Элис Макдермотт - The Ninth Hour

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The Ninth Hour: краткое содержание, описание и аннотация

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On a gloomy February afternoon, Jim sends his wife Annie out to do the shopping before dark falls. He seals their meagre apartment, unhooks the gas tube inside the oven, and inhales.
Sister St. Saviour, a Little Nursing Sister of the Sick Poor, catches the scent of fire doused with water and hurries to the scene: a gathered crowd, firemen, and the distraught young widow. Moved by the girl's plight, and her unborn child, the wise nun finds Annie work in the convent's laundry – where, in turn, her daughter will grow up amidst the crank of the wringer and the hiss of the iron.
In Catholic Brooklyn in the early part of the twentieth century, decorum, superstition and shame collude to erase Jim's brief existence; and yet his suicide, although never mentioned, reverberates through many generations – testing the limits of love and sacrifice, of forgiveness and forgetfulness.
In prose of startling radiance and precision, Alice McDermott tells a story that is at once wholly individual and universal in its understanding of the human condition. Rendered with remarkable lucidity and intelligence, The Ninth Houris the crowning achievement of one of today's finest writers.

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Two weeks ago they had discharged him for unreliability and insubordination. Inside the shell of his flesh, the man he was—not the blushing, humiliated boy who stood ham-handed before them—simply shook off the blow and turned away, indifferent, free. But Annie wept when he told her, and then said angrily, through her tears, that there was a baby coming, knowing even as she said it that to break the news to him in this way was to condemn the child to a life of trouble.

He took the tea towels she had left to dry on the sink, wound them into ropes, and placed them along the sill of the kitchen window.

He carried the length of rubber tubing through the living room and into the bedroom. He slipped off his shoes, put the tube to his mouth, as if to pull smoke. He had seen this in a picture book back home: a fat sultan on a red pillow doing much the same. He sat on the edge of the bed. He bowed his head and prayed: Now and at the hour of our death. He lay back on the bed. The room had gotten dimmer still. Hour of our. Our hour. At home, his mother, the picture book spread out on her wide lap, would reach behind him to turn the clock face to the wall.

Within this very hour he would put his head on her shoulder once again. Or would he? There were moments when his faith fell out from under him like a trapdoor. He stood up. Found his nightshirt underneath his pillow and twisted it, too. Then placed it along the edge of the one window, again pushing the material into the narrow crevice where the frame met the sill, knowing all the while that the gesture was both ineffectual and unnecessary.

Down in the street, there was a good deal of movement—women mostly, because the shops were open late and the office workers had not yet begun to file home. Dark coats and hats. A baby buggy or two, the wheels turning up a pale spray. He watched two nuns in black cloaks and white wimples, their heads bent together, skim over the gray sidewalk. He watched until they were gone, his cheek now pressed to the cool window glass. When he turned back into the room, the light had failed in every corner and he had to put out his hand as he walked around the pale bed, back to his own side.

He stretched out once again. Playfully lifted the hose to one eye, as if he would see along its length the black corridor of a subway tunnel, lit gold at the farthest end by the station ahead. Then he placed the hose in his mouth and breathed deeply once more. He felt the nausea, the sudden vertigo, he had been expecting all along but had forgotten he was expecting. He closed his eyes and swallowed. Outside, a mother called to a child. There was the slow clopping of a horse-drawn cart. The feathered sound of wheels turning in street water. Something dropped to the floor in the apartment just above him—a sewing basket, perhaps—there was a thud and then a scratchy chorus of wooden spools spinning. Or maybe it was coins, spilled from a fallen purse.

* * *

AT SIX, the streetlamps against the wet dark gave a polish to the air. There was the polish of lamplight, too, on streetcar tracks and windowpanes and across the gleaming surface of the scattered black puddles in the street. Reflection of lamplight as well on the rump of the remaining fire truck and on the pale faces of the gathered crowd, with an extra gold sparkle and glint on anyone among them who wore glasses. Sister St. Saviour, for instance, a Little Nursing Sister of the Sick Poor, who had spent the afternoon in the vestibule of the Woolworth’s at Borough Hall, her alms basket in her lap. She was now on her way back to the convent, her bladder full, her ankles swollen, her round glasses turned toward the lamplight and the terrible scent of doused fire on the winter air.

The pouch with the money she had collected today was tied to her belt; the small basket she used was tucked under her cloak and under her arm. The house where the fire had been looked startled: the windows of all four floors were wide open, shade cords and thin curtains flailing in the cold air. Although the rest of the building was dark, the vestibule at the top of the stone stoop was weirdly lit, crowded with policemen and firemen carrying lamps. The front door was open, as, it appeared, was the door to the apartment on the parlor floor. Sister St. Saviour wanted only to walk on, to get to her own convent, her own room, her own toilet—her fingers were cold and her ankles swollen and her thin basket was crushed awkwardly under her arm—but still she brushed through the crowd and climbed the steps. There was a limp fire hose running along the shadowy base of the stone banister. Two of the officers in the hallway, turning to see her, tipped their hats and then put out their hands as if she had been summoned. “Sister,” one of them said. He was flushed and perspiring, and even in the dull light, she could see that the cuffs of his jacket were singed. “Right in here.”

The apartment was crowded with people, perhaps every tenant in the place. The smell of smoke and wet ash, burned wool, burned hair, was part and parcel of the thick pools of candlelight in the room, and of the heavy drone of whispered conversation. There were two groups: one was gathered around a middle-aged man in shirtsleeves and carpet slippers who was sitting in a chair by the window, his face in his hands. The other, across the room, hovered beside a woman stretched out on a dark couch, under a fringed lamp that was not lit. She had a cloth applied to her head, but she seemed to be speaking sensibly to the thin young man who leaned over her. When she saw the nun, the woman raised a limp hand and said, “She’s in the bedroom, Sister.” Her arm from wrist to elbow was glistening with a shiny salve—butter, perhaps.

“You might leave off with that grease,” Sister said. “Unless you’re determined to be basted.” The young man turned at this, laughing. He wore a gray fedora and had a milk tooth in his grin. “Have the courtesy to doff your hat,” she told him.

It was Sister St. Saviour’s vocation to enter the homes of strangers, mostly the sick and the elderly, to breeze into their apartments and to sail comfortably through their rooms, to open their linen closets or china cabinets or bureau drawers—to peer into their toilets or the soiled handkerchiefs clutched in their hands—but the frequency with which she inserted herself into the homes of strangers had not diminished over the years, her initial impulse to stand back, to shade her eyes. She dipped her head as she passed through the parlor, into a narrow corridor, but she saw enough to conclude that a Jewish woman lived here—the woman on the couch, she was certain, a Jewish woman, she only guessed, because of the fringed lampshade, the upright piano against the far wall, the dark oil paintings in the narrow hallway that seemed to depict two ordinary peasants, not saints. A place unprepared for visitors, arrested, as things so often were by crisis and tragedy, in the midst of what should have been a private hour. She saw as she passed by that there was a plate on the small table in the tiny kitchen, that it contained a half piece of bread, well bitten and stained with a dark gravy. A glass of tea on the edge of a folded newspaper.

In the candlelit bedroom, where two more policemen were conferring in the far corner, there were black stockings hung over the back of a chair, a mess of hairbrushes and handkerchiefs on the low dresser, a gray corset on the threadbare carpet at the foot of the bed. There was a girl on the bed, sideways, her dark skirt spread around her, as if she had fallen there from some height. Her back was to the room and her face to the wall. Another woman leaned over her, a hand on the girl’s shoulder.

The policemen nodded to see the nun, and the shorter one took off his cap as he moved toward her. He, too, was singed about the cuffs. He had a heavy face, stale breath, and bad dentures, but there was compassion in the way he gestured with his short arms toward the girl on the bed, toward the ceiling and the upstairs apartment where the fire had been, a compassion that seemed to weigh down his limbs. Softhearted, Sister thought, one of us. The girl, he said, had come in from her shopping and found the door to her place blocked from the inside. She went to her neighbors, the man next door and the woman who lived here. They helped her push the door open, and then the man lit a match to hold against the darkness. There was an explosion. Luckily, the policeman said, he himself was just at the corner and was able to put the fire out while neighbors carried the three of them down here. Inside, in the bedroom, he found a young man on the bed. Asphyxiated. The girl’s husband.

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