Sherwood Anderson - Triumph of the Egg, and Other Stories

There is a note that comes into the human voice by which you may know real weariness. It comes when one has been trying with all his heart and soul to think his way along some difficult road of thought. Of a sudden he finds himself unable to go on. Something within him stops. A tiny explosion takes place. He bursts into words and talks, perhaps foolishly. Little side currents of his nature he didn't know were there run out and get themselves expressed. It is at such times that a man boasts, uses big words, makes a fool of himself in general.

And so it was the doctor became shrill. He jumped up from the steps where we had been sitting, talking and walked about. "You come from the West. You have kept away from people. You have preserved yourself—damn you! I haven't—" His voice had indeed become shrill. "I have entered into lives. I have gone beneath the surface of the lives of men and women. Women especially I have studied—our own women, here in America."

"You have loved them?" I suggested.

"Yes," he said. "Yes—you are right there. I have done that. It is the only way I can get at things. I have to try to love. You see how that is? It's the only way. Love must be the beginning of things with me."

I began to sense the depths of his weariness. "We will go swim in the lake," I urged.

"I don't want to swim or do any damn plodding thing. I want to run and shout," he declared. "For awhile, for a few hours, I want to be like a dead leaf blown by the winds over these hills. I have one desire and one only—to free myself."

We walked in a dusty country road. I wanted him to know that I thought I understood, so I put the case in my own way.

When he stopped and stared at me I talked. "You are no more and no better than myself," I declared. "You are a dog that has rolled in offal, and because you are not quite a dog you do not like the smell of your own hide."

In turn my voice became shrill. "You blind fool," I cried impatiently. "Men like you are fools. You cannot go along that road. It is given to no man to venture far along the road of lives."

I became passionately in earnest. "The illness you pretend to cure is the universal illness," I said. "The thing you want to do cannot be done. Fool—do you expect love to be understood?"

We stood in the road and looked at each other. The suggestion of a sneer played about the corners of his mouth. He put a hand on my shoulder and shook me. "How smart we are—how aptly we put things!"

He spat the words out and then turned and walked a little away. "You think you understand, but you don't understand," he cried. "What you say can't be done can be done. You're a liar. You cannot be so definite without missing something vague and fine. You miss the whole point. The lives of people are like young trees in a forest. They are being choked by climbing vines. The vines are old thoughts and beliefs planted by dead men. I am myself covered by crawling creeping vines that choke me."

He laughed bitterly. "And that's why I want to run and play," he said. "I want to be a leaf blown by the wind over hills. I want to die and be born again, and I am only a tree covered with vines and slowly dying. I am, you see, weary and want to be made clean. I am an amateur venturing timidly into lives," he concluded. "I am weary and want to be made clean. I am covered by creeping crawling things."

A woman from Iowa came here to Chicago and took a room in a house on the west-side. She was about twenty-seven years old and ostensibly she came to the city to study advanced methods for teaching music.

A certain young man also lived in the west-side house. His room faced a long hall on the second floor of the house and the one taken by the woman was across the hall facing his room.

In regard to the young man—there is something very sweet in his nature. He is a painter but I have often wished he would decide to become a writer. He tells things with understanding and he does not paint brilliantly.

And so the woman from Iowa lived in the west-side house and came home from the city in the evening. She looked like a thousand other women one sees in the streets every day. The only thing that at all made her stand out among the women in the crowds was that she was a little lame. Her right foot was slightly deformed and she walked with a limp. For three months she lived in the house—where she was the only woman except the landlady—and then a feeling in regard to her began to grow up among the men of the house.

The men all said the same thing concerning her. When they met in the hallway at the front of the house they stopped, laughed and whispered. "She wants a lover," they said and winked. "She may not know it but a lover is what she needs."

One knowing Chicago and Chicago men would think that an easy want to be satisfied. I laughed when my friend—whose name is LeRoy—told me the story, but he did not laugh. He shook his head. "It wasn't so easy," he said. "There would be no story were the matter that simple."

LeRoy tried to explain. "Whenever a man approached her she became alarmed," he said. Men kept smiling and speaking to her. They invited her to dinner and to the theatre, but nothing would induce her to walk in the streets with a man. She never went into the streets at night. When a man stopped and tried to talk with her in the hallway she turned her eyes to the floor and then ran into her room. Once a young drygoods clerk who lived there induced her to sit with him on the steps before the house.

He was a sentimental fellow and took hold of her hand. When she began to cry he was alarmed and arose. He put a hand on her shoulder and tried to explain, but under the touch of his fingers her whole body shook with terror. "Don't touch me," she cried, "don't let your hands touch me!" She began to scream and people passing in the street stopped to listen. The drygoods clerk was alarmed and ran upstairs to his own room. He bolted the door and stood listening. "It is a trick," he declared in a trembling voice. "She is trying to make trouble. I did nothing to her. It was an accident and anyway what's the matter? I only touched her arm with my fingers."

Perhaps a dozen times LeRoy has spoken to me of the experience of the Iowa woman in the west-side house. The men there began to hate her. Although she would have nothing to do with them she would not let them alone. In a hundred ways she continually invited approaches that when made she repelled. When she stood naked in the bathroom facing the hallway where the men passed up and down she left the door slightly ajar. There was a couch in the living room down stairs, and when men were present she would sometimes enter and without saying a word throw herself down before them. On the couch she lay with lips drawn slightly apart. Her eyes stared at the ceiling. Her whole physical being seemed to be waiting for something. The sense of her filled the room. The men standing about pretended not to see. They talked loudly. Embarrassment took possession of them and one by one they crept quietly away.

One evening the woman was ordered to leave the house. Someone, perhaps the drygoods clerk, had talked to the landlady and she acted at once. "If you leave tonight I shall like it that much better," LeRoy heard the elder woman's voice saying. She stood in the hallway before the Iowa woman's room. The landlady's voice rang through the house.

LeRoy the painter is tall and lean and his life has been spent in devotion to ideas. The passions of his brain have consumed the passions of his body. His income is small and he has not married. Perhaps he has never had a sweetheart. He is not without physical desire but he is not primarily concerned with desire.

On the evening when the Iowa woman was ordered to leave the west-side house, she waited until she thought the landlady had gone down stairs, and then went into LeRoy's room. It was about eight o'clock and he sat by a window reading a book. The woman did not knock but opened the door. She said nothing but ran across the floor and knelt at his feet. LeRoy said that her twisted foot made her run like a wounded bird, that her eyes were burning and that her breath came in little gasps. "Take me," she said, putting her face down upon his knees and trembling violently. "Take me quickly. There must be a beginning to things. I can't stand the waiting. You must take me at once."