Various - Golden Stories

Katrina regarded her neat brown shoes.

"The fact is," continued the young man, diffidently, "I've been trying a new method with you. I've been endeavoring to be missed. And I'm afraid to hear that I haven't been."

"A little wholesome fear is good for anyone," observed Katrina, judicially, "but I can truthfully say that I rejoiced at the sight of you this afternoon. That red-faced man was about to drag me off the wall by the hair."

"Oh, Connor," said the young man. "Connor's not polished, but in his line, he's a jewel. He used to be a stage manager, and considered in that light, he's really mild."

"Is he?" said Katrina, drily. "Does he stage manage for you?"

"Practically that. Don't scoff—please. You see, there's a big future in this business. My father growled at first, but he's come clean around. The land was mine, and we are using it this way. The American public are going in for this thing. They want amusement and they want it quick. And the thing is to provide them with what they want, when they want it."

"Oh," said Katrina. "And you are providing the American public with what they want—back there?" with a tilt of her head behind her.

"Exactly," he answered. "That's our plant. We are the Knickerbocker Film Manufacturing Company."

"Oh," said Katrina, again. "And the fancy-dress people?"

"We are getting up 'Romeo and Juliet,'" said the young man. "Please don't laugh. It's been proven that the moving picture audiences like Shakespeare canned."

"Moving picture audiences," repeated Katrina in surprise, and then as the light broke, she stopped short and looked at the young man.

"Why, didn't you guess?" he queried. "The summer-house—why, of course, the summer-house must have hidden the camera." He looked at her dejectedly. "I've wanted you so much to know all about it," he said, "and now that you do, it sounds—oh, drivelling."

"But it doesn't," cried Katrina, eyes shining. "It sounds splendid. It sounds thrilling. I'm sure it will be a success. You're bound to make it one. I congratulate you. You've left out a good deal. You've told your story very badly, but I'm good at filling in. The fact is, I'm proud to know you, and you may shake hands with me if you wish to."

"Oh, Katrina," murmured the young man, and they clasped hands. It was just here that Grandfather McBride turned into the lane from the back garden and came upon them. When they became aware of him, leaning heavily upon his stick and frowning at them through the dusk, Katrina braced herself to meet whatever might come. But, suddenly, to her intense surprise, Mr. McBride beamed upon them radiantly.

"Well, well, Katriny," he said, in high good humor, "so you've been over that gate again, eh? Been lookin' over that wall, eh? I knew you would, my dear, I knew you would. There's some of the McBride spirit in you after all, thank God. I meant to take you myself, but you got ahead of me." Here he shook hands with the young man. "Glad to see you again, my boy," said Grandfather McBride. "Brought my little girl home, eh?"

"Well, we were on the way," admitted the young man with enthusiasm. "I see you got the steps up, sir."

"Yes," said Mr. McBride, "oh, yes. I'm much obliged to you for the permission. It's as good as any vaudeville, and it's a sight nearer home. You're bound to make money. I tell my granddaughter," with a triumphant nod to the lady in question, "to bank on brains and energy and American push. I tell her," with a profound wink to Katrina, "to let this old family nonsense and society racket go hang. I'm glad she met you."

"But we mustn't stand here in the lane, Grandfather," put in Katrina, hurriedly. "It's getting damp."

"That's so," agreed Mr. McBride, "and it's getting late." He hooked his cane about the young man's arm. "Come in and have dinner with us," he said.

Katrina stared in amazement at Mr. McBride. The young man looked eagerly at Katrina. "If Miss Prentiss will allow me–" he began.

"Huh! Miss Prentiss," spoke up Mr. McBride. "What's she got to say about it? I allow you." And as Katrina, behind Mr. McBride's back, smiled and nodded, the young man accepted promptly.

Together the three went through the back garden and up to the house. Arrived there, Katrina disappeared. Grandfather McBride, after settling his guest, came straight upstairs and stopped at her door.

"Little cuss," beamed Mr. McBride, "goin' off, locking up her old grandfather and meetin' young chaps. Say, Katriny," he remarked casually, "he's a fine fellow, ain't he?"

Katrina, busy with her hair, nodded.

"Now, if I was a girl," continued Mr. McBride, diplomatically, "and a fellow like that took a shine to me I'd show a glimmer of sense. I'd up and return it."

"Would you?" remarked Katrina. "I'm glad you like him. You see, Grandfather, you are too smart for me. I didn't know until just now that you had even met Mr. Park."

Mr. McBride's smile stiffened, then froze, finally disappeared. He opened his mouth, and shut it. He swallowed hard. At last, he got it out. "Katriny—Katriny, is that Sparks—that fellow downstairs? Is that Sparks ?"

"Hush," said Katrina. "Of course, that is Willoughby Park. Why, Grandfather, didn't you ask his name?"

"No," said Mr. McBride, "I didn't. I just saw he was a fine, likely–" He stopped abruptly. "Well, I'll be damned," said Mr. McBride.

Katrina came over to him and put her hand on his shoulder. Mr. McBride looked into space. Standing so, he spoke once more. "Do you—do you really like him, Triny?" he asked, and although he looked into space, Mr. McBride saw Katrina's blush. He patted her hand once, and left her.

On his way downstairs, the grimness of Mr. McBride's face relaxed. In the lower hall, he went so far as to chuckle. When he joined Mr. Park on the porch, he grinned at him amiably.

"I'm a good sport," remarked Mr. McBride, irrelevantly, "but I know when to retire to my corner and stay there. Say," continued Mr. McBride, unconscious of discrepancies between thought and action, "after dinner I'm goin' to take you children across the street to see that parrot."

Exhausted by the effort involved in keeping the thermometer of the closing day of August at an altitude intolerable to the human kind and irksome to the brute, a large, red-hot sun was languidly sinking beyond an extensive belt of dusky-brown elms fringing the western boundary of a seventy acre expanse of stubbles diagonally traversed by a parish right-of-way leading from the village of Bensley to the village of Dorton Ware. A knee-deep crop of grasses, flattened by the passage of the harvest wains, clothed this strip of everyman's land, and a narrow footpath divided the grass down the middle, as a parting divides hair.

A snorting sound, which, accompanied by a terrific clatter of old iron and the crunching of road-mendings, had been steadily growing from distant to near, and from loud to deafening, now reached a pitch of utter indescribability; and as a large splay-wheeled, tall-funneled, plowing engine rolled off the Bensley highroad and lumbered in upon the right-of-way, the powerful bouquet of hot lubricating oil nullified all other smells, and the atmosphere became opaque to the point of solidity. As the dust began to settle it was possible to observe that attached to the locomotive was a square, solid, wooden van, the movable residence of the stoker, the engineer, and an apprentice; that a Powler cultivator, a fearsome piece of mechanism, apparently composed of second-hand anchors, chain-cables, and motor driving-wheels, was coupled to the back of the van, and that a bright green water-cart brought up the rear. Upon the rotund barrel of this water-cart rode a boy.