Lucy Montgomery - Emily Climbs

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Emily Starr was born with the desire to write. As  an orphan living on New Moon Farm, writing helped  her face the difficult, lonely times. But now all  her friends are going away to high school in  nearby Shrewsbury, and her old-fashioned, tyrannical  aunt Elizabeth will only let her go if she promises  to stop writing! All the same, this is the first  step in Emily's climb to success. Once in town,  Emily's activities set the Shrewsbury gossips  buzzing. But Emily and her friends are confident -  Ilse's a born actress, Teddy's set to be a great  artist, and roguish Perry has the makings of a brilliant  lawyer. When Emily has her poems published and  writes for the town newspaper, success seems to be on  its way - and with it the first whispers of  romance. Then Emily is offered a fabulous opportunity,  and she must decide if she wants to change her  life forever.

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So angry was she, and so angry she continued to be, that the walk did not seem long, nor, though she had no wrap save her cloth coat, did she feel the cold of the sharp April night.

The winter's snow had gone but the bare road was hard-frozen and rough... no dainty footing for the thin kid slippers of Cousin Jimmy's Christmas box. Emily reflected with what she considered a grim, sarcastic laugh that it was well, after all, that Aunt Ruth had insisted on cashmere stockings and flannel petticoat.

There was a moon that night, but the sky was covered with curdled grey clouds, and the harsh, bleak landscape lay dourly in the pallid grey light. The wind came across it in sudden, moaning gusts. Emily felt with considerable dramatic satisfaction that the night harmonized with her stormy, tragic mood.

She would NEVER go back to Aunt Ruth's that was certain. No matter what Aunt Elizabeth might say... and she WOULD say aplenty, no doubt of that... no matter what anyone would say. If Aunt Elizabeth would not let her go anywhere else to board she would give up school altogether. She knew it would cause a tremendous upheaval at New Moon. Never mind. In her very reckless mood upheavals seemed welcome things. It was time somebody upheaved. She would not humiliate herself another day... that she would not! Aunt Ruth had gone too far at last. You could not safely drive a Starr to desperation.

"I have done with Ruth Dutton for ever," vowed Emily, feeling a tremendous satisfaction in leaving off the "Aunt."

As she drew near home the clouds cleared away suddenly, and when she turned into the New Moon lane the austere beauty of the three tall Lombardies against the moonlit sky made her catch her breath. Oh, how wonderful! For a moment she almost forgot her wrongs and Aunt Ruth. Then bitterness rushed over her soul again... not even the magic of the Three Princesses could charm it away.

There was a light shining out of the New Moon kitchen window, falling on the tall, white birches in Lofty John's bush with spectral effect. Emily wondered who could be up at New Moon: she had expected to find it in darkness and had meant to slip in by the front door and up to her own dear room, leaving explanations to the morning. Aunt Elizabeth always locked and barred the kitchen door every night with great ceremony before retiring, but the front door was never locked. Tramps and burglars would surely never be so ill-mannered as to come to the front door of New Moon.

Emily crossed the garden and peeped through the kitchen window. Cousin Jimmy was there alone, sitting by the table, with two candles for company. On the table was a stoneware crock and just as Emily looked in he absently put his hand into it and drew out a chubby doughnut. Cousin Jimmy's eyes were fixed on a big beef ham hanging from the ceiling and Cousin Jimmy's lips moved soundlessly. There was no reasonable doubt that Cousin Jimmy was composing poetry, though why he was doing it at that hour o' night was a puzzle.

Emily slipped around the house, opened the kitchen door gently, and walked in. Poor Cousin Jimmy in his amazement tried to swallow half a doughnut whole and then couldn't speak for several seconds. Was THIS Emily... or an apparition? Emily in a dark-blue coat, an enchanting little red-feather hat... Emily with windblown night-black hair and tragic eyes... Emily with tattered kid slippers on her feet... Emily in this plight at New Moon when she should have been sound asleep on her maiden couch in Shrewsbury?

Cousin Jimmy seized the cold hands Emily held out to him.

"Emily, dear child, what has happened?"

"Well, just to jump into the middle of things... I've left Aunt Ruth's and I'm not going back."

Cousin Jimmy didn't say anything for a few moments. But he did a few things. First he tiptoed across the kitchen and carefully shut the sitting-room door; then he gently filled the stove up with wood, drew a chair up to it, pushed Emily into it and lifted her cold, ragged feet to the hearth. Then he lighted two more candles and put them on the chimney-piece. Finally he sat down in his chair again and put his hands on his knees.

"Now, tell me all about it."

Emily, still in the throes of rebellion and indignation, told it pretty fully.

As soon as Cousin Jimmy got an inkling of what had really happened he began to shake his head slowly... continued to shake it... shook it so long and gravely that Emily began to feel an uncomfortable conviction that instead of being a wronged, dramatic figure she was by way of being a bit of a little fool. The longer Cousin Jimmy shook his head the smaller grew her heroics. When she had finished her story with a defiant, conclusive "I'm NOT going back to Aunt Ruth's, anyhow," Cousin Jimmy gave a final wag to his head and pushed the crock across the table.

"Have a doughnut, pussy."

Emily hesitated. She was very fond of doughnuts... and it had been a long time since she had her supper. But doughnuts seemed out of keeping with rebellion and tumult. They were decidedly reactionary in their tendencies. Some vague glimmering of this made Emily refuse the doughnut.

Cousin Jimmy took one himself.

"So you're not going back to Shrewsbury?"

"Not to Aunt Ruth's," said Emily.

"It's the same thing," said Cousin Jimmy.

Emily knew it was. She knew it was of no use to hope that Aunt Elizabeth would let her board elsewhere.

"And you walked all the way home over those roads." Cousin Jimmy shook his head. "Well, you HAVE spunk. Heaps of it," he added meditatively between bites.

"Do you blame me?" demanded Emily passionately... all the more passionately because she felt some inward support had been shaken away by Cousin Jimmy's head.

"No-o-o, it was a durn mean shame to lock you out... just like Ruth Dutton."

"And you see... don't you... that I can't go back after such an insult?"

Cousin Jimmy nibbled at the doughnut cautiously, as if bent on trying to see how near he could nibble to the hole without actually breaking through.

"I don't think any of your grandmothers would have given up a chance for an education so easily," he said. "Not on the Murray side, anyhow," he added after a moment's reflection, which apparently reminded him that he knew too little about the Starrs to dogmatize concerning them.

Emily sat very still. As Teddy would have said in cricket parlance, Cousin Jimmy had got her middle wicket with the first ball. She felt at once that when Cousin Jimmy, in that diabolical fit of inspiration, dragged her grandmothers in, everything was over but the precise terms of surrender. She could see them all around her... the dear, dead ladies of New Moon... Mary Shipley and Elizabeth Burnley, and all the rest... mild, determined, restrained, looking down with something of contemptuous pity on her, their foolish, impulsive descendant. Cousin Jimmy appeared to think there might be some weakness on the Starr side. Well, there wasn't... she would show him!

She HAD expected more sympathy from Cousin Jimmy. She had known Aunt Elizabeth would condemn her and even Aunt Laura would look disappointed question. But she had counted on Cousin Jimmy taking her part. He always had before.

"My grandmothers never had to put up with Aunt Ruth," she flung at him.

"They had to put up with your grandfathers." Cousin Jimmy appeared to think that this was conclusive... as anyone who had known Archibald and Hugh Murray might have very well thought.

"Cousin Jimmy, do you think I ought to go back and accept Aunt Ruth's scolding and go on as if this had never happened?"

"What do YOU think about it?" asked Cousin Jimmy. "DO take a doughnut, pussy."

This time Emily took the doughnut. She might as well have some comfort. Now, you can't eat doughnuts and remain dramatic. Try it.

Emily slipped from her peak of tragedy to the valley of petulance.

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