Jacob Burckhardt - The Civilisation of the Renaissance in Italy

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It was a poor but not wholly groundless consolation for the enslavement of Italy then begun by the Spaniards, that the country was at least secured from the relapse into barbarism which would have awaited it under the Turkish rule. 204By itself, divided as it was, it could hardly have escaped this fate.

If, with all these drawbacks, the Italian statesmanship of this period deserves our praise, it is only on the ground of its practical and unprejudiced treatment of those questions which were not affected by fear, passion, or malice. Here was no feudal system after the northern fashion, with its artificial scheme of rights; but the power which each possessed he held in practice as in theory. Here was no attendant nobility to foster in the mind of the prince the mediæval sense of honour, with all its strange consequences; but princes and counsellors were agreed in acting according to the exigencies of the particular case and to the end they had in view. Towards the men whose services were used and towards allies, come from what quarter they might, no pride of caste was felt which could possibly estrange a supporter; and the class of the Condottieri, in which birth was a matter of indifference, shows clearly enough in what sort of hands the real power lay; and lastly, the Government, in the hands of an enlightened despot, had an incomparably more accurate acquaintance with its own country and that of its neighbours, than was possessed by northern contemporaries, and estimated the economical and moral capacities of friend and foe down to the smallest particular. The rulers were, notwithstanding grave errors, born masters of statistical science. With such men negotiation was possible; it might be presumed that they would be convinced and their opinion modified when practical reasons were laid before them. When the great Alfonso of Naples was (1434) a prisoner of Filippo Maria Visconti, he was able to satisfy his gaoler that the rule of the House of Anjou instead of his own at Naples would make the French masters of Italy; Filippo Maria set him free without ransom and made an alliance with him. 205A northern prince would scarcely have acted in the same way, certainly not one whose morality in other respects was like that of Visconti. What confidence was felt in the power of self-interest is shown by the celebrated visit which Lorenzo the Magnificent, to the universal astonishment of the Florentines, paid the faithless Ferrante at Naples—a man who would be certainly tempted to keep him a prisoner, and was by no means too scrupulous to do so. 206For to arrest a powerful monarch, and then to let him go alive, after extorting his signature and otherwise insulting him, as Charles the Bold did to Louis XI. at Péronne (1468), seemed madness to the Italians; 207so that Lorenzo was expected to come back covered with glory, or else not to come back at all. The art of political persuasion was at this time raised to a point—especially by the Venetian ambassadors—of which northern nations first obtained a conception from the Italians, and of which the official addresses give a most imperfect idea. These are mere pieces of humanistic rhetoric. Nor, in spite of an otherwise ceremonious etiquette, was there in case of need any lack of rough and frank speaking in diplomatic intercourse. 208A man like Macchiavelli appears in his ‘Legazioni’ in an almost pathetic light. Furnished with scanty instructions, shabbily equipped, and treated as an agent of inferior rank, he never loses his gift of free and wide observation or his pleasure in picturesque description. From that time Italy was and remained the country of political ‘Istruzioni’ and ‘Relazioni.’ There was doubtless plenty of diplomatic ability in other states, but Italy alone at so early a period has preserved documentary evidence of it in considerable quantity. The long despatch on the last period of the life of Ferrante of Naples (January 17, 1494), written by the hand of Pontano and addressed to the Cabinet of Alexander VI., gives us the highest opinion of this class of political writing, although it is only quoted incidentally and as one of many written. And how many other despatches, as important and as vigorously written, in the diplomatic intercourse of this and later times, still remain unknown or unedited! 209

A special division of this work will treat of the study of man individually and nationally, which among the Italians went hand in hand with the study of the outward conditions of human life.

CHAPTER IX.

WAR AS A WORK OF ART

IT must here be briefly indicated by what steps the art of war assumed the character of a product of reflection. 210Throughout the countries of the West the education of the individual soldier in the middle ages was perfect within the limits of the then prevalent system of defence and attack: nor was there any want of ingenious inventors in the arts of besieging and of fortification. But the development both of strategy and of tactics was hindered by the character and duration of military service, and by the ambition of the nobles, who disputed questions of precedence in the face of the enemy, and through simple want of discipline caused the loss of great battles like Crécy and Maupertuis. Italy, on the contrary, was the first country to adopt the system of mercenary troops, which demanded a wholly different organisation; and the early introduction of fire-arms did its part in making war a democratic pursuit, not only because the strongest castles were unable to withstand a bombardment, but because the skill of the engineer, of the gun-founder, and of the artillerist—men belonging to another class than the nobility—was now of the first importance in a campaign. It was felt, with regret, that the value of the individual, which had been the soul of the small and admirably-organised bands of mercenaries, would suffer from these novel means of destruction, which did their work at a distance; and there were Condottieri who opposed to the utmost the introduction at least of the musket, which had been lately invented in Germany. 211We read that Paolo Vitelli, 212while recognising and himself adopting the cannon, put out the eyes and cut off the hands of the captured ‘schioppettieri,’ of the enemy, because he held it unworthy that a gallant, and it might be noble, knight should be wounded and laid low by a common, despised foot soldier. On the whole, however, the new discoveries were accepted and turned to useful account, till the Italians became the teachers of all Europe, both in the building of fortifications and in the means of attacking them. 213Princes like Federigo of Urbino and Alfonso of Ferrara acquired a mastery of the subject compared to which the knowledge even of Maximilian I. appears superficial. In Italy, earlier than elsewhere, there existed a comprehensive science and art of military affairs; here, for the first time, that impartial delight is taken in able generalship for its own sake, which might, indeed, be expected from the frequent change of party and from the wholly unsentimental mode of action of the Condottieri. During the Milano-Venetian war of 1451 and 1452, between Francesco Sforza and Jacopo Piccinino, the headquarters of the latter were attended by the scholar Gian Antonio Porcello dei Pandoni, commissioned by Alfonso of Naples to write a report of the campaign. 214It is written, not in the purest, but in a fluent Latin, a little too much in the style of the humanistic bombast of the day, is modelled on Cæsar’s Commentaries, and interspersed with speeches, prodigies, and the like. Since for the past hundred years it had been seriously disputed whether Scipio Africanus or Hannibal was the greater, 215Piccinino through the whole book must needs be called Scipio and Sforza Hannibal. But something positive had to be reported too respecting the Milanese army; the sophist presented himself to Sforza, was led along the ranks, praised highly all that he saw, and promised to hand it down to posterity. 216Apart from him the Italian literature of the day is rich in descriptions of wars and strategic devices, written for the use of educated men in general as well as of specialists, while the contemporary narratives of northerners, such as the ‘Burgundian War’ by Diebold Schelling, still retain the shapelessness and matter-of-fact dryness of a mere chronicle. The greatest dilettante who has ever treated in that character 217of military affairs, was then busy writing his ‘Arte della Guerra.’ But the development of the individual soldier found its most complete expression in those public and solemn conflicts between one or more pairs of combatants which were practised long before the famous ‘Challenge of Barletta’ 218(1503). The victor was assured of the praises of poets and scholars, which were denied to the Northern warrior. The result of these combats was no longer regarded as a Divine judgment, but as a triumph of personal merit, and to the minds of the spectators seemed to be both the decision of an exciting competition and a satisfaction for the honour of the army or the nation. 219

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