Charles Lever - Tom Burke Of Ours, Volume I

TO MISS EDGEWORTH.

Madam, – This weak attempt to depict the military life of France, during the brief but glorious period of the Empire, I beg to dedicate to you. Had the scene of this, like that of my former books, been laid chiefly in Ireland, I should have felt too sensibly my own inferiority to venture on the presumption of such a step. As it is, I never was more conscious of the demerits of my volume than when inscribing it to you; but I cannot resist the temptation of being, even thus, associated with a name, – the first in my country’s literature.

Another motive I will not conceal, – the ardent desire I have to assure you, that, amid the thousands you have made better, and wiser, and happier, by your writings, you cannot count one who feels more proudly the common tie of country with you, nor more sincerely admires your goodness and your genius, than

Your devoted and obedient servant,

CHARLES J. LEVER.

Temple-O, Nov. 25, 1848.

PREFATORY EPISTLE FROM MR. BURKE.

My dear O’Flaherty, – It seems that I am to be the “next devoured.” Well, be it so; my story, such as it is, you shall have. Only one condition would I bargain for, – that you seriously disabuse your readers of the notion that the life before them was one either of much pleasure or profit. I might moralize a little here about neglected opportunities and mistaken opinions; but, as I am about to present you with my narrative, the moral – if there be one – need not be anticipated.

I believe I have nothing else to premise, save that if my tale have little wit, it has some warning; and as Bob Lambert observed to the hangman who soaped the rope for his execution, “even that same ‘s a comfort.” If our friend Lorrequer, then, will as kindly facilitate my debut, I give him free liberty to “cut me down” when he likes, and am,

Yours, as ever,

TOM BURKE.

To T. O’Flaherty, Esq.

I WAS led to write this story by two impulses: first, the fascination which the name and exploits of the great Emperor had ever exercised on my mind as a boy; and secondly, by the favorable notice which the Press had bestowed upon my scenes of soldier life in “Charles O’Malley.”

If I had not in the wars of the Empire the patriotic spirit of a great national struggle to sustain me, I had a field far wider and grander than any afforded by our Peninsular campaigns; while in the character of the French army, composed as it was of elements derived from every rank and condition, there were picturesque effects one might have sought for in vain throughout the rest of Europe.

It was my fortune to have known personally some of those who filled great parts in this glorious drama. I had listened over and over to their descriptions of scenes, to which their look, and voice, and manner imparted a thrilling intensity of interest. I had opportunities of questioning them for explanations, of asking for solutions of this and that difficulty which had puzzled me, till I grew so familiar with the great names of the time, the events, and even the localities, that when I addressed myself to my tale, it was with a mind filled by my topics to the utter exclusion of all other subjects.

Neither before nor since have I ever enjoyed to the same extent the sense of being so entirely engrossed by a single theme. A great tableau of the Empire, from its gorgeous celebrations in Paris to its numerous achievements on the field of battle, was ever outspread before me, and I sat down rather to record than to invent the scenes of my story. A feeling that, as I treated of real events I was bound to maintain a degree of accuracy in relation to them, even in fiction, made me endeavor to possess myself of a correct knowledge of localities, and, so far as I was able, with a due estimate of those whose characters I discussed.

Some of the battlefields I have gone over; of others, I have learned the particulars from witnesses of the great struggles that have made them famous. To the claim of this exactness I have, therefore, the pretension of at least the desire to be faithful. For my story, it has all the faults and shortcomings which beset everything I have ever written; for these I can but offer regrets, only the more poignant that I feel how justly they are due.

The same accuracy which I claim for scenes and situations, I should like, if I dared, to claim for the individuals who figure in this tale; but I cannot, in any fairness, pretend to more than an attempt to paint resemblances of those whom I have myself admired in the description of others. Pioche and Minette are of this number. So is, but of a very different school, the character of Duchesne; for which, however, I had what almost amounted to an original. As to the episodes of this story, one or two were communicated as facts; the others are mere invention.

I do not remember any particulars to which I should further advert; while I feel, that the longer I dwell upon the theme, the more occasion is there to entreat indulgence, – an indulgence which, if you are not weary of according, will be most gratefully accepted by

Your faithful servant,

CHARLES LEVER

Casa Capponi, Florence, May, 1867.

It was at the close of a cold, raw day in January – no matter for the year – that the Gal way mail was seen to wind its slow course through that long and dull plain that skirts the Shannon, as you approach the “sweet town of Athlone.” The reeking box-coats and dripping umbrellas that hung down on every side bespoke a day of heavy rain, while the splashed and mud-stained panels of the coach bore token of cut-up roads, which the jaded and toil-worn horses amply confirmed. If the outsiders – with hats pressed firmly down, and heads bent against the cutting wind – presented an aspect far from comfortable, those within, who peeped with difficulty through the dim glass, had little to charm the eye; their flannel nightcaps and red comforters were only to be seen at rare intervals, as they gazed on the dreary prospect, and then sank back into the coach to con over their moody thoughts, or, if fortunate, perhaps to doze.

In the rumble, with the guard, sat one whose burly figure and rosy cheeks seemed to feel no touch of the inclement wind that made his companions crouch. An oiled-silk foraging-cap fastened beneath the chin, and a large mantle of blue cloth, bespoke him a soldier, if even the assured tone of his voice and a certain easy carriage of his head had not conveyed to the acute observer the same information. Unsubdued in spirit, undepressed in mind, either by the long day of pouring rain or the melancholy outline of country on every side, his dark eye flashed as brightly from beneath the brim of his cap, and his ruddy face beamed as cheerily, as though Nature had put forth her every charm of weather and scenery to greet and delight him. Now inquiring of the guard of the various persons whose property lay on either side, the name of some poor hamlet or some humble village; now humming to himself some stray verse of an old campaigning song, – he passed his time, diversifying these amusements by a courteous salute to a gaping country girl, as, with unmeaning look, she stared at the passing coach. But his principal occupation seemed to consist in retaining one wing of his wide cloak around the figure of a little boy, who lay asleep beside him, and whose head jogged heavily against his arm with every motion of the coach.

“And so that’s Athlone, yonder, you tell me,” said the captain, for such he was, – “‘the sweet town of Athlone, ochone!’ Well, it might be worse. I ‘ve passed ten years in Africa, – on the burning coast, as they call it: you never light a fire to cook your victuals, but only lay them before the sun for ten minutes, game something less, and the joint’s done; all true, by Jove! Lie still, my young friend, or you’ll heave us both over! And whereabouts does he live, guard?”