Pelham Wodehouse - Right Ho, Jeeves

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Maybe Mephistopheles was a bad idea after all... Reviewer:
(Austin, TX)
You know things are going bad for Gussie (Agustus Fink-Nottle) when Bertie steps in to lend a able hand in his affairs..
The premise of this ridiculously funny book is simple, Gussie has fallen in love with Madeline Basset, friend of Bertie's cousin Angela, who (Angela) has quarelled with her lover and Bertie's longtime friend (the episode at the Drones notwithstanding) Tuppy Glossop over the matter of the latter not acknowledging the former's tryst with a shark at Cannes. Simple enough right? Take all these people and confine them in a country house, add a liberal dashing of Aunt Dahlia and that man of intellect Jeeves, not to mention a few assorted cooks and uncles, and you have a tale of horror (for Bertie) or a tale of absolute joy for the rest of us.
When helping convey Gussie's love to Madeline, Bertie convices Madeline that he loves her too. So when Madeline falls out with Gussie, she comes running to Bertie, who would rather she not. Tuppy, is also convinced that some low-lying snake has stolen Angela from him, and thinking that this l.l.s is Gussie. Gussie, meanwhile, to brace himself for the gruelling task of presenting the prizes in the Market Snodsbury school (for which he is down at Brinkley Court) tanks up on alchohol, and threatens to sully the Wooster name in a gathering of Market Snodsbury's finest. When the going gets tough, the tough ring for Jeeves. Can the man save the hour and untangle this absolute mess?
This is one of Wodehouses's finest Jeeves books. I say that in a different way in every review of mine, but I cant help it. The man is so good! If you cannot read this book in its entirety (shame on you!) just read the description of Gussie presenting the prizes. That one chapter will brighten your day, suffuse you in a radiant light of good cheer and make you feel that life is one great glad song.
Don't miss this book. It's an absolute ringer!

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“Turn it to the wall, if it hurts you, Tuppy,” I said gently.

“Eh?”

“That photograph of Uncle Tom as the bandmaster.”

“I didn't come here to talk about photographs. I came for sympathy.”

“And you shall have it. What's the trouble? Worrying about Angela, I suppose? Well, have no fear. I have another well-laid plan for encompassing that young shrimp. I'll guarantee that she will be weeping on your neck before yonder sun has set.”

He barked sharply.

“A fat chance!”

“Tup, Tushy!”

“Eh?”

“I mean 'Tush, Tuppy.' I tell you I will do it. I was just going to describe this plan of mine to Jeeves when you came in. Care to hear it?”

“I don't want to hear any of your beastly plans. Plans are no good. She's gone and fallen in love with this other bloke, and now hates my gizzard.”

“Rot.”

“It isn't rot.”

“I tell you, Tuppy, as one who can read the female heart, that this Angela loves you still.”

“Well, it didn't look much like it in the larder last night.”

“Oh, you went to the larder last night?”

“I did.”

“And Angela was there?”

“She was. And your aunt. Also your uncle.”

I saw that I should require foot-notes. All this was new stuff to me. I had stayed at Brinkley Court quite a lot in my time, but I had no idea the larder was such a social vortex. More like a snack bar on a race-course than anything else, it seemed to have become.

“Tell me the whole story in your own words,” I said, “omitting no detail, however apparently slight, for one never knows how important the most trivial detail may be.”

He inspected the photograph for a moment with growing gloom.

“All right,” he said. “This is what happened. You know my views about that steak-and-kidney pie.”

“Quite.”

“Well, round about one a.m. I thought the time was ripe. I stole from my room and went downstairs. The pie seemed to beckon me.”

I nodded. I knew how pies do.

“I got to the larder. I fished it out. I set it on the table. I found knife and fork. I collected salt, mustard, and pepper. There were some cold potatoes. I added those. And I was about to pitch in when I heard a sound behind me, and there was your aunt at the door. In a blue-and-yellow dressing gown.”

“Embarrassing.”

“Most.”

“I suppose you didn't know where to look.”

“I looked at Angela.”

“She came in with my aunt?”

“No. With your uncle, a minute or two later. He was wearing mauve pyjamas and carried a pistol. Have you ever seen your uncle in pyjamas and a pistol?”

“Never.”

“You haven't missed much.”

“Tell me, Tuppy,” I asked, for I was anxious to ascertain this, “about Angela. Was there any momentary softening in her gaze as she fixed it on you?”

“She didn't fix it on me. She fixed it on the pie.”

“Did she say anything?”

“Not right away. Your uncle was the first to speak. He said to your aunt, 'God bless my soul, Dahlia, what are you doing here?' To which she replied, 'Well, if it comes to that, my merry somnambulist, what are you?' Your uncle then said that he thought there must be burglars in the house, as he had heard noises.”

I nodded again. I could follow the trend. Ever since the scullery window was found open the year Shining Light was disqualified in the Cesarewitch for boring, Uncle Tom has had a marked complex about burglars. I can still recall my emotions when, paying my first visit after he had bars put on all the windows and attempting to thrust the head out in order to get a sniff of country air, I nearly fractured my skull on a sort of iron grille, as worn by the tougher kinds of mediaeval prison.

“'What sort of noises?' said your aunt. 'Funny noises,' said your uncle. Whereupon Angela—with a nasty, steely tinkle in her voice, the little buzzard—observed, 'I expect it was Mr. Glossop eating.' And then she did give me a look. It was the sort of wondering, revolted look a very spiritual woman would give a fat man gulping soup in a restaurant. The kind of look that makes a fellow feel he's forty-six round the waist and has great rolls of superfluous flesh pouring down over the back of his collar. And, still speaking in the same unpleasant tone, she added, 'I ought to have told you, father, that Mr. Glossop always likes to have a good meal three or four times during the night. It helps to keep him going till breakfast. He has the most amazing appetite. See, he has practically finished a large steak-and-kidney pie already'.”

As he spoke these words, a feverish animation swept over Tuppy. His eyes glittered with a strange light, and he thumped the bed violently with his fist, nearly catching me a juicy one on the leg.

“That was what hurt, Bertie. That was what stung. I hadn't so much as started on that pie. But that's a woman all over.”

“The eternal feminine.”

“She continued her remarks. 'You've no idea,' she said, 'how Mr. Glossop loves food. He just lives for it. He always eats six or seven meals a day, and then starts in again after bedtime. I think it's rather wonderful.' Your aunt seemed interested, and said it reminded her of a boa constrictor. Angela said, didn't she mean a python? And then they argued as to which of the two it was. Your uncle, meanwhile, poking about with that damned pistol of his till human life wasn't safe in the vicinity. And the pie lying there on the table, and me unable to touch it. You begin to understand why I said I had been through hell.”

“Quite. Can't have been at all pleasant.”

“Presently your aunt and Angela settled their discussion, deciding that Angela was right and that it was a python that I reminded them of. And shortly after that we all pushed back to bed, Angela warning me in a motherly voice not to take the stairs too quickly. After seven or eight solid meals, she said, a man of my build ought to be very careful, because of the danger of apoplectic fits. She said it was the same with dogs. When they became very fat and overfed, you had to see that they didn't hurry upstairs, as it made them puff and pant, and that was bad for their hearts. She asked your aunt if she remembered the late spaniel, Ambrose; and your aunt said, 'Poor old Ambrose, you couldn't keep him away from the garbage pail'; and Angela said, 'Exactly, so do please be careful, Mr. Glossop.' And you tell me she loves me still!”

I did my best to encourage.

“Girlish banter, what?”

“Girlish banter be dashed. She's right off me. Once her ideal, I am now less than the dust beneath her chariot wheels. She became infatuated with this chap, whoever he was, at Cannes, and now she can't stand the sight of me.”

I raised my eyebrows.

“My dear Tuppy, you are not showing your usual good sense in this Angela-chap-at-Cannes matter. If you will forgive me saying so, you have got an idee fixe .”

“A what?”

“An idee fixe . You know. One of those things fellows get. Like Uncle Tom's delusion that everybody who is known even slightly to the police is lurking in the garden, waiting for a chance to break into the house. You keep talking about this chap at Cannes, and there never was a chap at Cannes, and I'll tell you why I'm so sure about this. During those two months on the Riviera, it so happens that Angela and I were practically inseparable. If there had been somebody nosing round her, I should have spotted it in a second.”

He started. I could see that this had impressed him.

“Oh, she was with you all the time at Cannes, was she?”

“I don't suppose she said two words to anybody else, except, of course, idle conv. at the crowded dinner table or a chance remark in a throng at the Casino.”

“I see. You mean that anything in the shape of mixed bathing and moonlight strolls she conducted solely in your company?”

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