Array Коллектив авторов - 20 лучших повестей на английском / 20 Best Short Novels

‘Never see you again, Marionetta?’

‘I shall go from hence to-morrow, perhaps to-day; and before we meet again, one of us will be married, and we might as well be dead, you know, Scythrop.’

The sudden change of her voice in the last few words, and the burst of tears that accompanied them, acted like electricity on the tender-hearted youth; and, in another instant, a complete reconciliation was accomplished without the intervention of words.

There are, indeed, some learned casuists, who maintain that love has no language, and that all the misunderstandings and dissensions of lovers arise from the fatal habit of employing words on a subject to which words are inapplicable; that love, beginning with looks, that is to say, with the physiognomical expression of congenial mental dispositions, tends through a regular gradation of signs and symbols of affection, to that consummation which is most devoutly to be wished; and that it neither is necessary that there should be, nor probable that there would be, a single word spoken from first to last between two sympathetic spirits, were it not that the arbitrary institutions of society have raised, at every step of this very simple process, so many complicated impediments and barriers in the shape of settlements and ceremonies, parents and guardians, lawyers, Jew-brokers, and parsons, that many an adventurous knight (who, in order to obtain the conquest of the Hesperian [636]fruit, is obliged to fight his way through all these monsters), is either repulsed at the onset, or vanquished before the achievement of his enterprise: and such a quantity of unnatural talking is rendered inevitably necessary through all the stages of the progression, that the tender and volatile spirit of love often takes flight on the pinions of some of the epea pteroenta , or winged words which are pressed into his service in despite of himself.

At this conjuncture, Mr. Glowry entered, and sitting down near them, said, ‘I see how it is; and, as we are all sure to be miserable do what we may, there is no need of taking pains to make one another more so; therefore, with God’s blessing and mine, there’ – joining their hands as he spoke.

Scythrop was not exactly prepared for this decisive step; but he could only stammer out, ‘Really, sir, you are too good;’ and Mr. Glowry departed to bring Mr. Hilary to ratify the act.

Now, whatever truth there may be in the theory of love and language, of which we have so recently spoken, certain it is, that during Mr. Glowry’s absence, which lasted half an hour, not a single word was said by either Scythrop or Marionetta.

Mr. Glowry returned with Mr. Hilary, who was delighted at the prospect of so advantageous an establishment for his orphan niece, of whom he considered himself in some manner the guardian, and nothing remained, as Mr. Glowry observed, but to fix the day.

Marionetta blushed, and was silent. Scythrop was also silent for a time, and at length hesitatingly said, ‘My dear sir, your goodness overpowers me; but really you are so precipitate.’

Now, this remark, if the young lady had made it, would, whether she thought it or not – for sincerity is a thing of no account on these occasions, nor indeed on any other, according to Mr. Flosky – this remark, if the young lady had made it, would have been perfectly comme il faut [637]; but, being made by the young gentleman, it was toute autre chose [638], and was, indeed, in the eyes of his mistress, a most heinous and irremissible offence. Marionetta was angry, very angry, but she concealed her anger, and said, calmly and coldly, ‘Certainly, you are much too precipitate, Mr. Glowry. I assure you, sir, I have by no means made up my mind; and, indeed, as far as I know it, it inclines the other way; but it will be quite time enough to think of these matters seven years hence.’ Before surprise permitted reply, the young lady had locked herself up in her own apartment.

‘Why, Scythrop,’ said Mr. Glowry, elongating his face exceedingly, ‘the devil is come among us sure enough, as Mr. Toobad observes: I thought you and Marionetta were both of a mind.’

‘So we are, I believe, sir,’ said Scythrop, gloomily, and stalked away to his tower.

‘Mr. Glowry,’ said Mr. Hilary, ‘I do not very well understand all this.’

‘Whims, brother Hilary,’ said Mr. Glowry; ‘some little foolish love quarrel, nothing more. Whims, freaks, April showers. They will be blown over by to-morrow.’

‘If not,’ said Mr. Hilary, ‘these April showers have made us April fools.’

‘Ah!’ said Mr. Glowry, ‘you are a happy man, and in all your afflictions you can console yourself with a joke, let it be ever so bad, provided you crack it yourself. I should be very happy to laugh with you, if it would give you any satisfaction; but, really, at present, my heart is so sad, that I find it impossible to levy a contribution on my muscles.’

On the evening on which Mr. Asterias had caught a glimpse of a female figure on the sea-shore, which he had translated into the visual sign of his interior cognition of a mermaid, Scythrop, retiring to his tower, found his study preoccupied. A stranger, muffled in a cloak, was sitting at his table. Scythrop paused in surprise. The stranger rose at his entrance, and looked at him intently a few minutes, in silence. The eyes of the stranger alone were visible. All the rest of the figure was muffled and mantled in the folds of a black cloak, which was raised, by the right hand, to the level of the eyes. This scrutiny being completed, the stranger, dropping the cloak, said, ‘I see, by your physiognomy, that you may be trusted;’ and revealed to the astonished Scythrop a female form and countenance of dazzling grace and beauty, with long flowing hair of raven blackness, and large black eyes of almost oppressive brilliancy, which strikingly contrasted with a complexion of snowy whiteness. Her dress was extremely elegant, but had an appearance of foreign fashion, as if both the lady and her mantua-maker were of ‘a far countree.’

For, if it be terrible to one young lady to find another under a tree at midnight, it must, a fortiori , be much more terrible to a young gentleman to find a young lady in his study at that hour. If the logical consecutiveness of this conclusion be not manifest to my readers, I am sorry for their dulness, and must refer them, for more ample elucidation, to a treatise which Mr. Flosky intends to write, on the Categories of Relation, which comprehend Substance and Accident, Cause and Effect, Action and Re-action.

Scythrop, therefore, either was or ought to have been frightened; at all events, he was astonished; and astonishment, though not in itself fear, is nevertheless a good stage towards it, and is, indeed, as it were, the half-way house between respect and terror, according to Mr. Burke’s graduated scale of the sublime.

‘You are surprised,’ said the lady; ‘yet why should you be surprised? If you had met me in a drawing room, and I had been introduced to you by an old woman, it would have been a matter of course: can the division of two or three walls, and the absence of an unimportant personage, make the same object essentially different in the perception of a philosopher?’

‘Certainly not,’ said Scythrop; ‘but when any class of objects has habitually presented itself to our perceptions in invariable conjunction with particular relations, then, on the sudden appearance of one object of the class divested of those accompaniments, the essential difference of the relation is, by an involuntary process, transferred to the object itself, which thus offers itself to our perceptions with all the strangeness of novelty.’