Pelham Wodehouse - Right Ho, Jeeves

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Maybe Mephistopheles was a bad idea after all... Reviewer:
(Austin, TX)
You know things are going bad for Gussie (Agustus Fink-Nottle) when Bertie steps in to lend a able hand in his affairs..
The premise of this ridiculously funny book is simple, Gussie has fallen in love with Madeline Basset, friend of Bertie's cousin Angela, who (Angela) has quarelled with her lover and Bertie's longtime friend (the episode at the Drones notwithstanding) Tuppy Glossop over the matter of the latter not acknowledging the former's tryst with a shark at Cannes. Simple enough right? Take all these people and confine them in a country house, add a liberal dashing of Aunt Dahlia and that man of intellect Jeeves, not to mention a few assorted cooks and uncles, and you have a tale of horror (for Bertie) or a tale of absolute joy for the rest of us.
When helping convey Gussie's love to Madeline, Bertie convices Madeline that he loves her too. So when Madeline falls out with Gussie, she comes running to Bertie, who would rather she not. Tuppy, is also convinced that some low-lying snake has stolen Angela from him, and thinking that this l.l.s is Gussie. Gussie, meanwhile, to brace himself for the gruelling task of presenting the prizes in the Market Snodsbury school (for which he is down at Brinkley Court) tanks up on alchohol, and threatens to sully the Wooster name in a gathering of Market Snodsbury's finest. When the going gets tough, the tough ring for Jeeves. Can the man save the hour and untangle this absolute mess?
This is one of Wodehouses's finest Jeeves books. I say that in a different way in every review of mine, but I cant help it. The man is so good! If you cannot read this book in its entirety (shame on you!) just read the description of Gussie presenting the prizes. That one chapter will brighten your day, suffuse you in a radiant light of good cheer and make you feel that life is one great glad song.
Don't miss this book. It's an absolute ringer!

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“Thanks. Yes, I worked on him like a beaver after I got back this afternoon, and finally, vowing he would ne'er consent, he consented. He stays on, praises be, and the way I look at it now is that God's in His heaven and all's right with—”

She broke off. The door had opened, and we were plus a butler.

“Hullo, Seppings,” said Aunt Dahlia. “I thought you had gone.”

“Not yet, madam.”

“Well, I hope you will all have a good time.”

“Thank you, madam.”

“Was there something you wanted to see me about?”

“Yes, madam. It is with reference to Monsieur Anatole. Is it by your wish, madam, that Mr. Fink-Nottle is making faces at Monsieur Anatole through the skylight of his bedroom?”

-20-

There was one of those long silences. Pregnant, I believe, is what they're generally called. Aunt looked at butler. Butler looked at aunt. I looked at both of them. An eerie stillness seemed to envelop the room like a linseed poultice. I happened to be biting on a slice of apple in my fruit salad at the moment, and it sounded as if Carnera had jumped off the top of the Eiffel Tower on to a cucumber frame.

Aunt Dahlia steadied herself against the sideboard, and spoke in a low, husky voice:

“Faces?”

“Yes, madam.”

“Through the skylight?”

“Yes, madam.”

“You mean he's sitting on the roof?”

“Yes, madam. It has upset Monsieur Anatole very much.”

I suppose it was that word “upset” that touched Aunt Dahlia off. Experience had taught her what happened when Anatole got upset. I had always known her as a woman who was quite active on her pins, but I had never suspected her of being capable of the magnificent burst of speed which she now showed. Pausing merely to get a rich hunting-field expletive off her chest, she was out of the room and making for the stairs before I could swallow a sliver of—I think—banana. And feeling, as I had felt when I got that telegram of hers about Angela and Tuppy, that my place was by her side, I put down my plate and hastened after her, Seppings following at a loping gallop.

I say that my place was by her side, but it was not so dashed easy to get there, for she was setting a cracking pace. At the top of the first flight she must have led by a matter of half a dozen lengths, and was still shaking off my challenge when she rounded into the second. At the next landing, however, the gruelling going appeared to tell on her, for she slackened off a trifle and showed symptoms of roaring, and by the time we were in the straight we were running practically neck and neck. Our entry into Anatole's room was as close a finish as you could have wished to see.

Result:

1. Aunt Dahlia.

2. Bertram.

3. Seppings.

Won by a short head. Half a staircase separated second and third.

The first thing that met the eye on entering was Anatole. This wizard of the cooking-stove is a tubby little man with a moustache of the outsize or soup-strainer type, and you can generally take a line through it as to the state of his emotions. When all is well, it turns up at the ends like a sergeant-major's. When the soul is bruised, it droops.

It was drooping now, striking a sinister note. And if any shadow of doubt had remained as to how he was feeling, the way he was carrying on would have dispelled it. He was standing by the bed in pink pyjamas, waving his fists at the skylight. Through the glass, Gussie was staring down. His eyes were bulging and his mouth was open, giving him so striking a resemblance to some rare fish in an aquarium that one's primary impulse was to offer him an ant's egg.

Watching this fist-waving cook and this goggling guest, I must say that my sympathies were completely with the former. I considered him thoroughly justified in waving all the fists he wanted to.

Review the facts, I mean to say. There he had been, lying in bed, thinking idly of whatever French cooks do think about when in bed, and he had suddenly become aware of that frightful face at the window. A thing to jar the most phlegmatic. I know I should hate to be lying in bed and have Gussie popping up like that. A chap's bedroom—you can't get away from it—is his castle, and he has every right to look askance if gargoyles come glaring in at him.

While I stood musing thus, Aunt Dahlia, in her practical way, was coming straight to the point:

“What's all this?”

Anatole did a sort of Swedish exercise, starting at the base of the spine, carrying on through the shoulder-blades and finishing up among the back hair.

Then he told her.

In the chats I have had with this wonder man, I have always found his English fluent, but a bit on the mixed side. If you remember, he was with Mrs. Bingo Little for a time before coming to Brinkley, and no doubt he picked up a good deal from Bingo. Before that, he had been a couple of years with an American family at Nice and had studied under their chauffeur, one of the Maloneys of Brooklyn. So, what with Bingo and what with Maloney, he is, as I say, fluent but a bit mixed.

He spoke, in part, as follows:

“Hot dog! You ask me what is it? Listen. Make some attention a little. Me, I have hit the hay, but I do not sleep so good, and presently I wake and up I look, and there is one who make faces against me through the dashed window. Is that a pretty affair? Is that convenient? If you think I like it, you jolly well mistake yourself. I am so mad as a wet hen. And why not? I am somebody, isn't it? This is a bedroom, what-what, not a house for some apes? Then for what do blighters sit on my window so cool as a few cucumbers, making some faces?”

“Quite,” I said. Dashed reasonable, was my verdict.

He threw another look up at Gussie, and did Exercise 2—the one where you clutch the moustache, give it a tug and then start catching flies.

“Wait yet a little. I am not finish. I say I see this type on my window, making a few faces. But what then? Does he buzz off when I shout a cry, and leave me peaceable? Not on your life. He remain planted there, not giving any damns, and sit regarding me like a cat watching a duck. He make faces against me and again he make faces against me, and the more I command that he should get to hell out of here, the more he do not get to hell out of here. He cry something towards me, and I demand what is his desire, but he do not explain. Oh, no, that arrives never. He does but shrug his head. What damn silliness! Is this amusing for me? You think I like it? I am not content with such folly. I think the poor mutt's loony. Je me fiche de ce type infect. C'est idiot de faire comme ca l'oiseau.... Allez-vous-en, louffier .... Tell the boob to go away. He is mad as some March hatters.”

I must say I thought he was making out a jolly good case, and evidently Aunt Dahlia felt the same. She laid a quivering hand on his shoulder.

“I will, Monsieur Anatole, I will,” she said, and I couldn't have believed that robust voice capable of sinking to such an absolute coo. More like a turtle dove calling to its mate than anything else. “It's quite all right.”

She had said the wrong thing. He did Exercise 3.

“All right? Nom d'un nom d'un nom ! The hell you say it's all right! Of what use to pull stuff like that? Wait one half-moment. Not yet quite so quick, my old sport. It is by no means all right. See yet again a little. It is some very different dishes of fish. I can take a few smooths with a rough, it is true, but I do not find it agreeable when one play larks against me on my windows. That cannot do. A nice thing, no. I am a serious man. I do not wish a few larks on my windows. I enjoy larks on my windows worse as any. It is very little all right. If such rannygazoo is to arrive, I do not remain any longer in this house no more. I buzz off and do not stay planted.”

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