Луис Бромфилд - Early Autumn - A Story of a Lady

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Bromfield takes a close look at the Pentlands - a fictional rich family in New England - exposing the hypocrisy and ignorance behind their luxurious facade. Bromfield's eloquence when describing both his characters and their surroundings is breathtaking, and his accuracy in describing the characters' complicated emotions makes it apparent that he knows human nature very well. A fascinating study on the struggle of one woman to escape the stifling influence of her husband and in-laws.

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So she had come to seek her life among them, drawing them quietly about her wherever in the world she happened to pause for a time. She did it quietly and without loud cries of “Freedom” and “Free Love” and “The Right to Lead One’s Life,” for she was enough civilized to understand the absurdity of making a spectacle in the marketplace, and she was too intense an individualist ever to turn missionary. Here perhaps lay her quiet strength and the source of that vague distrust and uneasiness which her presence created in people like Anson and Aunt Cassie. It was unbearable for Aunt Cassie to suspect that Sabine really did not trouble even to scorn her, unbearable to an old woman who had spent all her life in arranging the lives of others to find that a chit of a woman like Sabine could discover in her only a subject of mingled mirth and pity. It was unbearable not to have the power of jolting Sabine out of her serene and insolent indifference, unbearable to know that she was always watching you out of those green eyes, turning you over and over as if you were a bug and finding you in the end an inferior sort of insect. Those who had shared the discovery of her secret were fond of her, and those who had not were bitter against her. And it was, after all, a very simple secret, that one has only to be simple and friendly and human and “complete.” She had no patience with sentimentality, and affectation and false piety.

And so the presence of Sabine began slowly to create a vaguely defined rift in a world hitherto set and complacent and even proud of itself. Something in the sight of her cold green eyes, in the sound of her metallic voice, in the sudden shrewd, disillusioning observations which she had a way of making at disconcerting moments, filled people like Aunt Cassie with uneasiness and people like Olivia with a smoldering sense of restlessness and rebellion. Olivia herself became more and more conscious of the difference with the passing of each day into the next and there were times when she suspected that that fierce old man, her father-in-law, was aware of it. It was potent because Sabine was no outsider; the mockery of an outsider would have slipped off the back of the Durham world like arrows off the back of an armadillo. But Sabine was one of them: it was that which made the difference: she was always inside the shell.

4

One hot, breathless night in June Sabine overcame her sense of bored indolence enough to give a dinner at Brook Cottage—a dinner well served, with delicious food, which it might have been said she flung at her guests with a superb air of indifference from the seat at the head of the table, where she sat painted, ugly and magnificently dressed, watching them all in a perverse sort of pleasure. It was a failure as an entertainment, for it had been years since Sabine had given a dinner where the guests were not clever enough to entertain themselves, and now that she was back again in a world where people were invited for every sort of reason save that you really wanted their company, she declined to make any effort. It was a failure, too, because Thérèse, for whom it was given, behaved exactly as she had behaved on the night of the ball. There was an uneasiness and a strain, a sense of awkwardness among the callow young men and a sense of weariness in Sabine and Olivia. O’Hara was there, for Sabine had kept her half-promise; but even he sat quietly, all his boldness and dash vanished before a boyish shyness. The whole affair seemed to be drowned in the lassitude, the enchantment that enveloped the old house on the other bank of the river.

Olivia had come, almost against her will, reduced to a state of exhaustion after a long call from Aunt Cassie on the subject of the rumored affair between Sybil and their Irish neighbor. And when they rose, she slipped quietly away into the garden, because she could not bear the thought of making strained and artificial conversation. She wanted, horribly, to be left in peace.

It was a superb night—hot, as a summer night should be—but clear, too, so that the whole sky was like a sapphire dome studded with diamonds. At the front of the cottage, beyond the borders of the little terraced garden, the marshes spread their dark carpet toward the distant dunes, which with the descent of darkness had turned dim and blue against the purer white of the line made by the foaming surf. The feel of the damp thick grass against the sole of her silver slippers led her to stop for a moment, breathing deeply, and filled her with a mild, half-mystical desire to blend herself into all the beauty that surrounded her, into the hot richness of the air, the scents of the opening blossoms and of pushing green stems, into the grass and the sea and the rich-smelling marshes, to slip away into a state which was nothing and yet everything, to float into eternity. She had abruptly an odd, confused sense of the timelessness of all these forces and sensations, of the sea and the marshes, the pushing green stems and the sapphire dome powdered with diamonds above her head. She saw for the first time in all her existence the power of something which went on and on, ignoring pitiful small creatures like herself and all those others in the cottage behind her, a power which ignored cities and armies and nations, which would go on and on long after the grass had blanketed the ruins of the old house at Pentlands. It was sweeping past her, leaving her stranded somewhere in the dull backwaters. She wanted suddenly, fiercely, to take part in all the great spectacle of eternal fertility, a mystery which was stronger than any of them or all of them together, a force which in the end would crush all their transient little prides and beliefs and traditions.

And then she thought, as if she were conscious of it for the first time, “I am tired, tired to death, and a little mad.”

Moving across the damp grass she seated herself on a stone bench which O’Hara had placed beneath one of the ancient apple trees left standing from the orchard which had covered all the land about Brook Cottage in the days when Savina Pentland was still alive; and for a long time (she never knew how long) she remained there lost in one of those strange lapses of consciousness when one is neither awake nor asleep but in the vague borderland where there is no thought, no care, no troubles. And then slowly she became aware of someone standing there quite near her, beneath the ancient, gnarled tree. As if the presence were materialized somehow out of a dream, she noticed first the faint, insinuating masculine odor of cigar-smoke blending itself with the scent of the growing flowers in Sabine’s garden, and then turning she saw a black figure which she recognized at once as that of O’Hara. There was no surprise in the sight of him; it seemed in a queer way as if she had been expecting him.

As she turned, he moved toward her and spoke. “Our garden has flourished, hasn’t it?” he asked. “You’d never think it was only a year old.”

“Yes,” she said. “It has flourished marvelously.” And then, after a little pause, “How long have you been standing there?”

“Only a moment. I saw you come out of the house.” They listened for a time to the distant melancholy pounding of the surf, and presently he said softly, with a kind of awe in his voice: “It is a marvelous night … a night full of splendor.”

She made an effort to answer him, but somehow she could think of nothing to say. The remark, uttered so quietly, astonished her, because she had never thought of O’Hara as one who would be sensitive to the beauty of a night. It was too dark to distinguish his face, but she kept seeing him as she remembered him, seeing him, too, as the others thought of him—rough and vigorous but a little common, with the sear on his temple and the intelligent blue eyes, and the springy walk, so unexpectedly easy and full of grace for a man of his size. No, one might as well have expected little Higgins the groom to say: “It is a night full of splendor.” The men she knew—Anson’s friends—never said such things. She doubted whether they would ever notice such a night, and if they did notice it, they would be a little ashamed of having done anything so unusual.

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