Луис Бромфилд - Early Autumn - A Story of a Lady

She knew it each time that she looked at her child and saw the clear gray eyes of the girl’s father looking out of the dark face with the same proud look of indifferent confidence which had fascinated her twenty years ago. So long as Thérèse was alive, she would never be able wholly to forget him.

“Go wash yourself,” she said. “Old Mr. Pentland and Olivia and Mrs. Soames are coming to dine and play bridge.”

As she dressed for dinner she no longer asked herself, “Why did I ever imagine Thérèse might find a husband here? What ever induced me to come back here to be bored all summer long?”

She had forgotten all that. She began to see that the summer held prospects of diversion. It might even turn into a fascinating game. She knew that her return had nothing to do with Thérèse’s future; she had been drawn back into Durham by some vague but overwhelming desire for mischief.

When Anson Pentland came down from the city in the evening, Olivia was always there to meet him dutifully and inquire about the day. The answers were always the same: “No, there was not much doing in town,” and, “It was very hot,” or, “I made a discovery today that will be of great use in the book.”

Then after a bath he would appear in tweeds to take his exercise in the garden, pottering about mildly and peering closely with his near-sighted blue eyes at little tags labeled “General Pershing” or “Caroline Testout” or “Poincaré” or “George Washington” which he tied carefully on the new dahlias and roses and smaller shrubs. And, more often than not, the gardener would spend half the next morning removing the tags and placing them on the proper plants, for Anson really had no interest in flowers and knew very little about them. The tagging was only a part of his passion for labeling things; it made the garden at Pentlands seem a more subdued and ordered place. Sometimes it seemed to Olivia that he went through life ticketing and pigeonholing everything that came his way: manners, emotions, thoughts, everything. It was a habit that was growing on him in middle age.

Dinner was usually late because Anson liked to take advantage of the long summer twilights, and after dinner it was the habit of all the family, save Jack, who went to bed immediately afterward, to sit in the Victorian drawing room, reading and writing letters or sometimes playing patience, with Anson in his corner at Mr. Lowell’s desk working over “The Pentland Family and the Massachusetts Bay Colony,” and keeping up a prodigious correspondence with librarians and old men and women of a genealogical bent. The routine of the evening rarely changed, for Anson disliked going out and Olivia preferred not to go alone. It was only with the beginning of the summer, when Sybil was grown and had begun to go out occasionally to dinners and balls, and the disturbing Sabine, with her passion for playing bridge, had come into the neighborhood, that the routine was beginning to break up. There were fewer evenings now with Olivia and Sybil playing patience and old John Pentland sitting by the light of Mr. Longfellow’s lamp reading or simply staring silently before him, lost in thought.

There were times in those long evenings when Olivia, looking up suddenly and for no reason at all, would discover that Sybil was sitting in the same fashion watching her, and both of them would know that they, like old John Pentland, had been sitting there all the while holding books in their hands without knowing a word of what they had read. It was as if a kind of enchantment descended upon them, as if they were waiting for something. Once or twice the silence had been broken sharply by the unbearable sound of groans coming from the north wing when she had been seized suddenly by one of her fits of violence.

Anson’s occasional comment and Olivia’s visits to Jack’s room to see that nothing had happened to him were the only interruptions. They spoke always in low voices when they played double patience in order not to disturb Anson at his work. Sometimes he encountered a bit of information for which he had been searching for a long time and then he would turn and tell them of it.

There was the night when he made his discovery about Savina Pentland. …

“I was right about Savina Pentland,” he said. “She was a first cousin and not a second cousin of Toby Cane.”

Olivia displayed an interest by saying, “Was that what you wrote to the Transcript about?”

“Yes … and I was sure that the genealogical editor was wrong. See … here it is in one of Jared Pentland’s letters at the time she was drowned. … Jared was her husband. … He refers to Toby Cane as her only male first cousin.”

“That will help you a great deal,” said Olivia, “won’t it?”

“It will help clear up the chapter about the origins of her family.” And then, after a little pause, “I wish that I could get some trace of the correspondence between Savina Pentland and Cane. I’m sure it would be full of things … but it seems not to exist … only one or two letters which tell nothing.”

And then he relapsed again into a complete and passionate silence, lost in the rustle of old books and yellowed letters, leaving the legend of Savina Pentland to take possession of the others in the room.

The memory of this woman had a way of stealing in upon the family unaware, quite without their willing it. She was always there in the house, more lively than any of the more sober ancestors, perhaps because of them all she alone had been touched by splendor; she alone had been in her reckless way a great lady. There was a power in her recklessness and extravagance which came, in the end, to obscure all those other plain, solemn-faced, thrifty wives whose portraits adorned the hall of Pentlands, much as a rising sun extinguishes the feeble light of the stars. And about her obscure origin there clung a perpetual aura of romance, since there was no one to know just who her mother was or exactly whence she came. The mother was born perhaps of stock no humbler than the first shopkeeping Pentland to land on the Cape, but there was in her the dark taint of Portuguese blood; some said that she was the daughter of a fisherman. And Savina herself had possessed enough of fascination to lure a cautious Pentland into eloping with her against the scruples that were a very fiber of the Pentland bones and flesh.

The portrait of Savina Pentland stood forth among the others in the white hall, fascinating and beautiful not only because the subject was a dark, handsome woman, but because it had been done by Ingres in Rome during the years when he made portraits of tourists to save himself from starvation. It was the likeness of a small but voluptuous woman with great wanton dark eyes and smooth black hair pulled back from a camellia-white brow and done in a little knot on the nape of the white neck—a woman who looked out of the old picture with the flashing, spirited glance of one who lived boldly and passionately. She wore a gown of peach-colored velvet ornamented with the famous parure of pearls and emeralds given her, to the scandal of a thrifty family, by the infatuated Jared Pentland. Passing the long gallery of portraits in the hallway it was always Savina Pentland whom one noticed. She reigned there as she must have reigned in life, so bold and splendorous as to seem a bit vulgar, especially in a world of such sober folk, yet so beautiful and so spirited that she made all the others seem scarcely worth consideration.

Even in death she had remained an “outsider,” for she was the only one of the family who did not rest quietly among the stunted trees at the top of the bald hill where the first Pentlands had laid their dead. All that was left of the warm, soft body lay in the white sand at the bottom of the ocean within sight of Pentlands. It was as if fate had delivered her in death into a grave as tempestuous and violent as she had been in life. And somewhere near her in the restless white sand lay Toby Cane, with whom she had gone sailing one bright summer day when a sudden squall turned a gay excursion into a tragedy.