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Robin Wasserman: Sloth

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Robin Wasserman Sloth

Sloth: краткое содержание, описание и аннотация

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One of the seven is dead, and everyone's reeling: Adam's done. With love, with school…with everything. Done. Beth's doing her best to act "normal," but even Reed recognizes devastation, since all he does is fantasize about Kaia. Miranda's lost too. Did she ever really forgive Harper? Only Kane is actually doing something: uncovering how the crash happened – and why. But there's no do-over with death. There's only moving on – to the most unlikely places…

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“You okay, Harper? You look kind of pale.”

“Yeah, and no offense, but you’re a little, like, sweaty. You sure you’re okay?”

The more times she had to say it, the bigger the lie. But it’s not like she had any other option.

“No worries,” she assured them. “I’m fine.”

“Beth, we still need a head for this article,” the copy editor called out.

“And we’re missing a photo for the Valentine’s Day piece,” the features editor called from the other side of the room.

Beth typed faster, trying to load in the changes to the front-page layout so she could deal with the hundred other things on her to-do list. It was times like this, rushing back and forth across the newsroom, slurping coffee, cutting and pasting, slapping on headlines, tweaking leads, and refereeing the occasional game of Nerf basketball, that she felt like a real editor in chief, the nerve center of a well-oiled fact-finding machine.

Then she remembered that, despite her best efforts, the paper rarely came out more than once a month-and when it did appear, its heartfelt missives on Homecoming Day hairdos and the debate team s latest victory ended up littering the floor of the cafeteria, crumpled and tossed aside before anyone had bothered to read them.

They weren’t a complete failure, she reminded herself. They’d managed to get a special Kaia memorial supplement out a couple weeks ago, filling it-despite the short notice and lack of sources-with photos, poems, and the occasional testimonial from someone who professed to have known and loved “that dear, departed soul.” Several of Beth’s teachers had complimented her on the fine tribute. It wasn’t the kind of compliment from which you could draw much joy-especially when you were still swimming in guilt.

Now things were back to normal, if you could call it normal when your front page featured an article about the sordid criminal past of the paper’s former sponsor. Beth should have been pleased: It was just the kind of hard news she’d always imagined importing to the Haven Gazette when she finally took the reigns. Along with all her other big plans, that dream had fallen by the wayside back in the fall, after her encounter with Mr. Powell.

Perhaps it was only fitting that, courtesy of Mr. Powell and his misdeeds, the Gazette was finally reporting something that mattered.

Beth had long dreamed of covering a story like this, rich with tantalizing details and actual import. But not this story. She hadn’t rushed an issue into print, hadn’t assigned anyone to pester the cops or the administration for details. Instead, she’d just picked up the story that had run in the Grace Herald earlier that month. It would be reprinted verbatim. And it would have to do.

Student-Teacher Scandal Rocks Haven High

Police uncover secret identity as French teach skips town

By Milton Jeffries

Staff writer, Grace Herald

Massachusetts state police are pursuing Jack Powell, aka Julian Payne, for questioning in regard to two statutory rape cases allegedly involving the former Haven High School French teacher. Grace police are similarly eager to question him regarding his relationship with Kaia Sellers, a Haven High senior who was killed in a hit-and-run the same week Powell fled town. Police have ruled the incident an accident and concluded it was unconnected.

Powell joined the Haven High faculty in the fall, professing several years of teaching experience and proffering impeccable- and apparently forged-references. The first indication that anything was amiss came in late January, when an anonymous tip led paramedics to discover Powell unconscious in his apartment. Kaia Sellers’s fingerprints were found at the scene, but she was killed the next day, before she could be questioned. Powell’s fingerprints, when run through a national database, revealed him to be Julian Payne, a British citizen who had disappeared from Stonehill, Massachusetts, six months earlier when allegations were made against him by two unnamed teenage girls.

Authorities at Stonehill Academy say that both girls are well-behaved, honor roll students who are to be commended for speaking out against their teacher. “We’re all grateful that they had the courage [to turn Payne in] and prevent this from happening again,” said Stonehill principal Patrick Darnton.

In Grace, area parents have expressed deep concern that a teacher with his background could have been employed by the high school; district officials say they had no sign Powell was not what he seemed.

Powell left the hospital, against medical advice, before Grace police were able to detain him. He has not been seen since.

She doesn’t know why she came.

Hospitals have always seemed dirty to her, grimy, as if the grayish tinge to the walls and the floor were just germs made visible, layers of illness, fluids, and death that had built up over the years.

Still, she comes here often, forces herself to suffer through the candy striping, pediatric parties, holiday gift distributions. She knows where the bedpans are stored and which nurses ignore the call light. And she knows where all the exits are; from the moment she steps inside, she is always planning her escape.

She has come to see Harper, but she doesn’t know why, and she doesn’t have the nerve to go through with it. She steps off the elevator and starts down the hallway, but there is Adam, hovering outside the room next to the Graces, whom she recognizes because, in a small town, there is no one you don’t know. She stops. She has nothing to say to any of these people. She has nothing to apologize for.

She has everything to apologize for.

Before she knows what she’s doing, she turns around, is back at the elevators, pressing the button, waiting. It has been like this all week. Doing things without knowing why. Making decisions without even noticing She wonders if she is in shock. Not over Kaia’s death-none of that seems real yet; it all has the feel of a bad movie she wandered into that will surely end soon. No, if she is in shock, it is over what she has done, which is all too real and tangible, like the empty box on the edge of her nightstand that used to contain two yellow pills. She should throw it out, now that it’s not just a box-now that it’s evidence-but she can’t bring herself to do so.

The elevator doors open and she steps on blindly, just as she does everything, which is why she doesn’t see him until the doors close and it’s too late.

”Now this is a pleasant surprise,” he says, in the soft British accent she still hears in her nightmares. “And here I thought I’d have to leave without saying good-bye.”

She ignores him. There is a vent in the ceiling of the elevator, and from a certain angle she can see through the slits and watch the walls of the shaft sliding by. There is a fan in the vent, its sharp blades spinning fast enough that they would slice off a finger if she were tall enough to reach.

”I’m fine, thanks for asking,” he says. Unable to help herself, she glances toward him. There is a large white bandage on his forehead. His skin is pale. “Just a concussion, nothing to worry about.”

“I wasn’t ” she says sharply.

He smiles at her, and then his face goes flaccid, his eyes flutter, and he stumbles backward, slamming into the console of buttons, catching himself just before he slumps to the floor. The elevator jerks to a stop. Beth says nothing, does nothing. He breathes deeply once, twice, as if willing the color back into his face and the strength back into his body. His head lolls to one side, and he grasps the railing on the wall for support. There is nothing Beth can do to help; she need not feel guilty for doing nothing.

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