Алан Милн - Once on a Time

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“This is an odd book” or so states the author in 1917 for his first introduction. A fairytale with seven league boots, a princess, an enchantment, and the Countess Belvane. As Milne wrote in a later introduction: “But, as you see, I am still finding it difficult to explain just what sort of book it is. Perhaps no explanation is necessary. Read in it what you like; read it to whomever you like; be of what age you like; it can only fall into one of the two classes. Either you will enjoy it, or you won’t. It is that sort of book.”

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"I think," said the future swineherd, "that I shall send a Note over to the King of Euralia, telling him my decision. To–night, when it is dark, I shall steal away and begin my new life. There seems to be no reason why the people should not go back to their homes to–morrow. By the way, that guard outside there knows that I wasn't killed last night; that's rather awkward."

"I think," said the Chancellor, who was already picturing his return home, and was not going to be done out of it by a common sentry, "I think I could persuade him that you were killed last night."

"Oh, well, then, that's all right." He drew a ring from his finger. "Perhaps this will help him to be persuaded. Now leave me while I write to the King of Euralia."

It was a letter which Merriwig was decidedly glad to get. It announced bluntly that the war was over, and added that the King of Barodia proposed to abdicate. His son would rule in his stead, but he was a harmless fool, and the King of Euralia need not bother about him. The King would be much obliged if he would let it get about that the whiskers had been won in a fair fight; this would really be more to the credit of both of them. Personally he was glad to be rid of the things, but one has one's dignity. He was now retiring into private life, and if it were rumoured abroad that he had been killed by the King of Euralia matters would be much more easy to arrange.

Merriwig slept late after his long night abroad, and he found this Note waiting for him when he awoke. He summoned the Chancellor at once.

"What have you done about those—er—trophies?" he asked.

"They are fluttering from your flagstaff, sire, at this moment."

"Ah! And what do my people say?"

"They are roaring with laughter, sire, at the whimsical nature of the jest."

"Yes, but what do they say?"

"Some say that your Majesty, with great cunning, ventured privily in the night and cut them off while he slept; others, that with great bravery you defeated him in mortal combat and carried them away as the spoils of the victor."

"Oh! And what did you say?"

The Chancellor looked reproachful.

"Naturally, your Majesty, I have not spoken with them."

"Ah, well, I have been thinking it over in the night, and I remember now that I did kill him. You understand?"

"Your Majesty's skill in sword play will be much appreciated by the people."

"Quite so," said the King hastily. "Well, that's all—I'm getting up now. And we're all going home to–morrow."

The Chancellor went out, rubbing his hands with delight.

Chapter XVIII

The Veteran of the Forest Entertains Two Very Young People

Do you remember the day when the Princess Hyacinth and Wiggs sat upon the castle walls and talked of Udo's coming? The Princess thought he would be dark, and Wiggs thought he would be fair, and he was to have the Purple Room—or was it the Blue?—and anyhow he was to put the Countess in her place and bring happiness to Euralia. That seemed a long time ago to Hyacinth now, as once more she sat on the castle walls with Wiggs.

She was very lovely. She longed to get rid of that "outside help in our affairs" which she had summoned so recklessly. They were two against one now. Belvane actively against her was bad enough; but Belvane in the background with Udo as her mouthpiece—Udo specially asked in to give the benefit of his counsel—this was ten times worse.

"What do you do, Wiggs?" she asked, "when you are very lonely and nobody loves you?"

"Dance," said Wiggs promptly.

"But if you don't want to dance?"

Wiggs tried to remember those dark ages (about a week ago) when she couldn't dance.

"I used to go into the forest," she said, "and sit under my own tree, and by and by everybody loved you."

"I wonder if they'd love me ."

"Of course they would. Shall I show you my special tree?"

"Yes, but don't come with me; tell me where it is. I want to be unhappy alone."

So Wiggs told her how you followed her special path, which went in at the corner of the forest, until by and by the trees thinned on either side, and it widened into a glade, and you went downhill and crossed the brook at the bottom and went up the other side until it was all trees again, and the first and the biggest and the oldest and the loveliest was hers. And you turned round and sat with your back against it, and looked across to where you'd come from, and then you knew that everything was all right.

"I shall find it," said Hyacinth, as she got up. "Thank you, dear."

She found it, she sat there, and her heart was very bitter at first against Udo and against Belvane, and even against her father for going away and leaving her; but by and by the peace of the place wrapped itself around her, and she felt that she would find a way out of her difficulties somehow. Only she wished that her father would come back, because he loved her, and she felt that it would be nice to be loved again.

"It is beautiful, isn't it?" said a voice from behind her.

She turned suddenly, as a tall young man stepped out from among the trees.

"Oh, who are you, please?" she asked, amazed at his sudden appearance. His dress told her nothing, but his face told her things which she was glad to know.

"My name," he said, "is Coronel."

"It is a pretty name."

"Yes, but don't be lead away by it. It belongs to nobody very particular. Do you mind if I sit down? I generally sit down here about this time."

"Oh, do you live in the forest?"

"I have lived here for the last week." He gave her a friendly smile, and added, "You're late, aren't you?"

"Late?"

"Yes, I've been expecting you for the last seven days."

"How did you know there was any me at all?" smiled Hyacinth.

With a movement of his hand Coronel indicated the scene in front of him.

"There had to be somebody for whom all this was made. It wanted somebody to say thank you to it now and then."

"Haven't you been doing that all this week?"

"Me? I wouldn't presume. No, it's your glade, and you've neglected it shamefully."

"There's a little girl who comes here," said Hyacinth. "I wonder if you have seen her?"

Coronel turned away. There were secret places in his heart into which Hyacinth could not come—yet.

"She danced," he said shortly.

There was silence between them for a little, but a comfortable silence, as if they were already old friends.

"You know," said Hyacinth, looking down at him as he lay at her feet, "you ought not to be here at all, really."

"I wish I could think that," said Coronel. "I had a horrible feeling that duty called me here. I love those places where one really oughtn't to be at all, don't you?"

"I love being here," sighed Hyacinth. "Wiggs was quite right." Seeing him look up at her she added, "Wiggs is the little girl who dances, you know."

"She would be right," said Coronel, looking away from her.

Hyacinth felt strangely rested. It seemed that never again would anything trouble her; never again would she have only her own strength to depend upon. Who was he? But it did not matter. He might go away and she might never see him again, but she was no longer afraid of the world.

"I thought," she said, "that all the men of Euralia were away fighting."

"So did I," said Coronel.

"What are you, then? A Prince from a distant country, an enchanter, a spy sent from Barodia, a travelling musician?—you see, I give you much to choose from."

"You leave me nothing to be but what I am—Coronel."

"And I am Hyacinth."

He knew, of course, but he made no sign.

"Hyacinth," he said, and he held out his hand.

"Coronel," she answered as she took it.

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