her; it whitened, passed, and the moon was slower than before. Oh! were the heavens delaying their march to look on this iniquity? Again and again he cried, ‘Patience, it is not time!’ He flung himself on the grass. The next moment he climbed the heights, and was peering at the mass of gloom that fronted the sky. It reared such a mailed head of menace, that his heart was seized with a quivering, as though it had been struck. Behind lay scattered some small faint-winkling stars on sapphire fields, and a stain of yellow light was in a breach of one wall.

He descended. What was the Goshawk doing? Was he betrayed? It was surely now time? No; the moon had not yet smitten the face of the castle. He made his way through the hazel-bank among flitting nightmoths, and glanced up to measure the moon’s distance. As he did so, a first touch of silver fell on the hoary flint.

‘Oh, young bird of heaven in that Devil’s clutch!’

Sounds like the baying of boar-hounds alarmed him. They whined into silence.

He fell back. The meadow breathed peace, and more and more the nightingales volumed their notes. As in a charmed circle of palpitating song, he succumbed to languor. The brook rolled beside him fresh as an infant, toying with the moonlight. He leaned over it, and thrice waywardly dipped his hand in the clear translucence.

Was it his own face imaged there?

Farina bent close above an eddy of the water. It whirled with a strange tumult, breaking into lines and lights a face not his own, nor the moon’s; nor was it a reflection. The agitation increased. Now a wreath of bubbles crowned the pool, and a pure water-lily, but larger, ascended wavering.

He started aside; and under him a bright head, garlanded with gemmed roses, appeared. No fairer figure of woman had Farina seen. Her visage had the lustrous white of moonlight, and all her shape undulated in a dress of flashing silver-white, wonderful to see. The Lady of the Water smiled on him, and ran over with ripples and dimples of limpid beauty. Then, as he retreated on the meadow grass, she swam toward him, and taking his hand, pressed it to her. After her touch the youth no longer feared. She curved her finger, and beckoned him on. All that she did was done flowingly. The youth was a shadow in her silver track as she passed like a harmless wave over the closed crocuses; but the crocuses shivered and swelled their throats of streaked purple and argent as at delicious rare sips of a wine. Breath of violet, and ladysmock, and valley-lily, mingled and fluttered about her. Farina was as a man working the day’s intent in a dream. He could see the heart in her translucent, hanging like a cold dingy ruby. By the purity of his nature he felt that such a presence must have come but to help. It might be Margarita’s guardian fairy!

They passed the hazel-bank, and rounded the castlecrag, washed by the brook and, beneath the advancing moon, standing in a ring of brawling silver. The youth with his fervid eyes marked the old weather-stains and scars of long defiance coming into colour. That mystery of wickedness which the towers had worn in the dusk, was dissolved, and he endured no more the almost abashed sensation of competing littleness that made him think there was nought to do, save die, combating single-handed such massive power. The moon shone calmly superior, like the prowess of maiden knights; and now the harsh frown of the walls struck resolution to his spirit, and nerved him with hate and the contempt true courage feels when matched against fraud and villany.

On a fallen block of slate, cushioned with rich brown moss and rusted weather-stains, the Water-Lady sat, and pointed to Farina the path of the moon toward the round tower. She did not speak, and if his lips parted, put her cold finger across them. Then she began to hum a soft sweet monotony of song, vague and careless, very witching to hear. Farina caught no words, nor whether the song was of days in dust or in flower, but his mind bloomed with legends and sad splendours of story, while she sang on the slate-block under sprinkled shadows by the water.

He had listened long in trance, when the Water-Lady hushed, and stretched forth a slender forefinger to the moon. It stood like a dot over the round tower. Farina rose in haste. She did not leave him to ask her aid, but took his hand and led him up the steep ascent. Halfway to the castle, she rested. There, concealed by bramble-tufts, she disclosed the low portal of a secret passage, and pushed it open without effort. She paused at the entrance, and he could see her trembling, seeming to wax taller, till she was like a fountain glittering in the cold light. Then she dropped, as drops a dying bet, and cowered into the passage.

Darkness, thick with earth-dews, oppressed his senses. He felt the clammy walls scraping close on him. Not the dimmest lamp, or guiding sound, was near; but the lady went on as one who knew her way. Passing a low-vaulted dungeon-room, they wound up stairs hewn in the rock, and came to a door, obedient to her touch, which displayed a chamber faintly misted by a solitary bar of moonlight. Farina perceived they were above the foundation of the castle. The walls gleamed pale with knightly harness, habergeons gaping for heads, breastplates of blue steel, halbert, and hand-axe, greaves, glaives, boar-spears, and polished spur-fixed heel-pieces. He seized a falchion hanging apart, but the lady stayed his arm, and led to another flight of stone ending in a kind of corridor. Noises of laughter and high feasting beset him at this point. The Lady of the Water sidled her head, as to note a familiar voice; and then drew him to a looped aperture.