Max Brand - The Night Horseman

"But what has the man been doing since he left? Have you any idea?"

"Get a little chatter, now and then, of a gent that's rid into a town on a black hoss, prettier'n anything that was ever seen before.

"It's all pretty much the same, what news we get. Mostly I guess he jest wanders around doin' no harm to nobody. But once in a while somebody sicks a dog on Bart, and Bart jest nacherally chaws that dog in two. Then the owner of the dog may start a fight, and Dan drops him and rides on."

"With a trail of dead men behind him?" cried the doctor, hunching his shoulders as if to shake off a chill.

"Dead? Nope. You don't have to shoot to kill when you can handle a gun the way Dan does. Nope, he jest wings 'em. Plants a chunk of lead in a shoulder, or an arm, or a leg. That's all. They ain't no love of blood in Dan—except–"

"Well?"

"Doc," said Buck with a shudder, "I ain't goin' to talk about the exceptions. Mostly the news we gets of Dan is about troubles he's had. But sometimes we hear of gents he's helped out when they was sick, and things like that. They ain't nobody like Dan when a gent is down sick, I'll tell a man!"

The doctor sighed.

He said: "And do I understand you to say that the girl and this man—Whistling Dan, as you call him—are intimately and sentimentally related?"

"She loves him," said Daniels slowly. "She loves the ground he walks on and the places where he's been."

"But, sir, it would seem probable from your own reasoning that the return of the man, in this case, will not be unwelcome to her."

"Reason?" broke out Daniels bitterly. "What the hell has reason got to do with Whistling Dan? Man, man! if Barry was to come back d'you suppose he'd remember that he'd once told Kate he loved her? Doc, I know him as near as any man can know him. I tell you, he thinks no more of her than—than the wild geese think of her. If old Joe dies because Dan is away—well, Cumberland is an old man anyway. But how could I stand to see Barry pass Kate by with an empty eye, the way he'd do if he come back? I'd want to kill him, and I'd get bumped off tryin' it, like as not. And what would it do to Kate? It'd kill her, Doc, as sure as you're born."

"Your assumption being," murmured the doctor, "that if she never sees the man again she will eventually forget him."

"D'you forget a knife that's sticking into you? No, she won't forget him. But maybe after a while she'll be able to stand thinkin' about him. She'll get used to the hurt. She'll be able to talk and laugh the way she used to. Oh, doc, if you could of seen her as I've seen her in the old days–"

"When the man was with her?" cut in the doctor.

Buck Daniels caught his breath.

"Damn your eternal soul, doc!" he said softly.

And for a time neither of them spoke. Whatever went on in the mind of Daniels, it was something that contorted his face. As for Byrne, he was trying to match fact and possibility and he was finding a large gap between the two; for he tried to visualise the man whose presence had been food to old Joe Cumberland, and whose absence had taken the oil from the lamp so that the flame now flickered dimly, nearly out. But he could build no such picture. He could merely draw together a vague abstraction of a man to whom the storm and the wild geese who ride the storm had meaning and relationship. The logic which he loved was breaking to pieces in the hands of Randall Byrne.

Silence, after all, is only a name, never a fact. There are noises in the most absolute quiet. If there is not even the sound of the cricket or the wind, if there are not even ghost whispers in the house, there is the sigh of one's own breathing, and in those moments of deadly waiting the beat of the heart may be as loud and as awful as the rattle of the death-march. Now, between the doctor and the cowpuncher, such a silence began. Buck Daniels wanted nothing more in the world than to be out of that room, but the eye of the doctor held him, unwilling. And there began once more that eternal waiting, waiting, waiting, which was the horror of the place, until the faint creakings through the windshaken house took on the meaning of footsteps stalking down the hall and pausing at the door, and there was the hushing breath of one who listened and smiled to himself! Now the doctor became aware that the eye of Buck Daniels was widening, brightening; it was as if the mind of the big man were giving way in the strain. His face blanched. Even the lips had no colour, and they moved, gibberingly.

"Listen!" he said.

"It is the wind," answered the doctor, but his voice was hardly audible.

"Listen!" commanded Daniels again.

The doctor could hear it then. It was a pulse of sound obscure as the thudding of his heart. But it was a human sound and it made his throat close up tightly, as if a hand were settling around his wind-pipe. Buck Daniels rose from his chair; that half-mad, half-listening look was still in his eyes—behind his eyes. Staring at him the doctor understood, intimately, how men can throw their lives away gloriously in battle, fighting for an idea; or how they can commit secret and foul murder. Yet he was more afraid of that pulse of sound than of the face of Buck Daniels. He, also, was rising from his chair, and when Daniels stalked to the side door of the room and leaned there, the doctor followed.

Then they could hear it clearly. There was a note of music in the voice; it was a woman weeping in that room where the chain lay on the floor, coiled loosely like a snake. Buck Daniels straightened and moved away from the door. He began to laugh, guarding it so that not a whisper could break outside the room, and his silent laughter was the most horrible thing the doctor had ever seen. It was only for a moment. The hysteria passed and left the big man shaking like a dead leaf.

"Doc," he said, "I can't stand it no longer. I'm going out and try to get him back here. And God forgive me for it."

He left the room, slamming the door behind him, and then he stamped down the hall as if he were trying to make a companion out of his noise. Doctor Randall Byrne sat down to put his thoughts in order. He began at the following point: "The physical fact is not; only the immaterial is." But before he had carried very far his deductions from this premise, he caught the neighing of a horse near the house; so he went to the window and threw it open. At the same time he heard the rattle of galloping hoofs, and then he saw a horseman riding furiously into the heart of the wind. Almost at once the rider was lost from sight.

The wrath of the Lord seems less terrible when it is localised, and the world at large gave thanks daily that the range of Jerry Strann was limited to the Three B's. As everyone in the mountain-desert knows, the Three B's are Bender, Buckskin, and Brownsville; they make the points of a loose triangle that is cut with canyons and tumbled with mountains, and that triangle was the chosen stamping ground of Jerry Strann. Jerry was not born in the region of the Three B's and why it should have been chosen specially by him was matter which the inhabitants could not puzzle out; but they felt that for their sins the Lord had probably put his wrath among them in the form of Jerry Strann.

He was only twenty-four, this Jerry, but he was already grown into a proverb. Men of the Three B's reckoned their conversational dates by the visits of the youth; if a storm hung over the mountains someone might remark: "It looks like Jerry Strann is coming," and such a remark was always received in gloomy silence; mothers had been known to hush their children by chanting: "Jerry Strann will get you if you don't watch out." Yet he was not an ogre with a red knife between his teeth. He stood at exactly the perfect romantic height; he was just six feet tall; he was as graceful as a young cotton-wood in a windstorm and he was as strong and tough as the roots of the mesquite. He was one of those rare men who are beautiful without being unmanly. His face was modelled with the care a Praxiteles would lavish on a Phoebus. His brown hair was thick and dark and every touch of wind stirred it, and his hazel eyes were brilliant with an enduring light—the inextinguishable joy of life.