Array Коллектив авторов - 75 лучших рассказов / 75 Best Short Stories

‘Well, you see, mother, till I can have a real horse, I like to have some sort of animal about,’ had been his quaint answer.

‘Do you feel he keeps you company?’ she laughed.

‘Oh yes! He’s very good, he always keeps me company, when I’m there,’ said Paul.

So the horse, rather shabby, stood in an arrested prance in the boy’s bedroom.

The Derby was drawing near, and the boy grew more and more tense. He hardly heard what was spoken to him, he was very frail, and his eyes were really uncanny. His mother had sudden strange seizures of uneasiness about him. Sometimes, for half an hour, she would feel a sudden anxiety about him that was almost anguish. She wanted to rush to him at once, and know he was safe.

Two nights before the Derby, she was at a big party in town, when one of her rushes of anxiety about her boy, her first-born, gripped her heart till she could hardly speak. She fought with the feeling, might and main, for she believed in common-sense. But it was too strong. She had to leave the dance and go downstairs to telephone to the country. The children’s nursery governess was terribly surprised and startled at being rung up in the night.

‘Are the children all right, Miss Wilmot?’

‘Oh yes, they are quite all right.’

‘Master Paul? Is he all right?’

‘He went to bed as right as a trivet. Shall I run up and look at him?’

‘No!’ said Paul’s mother reluctantly. ‘No! Don’t trouble. It’s all right. Don’t sit up. We shall be home fairly soon.’ She did not want her son’s privacy intruded upon.

‘Very good,’ said the governess.

It was about one o’clock when Paul’s mother and father drove up to their house. All was still. Paul’s mother went to her room and slipped off her white fur cloak. She had told her maid not to wait up for her. She heard her husband downstairs, mixing a whisky-and-soda.

And then, because of the strange anxiety at her heart, she stole upstairs to her son’s room. Noiselessly she went along the upper corridor. Was there a faint noise? What was it?

She stood, with arrested muscles, outside his door, listening. There was a strange, heavy, and yet not loud noise. Her heart stood still. It was a soundless noise, yet rushing and powerful. Something huge, in violent, hushed motion. What was it? What in God’s Name was it? She ought to know. She felt that she knew the noise. She knew what it was.

Yet she could not place it. She couldn’t say what it was. And on and on it went, like a madness.

Softly, frozen with anxiety and fear, she turned the door-handle.

The room was dark. Yet in the space near the window, she heard and saw something plunging to and fro. She gazed in fear and amazement.

Then suddenly she switched on the light, and saw her son, in his green pyjamas, madly surging on his rocking-horse. The blaze of light suddenly lit him up, as he urged the wooden horse, and lit her up, as she stood, blonde, in her dress of pale green and crystal, in the doorway.

‘Paul!’ she cried. ‘Whatever are you doing?’

‘It’s Malabar!’ he screamed, in a powerful, strange voice. ‘It’s Malabar!’

His eyes blazed at her for one strange and senseless second, as he ceased urging his wooden horse. Then he fell with a crash to the ground, and she, all her tormented motherhood flooding upon her, rushed to gather him up.

But he was unconscious, and unconscious he remained, with some brain-fever. He talked and tossed, and his mother sat stonily by his side.

‘Malabar! It’s Malabar! Bassett, Bassett, I know: it’s Malabar!’

So the child cried, trying to get up and urge the rocking-horse that gave him his inspiration.

‘What does he mean by Malabar?’ asked the heart-frozen mother.

‘I don’t know,’ said the father, stonily.

‘What does he mean by Malabar?’ she asked her brother Oscar.

‘It’s one of the horses running for the Derby,’ was the answer.

And, in spite of himself, Oscar Cresswell spoke to Bassett, and himself put a thousand on Malabar: at fourteen to one.

The third day of the illness was critical: they were watching for a change. The boy, with his rather long, curly hair, was tossing ceaselessly on the pillow. He neither slept nor regained consciousness, and his eyes were like blue stones. His mother sat, feeling her heart had gone, turned actually into a stone.

In the evening, Oscar Cresswell did not come, but Bassett sent a message, saying could he come up for one moment, just one moment? Paul’s mother was very angry at the intrusion, but on second thoughts she agreed. The boy was the same. Perhaps Bassett might bring him to consciousness.

The gardener, a shortish fellow with a little brown moustache and sharp little brown eyes, tiptoed into the room, touched his imaginary cap to Paul’s mother, and stole to the bedside, staring with glittering, smallish eyes at the tossing, dying child.

‘Master Paul!’ he whispered. ‘Master Paul! Malabar came in first all right, a clean win. I did as you told me. You’ve made over seventy thousand pounds, you have; you’ve got over eighty thousand. Malabar came in all right, Master Paul.’

‘Malabar! Malabar! Did I say Malabar, mother? Did I say Malabar? Do you think I’m lucky, mother? I knew Malabar, didn’t I? Over eighty thousand pounds! I call that lucky, don’t you, mother? Over eighty thousand pounds! I knew, didn’t I know I knew? Malabar came in all right. If I ride my horse till I’m sure, then I tell you, Basset, you can go as high as you like. Did you go for all you were worth, Bassett?’

‘I went a thousand on it, Master Paul.’

‘I never told you, mother, that if I can ride my horse, and get there, then I’m absolutely sure – oh, absolutely! Mother, did I ever tell you? I am lucky!’

‘No, you never did,’ said the mother.

But the boy died in the night.

And even as he lay dead, his mother heard her brother’s voice saying to her: ‘My God, Hester, you’re eighty-odd thousand to the good, and a poor devil of a son to the bad. But, poor devil, poor devil, he’s best gone out of a life where he rides his rocking-horse to find a winner.’

The sunsets were red, the nights were long, and the weather pleasantly frosty; and Christmas, the glorious herald of the New Year, was at hand, when an event – still recounted by winter firesides, with a horror made delightful by the mellowing influence of years – occurred in the beautiful little town of Golden Friars, and signalized, as the scene of its catastrophe, the old inn known throughout a wide region of the Northumbrian counties as the George and Dragon.

Toby Crooke, the sexton, was lying dead in the old coach-house in the inn yard. The body had been discovered, only half an hour before this story begins, under strange circumstances, and in a place where it might have lain the better part of a week undisturbed; and a dreadful suspicion astounded the village of Golden Friars.

A wintry sunset was glaring through a gorge of the western mountains, turning into fire the twigs of the leafless elms, and all the tiny blades of grass on the green by which the quaint little town is surrounded. It is built of light, grey stone, with steep gables and slender chimneys rising with airy lightness from the level sward by the margin of the beautiful lake, and backed by the grand amphitheatre of the fells at the other side, whose snowy peaks show faintly against the sky, tinged with the vaporous red of the western light. As you descend towards the margin of the lake, and see Golden Friars, its taper chimneys and slender gables, its curious old inn and gorgeous sign, and over all the graceful tower and spire of the ancient church, at this hour or by moonlight, in the solemn grandeur and stillness of the natural scenery that surrounds it, it stands before you like a fairy town.