Lucy Montgomery - Emily of New Moon

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Emily Starr never knew what it was to be lonely — until her beloved father died. Now Emily's an orphan, and her mother's snobbish relatives are taking her to live with them at New Moon Farm. She's sure she won't be happy. Emily deals with stiff, stern Aunt Elizabeth and her malicious classmates by holding her head high and using her quick wit. Things begin to change when she makes friends, with Teddy, who does marvelous drawings; with Perry, who's sailed all over the world with his father yet has never been to school; and above all, with Ilse, a tomboy with a blazing temper. Amazingly, Emily finds New Moon beautiful and fascinating. With new friends and adventures, Emily might someday think of herself as Emily of New Moon.

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"God speed all travellers," said Perry cheerfully, climbing down his ladder — this time with his clothes on.

Aunt Elizabeth ignored him — she was not going to have a scene with a hired boy before Miss Brownell. The latter switched herself out and Aunt Elizabeth looked at Emily.

"You will eat your supper alone to-night, Emily, in the pantry — you will have bread and milk only. And you will not speak one word to any one until to-morrow morning.”

"But you won't forbid me to think?" said Emily anxiously.

Aunt Elizabeth made no reply but sat haughtily down at the supper- table. Emily went into the pantry and ate her bread and milk, with the odour of delicious sausages the others were eating for savour.

Emily liked sausages, and New Moon sausages were the last word in sausages. Elizabeth Burnley had brought the recipe out from the Old Country and its secret was carefully guarded. And Emily was hungry. But she had escaped the unbearable, and things might be worse. It suddenly occurred to her that she would write an epic poem in imitation of The Lay of the Last Minstrel. Cousin Jimmy had read The Lay to her last Saturday. She would begin the first canto right off. When Laura Murray came into the pantry, Emily, her bread and milk only half eaten, was leaning her elbows on the dresser, gazing into space, with faintly moving lips and the light that never was on land or sea in her young eyes. Even the aroma of sausages was forgotten — was she not drinking from a fount of Castaly?

"Emily," said Aunt Laura, shutting the door, and looking very lovingly upon Emily out of her kind blue eyes, "you can talk to ME all you want to. I don't like Miss Brownell and I don't think you were altogether in the wrong — although of course you shouldn't be writing poetry when you have sums to do. And there are some ginger cookies in that box.”

"I don't want to talk to any one, dear Aunt Laura — I'm too happy,” said Emily dreamily. "I'm composing an epic — it is to be called The White Lady, and I've got twenty lines of it made already — and two of them are thrilling. The heroine wants to go into a convent and her father warns her that if she does she will never be able to Come back to the life you gave With all its pleasures to the grave.

Oh, Aunt Laura, when I composed those lines the flash came to me.

And ginger cookies are nothing to me any more.”

Aunt Laura smiled again.

"Not just now perhaps, dear. But when the moment of inspiration has passed it will do no harm to remember that the cookies in the box have not been counted and that they are as much mine as Elizabeth's.”

CHAPTER 17. LIVING EPISTLES

"DEAR FATHER: "Oh, I have such an exiting thing to tell you. I have been the heroin of an adventure. One day last week Ilse asked me if I would go and stay all night with her because her father was away and wouldn't be home till very late and Ilse said she wasn't fritened but very lonesome. So I asked Aunt Elizabeth if I could. I hardly dared hope, dear Father, that she would let me, for she doesn't aprove of little girls being away from home at night but to my surprise she said I could go very kindly. And then I heard her say in the pantry to Aunt Laura It is a shame the way the doctor leaves that poor child so much alone at nights. It is WIKKED of him. And Aunt Laura said The poor man is warped. You know he was not a bit like that before his wife — and then just as it was getting intresting Aunt Elizabeth gave Aunt Laura a nudge and said s-s-s-h, little pitchers have big ears. I knew she meant me though my ears are not big, only pointed. I do wish I could find out what Ilse's mother did. It worrys me after I go to bed. I lie awake for ever so long thinking about it. Ilse has no idea. Once she asked her father and he told her (in a VOICE OF THUNDER) never to mention THAT WOMAN to him again. And there is something else that worrys me too. I keep thinking of Silas Lee who killed his brother at the old well. How dreadful the poor man must have felt. And what is it to be warped.

"I went over to Ilses and we played in the garret. I like playing there because we dont have to be careful and tidy like we do in our garret. Ilses garret is very untidy and cant have been dusted for years. The rag room is worse than the rest. It is boarded off at one end of the garret and it is full of old close and bags of rags and broken furniture. I dont like the smell of it. The kitchen chimney goes up through it and things hang round it (or did). For all this is in the past now, dear Father.

"When we got tired playing we sat down on an old chest and talked.

This is splendid in daytime I said but it must be awful queer at night. Mice, said Ilse — and spiders and gosts. I dont believe in gosts I said skornfully. There isnt any such thing. (But maybe there is for all that, dear Father.) I believe this garret is hawnted, said Ilse. They say garrets always are. Nonsense I said.

You know dear Father it would not do for a New Moon person to believe in gosts. But I felt very queer. Its easy to talk said Ilse beginning to be mad (though I wasnt trying to run down her garret) but you wouldnt stay here alone at night. I wouldnt mind it a bit I said. Then I dare you to do it said Ilse. I dare you to come up here at bedtime and sleep here all night. Then I saw I was in an awful skrape Father dear. It is a foolish thing to bost.

I knew not what to do. It was dreadful to think of sleeping alone in that garret but if I didn't Ilse would always cast it up to me whenever we fought and worse than that she would tell Teddy and he would think me a coward. So I said proudly Ill do it Ilse Burnley and Im not afraid either. (But oh I was — inside.) The mice will run over you said Ilse. O I wouldnt be you for the world. It was mean of Ilse to make things worse than they were. But I could feel she admired me too and that helped me a great deal. We dragged an old feather bed out of the rag room and Ilse gave me a pillow and half her close. It was dark by this time and Ilse wouldnt go up into the garret again. So I said my prayers very carefully and then I took a lamp and started up. I am so used to candles now that the lamp made me nervus. Ilse said I looked scared to death.

My knees shook dear Father but for the honnor of the Starrs (and the Murrays too) I went on. I had undressed in Ilses room, so I got right into bed and blew out the lamp. But I couldnt go to sleep for a long time. The moonlight made the garret look weerd.

I don't know exactly what weerd means but I feel the garret was it.

The bags and old close hanging from the beams looked like creatures. I thought I need not be fritened. The angels are here.

But then I felt as if I would be as much fritened of angels as of anything else. And I could hear rats and mice scrambling over things. I thought What if a rat was to run over me, and then I thought that next day I would write out a descripshon of the garret by moonlight and my feelings. At last I heard the doctor driving in and then I heard him knocking round in the kitchen and I felt better and before very long I went to sleep and dreamed a dreadful dream. I dreamed the door of the rag room opened and a big newspaper came out and chased me all around the garret. And then it went on fire and I could smell the smoke plain as plain and it was just on me when I skreamed and woke up. I was sitting right up in bed and the newspaper was gone but I could smell smoke still. I looked at the rag room door and smoke was coming out under it and I saw firelight through the cracks of the boards. I just yelled at the top of my voice and tore down to Ilses room and she rushed across the hall and woke her father. He said dam but he got right up and then all three of us kept running up and down the garret stairs with pails of water and we made an awful mess but we got the fire out. It was just the bags of wool that had been hanging close to the chimney that had caught fire. When all was over the doctor wiped the persperation from his manly brow and said That was a close call. A few minutes later would have been too late. I put on a fire when I came in to make a cup of tea and I suppose those bags must have caught fire from a spark. I see theres a hole here where the plaster has tumbled out. I must have this whole place cleaned out. How in the world did you come to diskover the fire, Emily. I was sleeping in the garret I said. Sleeping in the garret said the doctor, what in — what the — WHAT were you doing there. Ilse dared me I said. She said Id be too scared to stay there and I said I wouldnt. I fell asleep and woke up and smelled smoke. You little devil, said the doctor. I suppose it was a dreadful thing to be called a devil but the doctor looked at me so admiringly that I felt as if he was paying me a compelment. He has queer ways of talking. Ilse says the only time he ever said a kind thing to her was once when she had a sore throat he called her "a poor little animal" and looked as if he was sorry for her. I feel sure Ilse feels dreadfully bad because her father doesnt like her though she pretends she doesnt care. But oh dear Father there is more to tell. Yesterday the Shrewsbury Weekly Times came and in the Blair Notes it told all about the fire at the doctors and said it had been fortunately diskovered in time by Miss Emily Starr. I cant tell you what I felt like when I saw my name in the paper. I felt FAMUS. And I never was called Miss in ernest before.

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