Array Коллектив авторов - 75 лучших рассказов / 75 Best Short Stories

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‘‘Must I? What could induce me? I haven’t the nerve.”

‘“And yet you must go. Unless you want to—”

‘“I don’t want to,” panted the Northman. “I’ve enough of it.”

‘The commanding officer got over the side. The Northman remained still as if rooted to the deck. Before his boat reached his ship the commanding officer heard the steamer beginning to pick up her anchor. Then, shadowy in the fog, she steamed out on the given course.

‘“Yes,” he said to his officers, “I let him go.”’

The narrator bent forward towards the couch, where no movement betrayed the presence of a living person.

‘Listen,’ he said, forcibly. ‘That course would lead the Northman straight on a deadly ledge of rock. And the commanding officer gave it to him. He steamed out – ran on it – and went down. So he had spoken the truth. He did not know where he was. But it proves nothing. Nothing either way. It may have been the only truth in all his story. And yet… He seems to have been driven out by a menacing stare – nothing more.’

He abandoned all pretence.

‘Yes, I gave that course to him. It seemed to me a supreme test. I believe – no, I don’t believe. I don’t know. At the time I was certain. They all went down; and I don’t know whether I have done stern retribution – or murder; whether I have added to the corpses that litter the bed of the unreadable sea the bodies of men completely innocent or basely guilty. I don’t know. I shall never know.’

He rose. The woman on the couch got up and threw her arms round his neck. Her eyes put two gleams in the deep shadow of the room. She knew his passion for truth, his horror of deceit, his humanity.

‘Oh, my poor, poor—’

‘I shall never know,’ he repeated, sternly, disengaged himself, pressed her hands to his lips, and went out.

The Bride Comes to Yellow Sky (Stephen Crane)

I

The great pullman [185]was whirling onward with such dignity of motion that a glance from the window seemed simply to prove that the plains of Texas were pouring eastward. Vast flats of green grass, dull-hued spaces of mesquite and cactus, little groups of frame houses, woods of light and tender trees, all were sweeping into the east, sweeping over the horizon, a precipice.

A newly married pair had boarded this coach at San Antonio [186]. The man’s face was reddened from many days in the wind and sun, and a direct result of his new black clothes was that his brick-colored hands were constantly performing in a most conscious fashion. From time to time he looked down respectfully at his attire. He sat with a hand on each knee, like a man waiting in a barber’s shop. The glances he devoted to other passengers were furtive and shy.

The bride was not pretty, nor was she very young. She wore a dress of blue cashmere [187], with small reservations of velvet here and there and with steel buttons abounding. She continually twisted her head to regard her puff sleeves, very stiff, straight, and high. They embarrassed her. It was quite apparent that she had cooked, and that she expected to cook, dutifully. The blushes caused by the careless scrutiny of some passengers as she had entered the car were strange to see upon this plain, under-class countenance, which was drawn in placid, almost emotionless lines.

They were evidently very happy. ‘Ever been in a parlor-car before?’ he asked, smiling with delight.

‘No,’ she answered, ‘I never was. It’s fine, ain’t it?’

‘Great! And then after a while we’ll go forward to the diner and get a big layout. Finest meal in the world. Charge a dollar.’

‘Oh, do they?’ cried the bride. ‘Charge a dollar? Why, that’s too much – for us – ain’t it, Jack?’

‘Not this trip, anyhow,’ he answered bravely. ‘We’re going to go the whole thing.’

Later, he explained to her about the trains. ‘You see, it’s a thousand miles from one end of Texas to the other, and this train runs right across it and never stops but four times.’ He had the pride of an owner. He pointed out to her the dazzling fittings of the coach, and in truth her eyes opened wider as she contemplated the sea-green figured velvet, the shining brass, silver, and glass, the wood that gleamed as darkly brilliant as the surface of a pool of oil. At one end a bronze figure sturdily held a support for a separated chamber, and at convenient places on the ceiling were frescoes in olive and silver.

To the minds of the pair, their surroundings reflected the glory of their marriage that morning in San Antonio. This was the environment of their new estate, and the man’s face in particular beamed with an elation that made him appear ridiculous to the negro porter. This individual at times surveyed them from afar with an amused and superior grin. On other occasions he bullied them with skill in ways that did not make it exactly plain to them that they were being bullied. He subtly used all the manners of the most unconquerable kind of snobbery. He oppressed them, but of this oppression they had small knowledge, and they speedily forgot that infrequently a number of travelers covered them with stares of derisive enjoyment. Historically there was supposed to be something infinitely humorous in their situation.

‘We are due in Yellow Sky at 3:42,’ he said, looking tenderly into her eyes.

‘Oh, are we?’ she said, as if she had not been aware of it. To evince surprise at her husband’s statement was part of her wifely amiability. She took from a pocket a little silver watch, and as she held it before her and stared at it with a frown of attention, the new husband’s face shone.

‘I bought it in San Anton’ from a friend of mine,’ he told her gleefully.

‘It’s seventeen minutes past twelve,’ she said, looking up at him with a kind of shy and clumsy coquetry. A passenger, noting this play, grew excessively sardonic, and winked at himself in one of the numerous mirrors.

At last they went to the dining-car. Two rows of negro waiters, in glowing white suits, surveyed their entrance with the interest and also the equanimity of men who had been forewarned. The pair fell to the lot of a waiter who happened to feel pleasure in steering them through their meal. He viewed them with the manner of a fatherly pilot, his countenance radiant with benevolence. The patronage, entwined with the ordinary deference, was not plain to them. And yet, as they returned to their coach, they showed in their faces a sense of escape.

To the left, miles down a long purple slope, was a little ribbon of mist where moved the keening Rio Grande [188]. The train was approaching it at an angle, and the apex was Yellow Sky. Presently it was apparent that, as the distance from Yellow Sky grew shorter, the husband became commensurately restless. His brick-red hands were more insistent in their prominence. Occasionally he was even rather absent-minded and far-away when the bride leaned forward and addressed him.

As a matter of truth, Jack Potter was beginning to find the shadow of a deed weigh upon him like a leaden slab. He, the town marshal of Yellow Sky, a man known, liked, and feared in his corner, a prominent person, had gone to San Antonio to meet a girl he believed he loved, and there, after the usual prayers, had actually induced her to marry him, without consulting Yellow Sky for any part of the transaction. He was now bringing his bride before an innocent and unsuspecting community.

Of course, people in Yellow Sky married as it pleased them, in accordance with a general custom; but such was Potter’s thought of his duty to his friends, or of their idea of his duty, or of an unspoken form which does not control men in these matters, that he felt he was heinous. He had committed an extraordinary crime. Face to face with this girl in San Antonio, and spurred by his sharp impulse, he had gone headlong over all the social hedges. At San Antonio he was like a man hidden in the dark. A knife to sever any friendly duty, any form, was easy to his hand in that remote city. But the hour of Yellow Sky, the hour of daylight, was approaching.

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